beaded armband
| Nom de l'objet : | beaded armband |
| Artiste ou artisan : | unknown |
| Numéro de catalogue : | III-B-138 |
| Province d'origine : | unknown |
| Province d'utilisation : | unknown |
| Culture : | Barren Ground Innu |
| Contexte culturel : | MacKenzie lists mishpishun as main line for snowshoe webbing ? Line around edge? but says this definition needs to be checked. Drapeau lists mishpishun as maître-brin dans le tissage des raquettes.The original catalogue label for this object was pendant, but it is more likely to be the armband collected by William Duncan Strong and described by VanStone - Peter Armitage note. Armbands were worn over clothing, presumably by both men and women. The collection contains six pairs and six single specimens. The weaving technique for all of them is similar to that described previously for the type 1 headbands..Two pairs have milk glass buttons sewn at one end to fit through loops of thread-wrapped skin at the other...All the single armbands have loops of beads attached to the lower edge..Geometric designs in a wide variety of colors pre-dominate on these armbands, with the whale tail motif also present. Turner does not mention armbands, nor does Strong have anything to say about them in his d |
| Date de fin de production : | unknown |
| Fonctions : | Mispishun (wristband). Mispishuna (wristbands) - Munik (Gregoire) Rich. |
| Publications ou références : | James W. VanStone. 1985. Material Culture of the Davis Inlet and Barren Ground Naskapi: the William Duncan Strong Collection. Chicago: Field Museum of Natural History. Fieldiana, Anthropology New Series No.7. Lynn Drapeau. 1999. Dictionnaire Montagnais-français. Sainte-Foy: Presses de l'Université du Québec. MacKenzie Shoebox dictionary 2003. |
| Établissement : |
The Rooms, Provincial Museum
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| Ville de l'établissement : | St. John's |
| Province de l'établissement : | Newfoundland and Labrador |
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