figure
| Nom de l'objet : | figure |
|---|---|
| Type de l'objet : | figure |
| Catégorie de l'objet : | REPRESENTATIONS |
| Sous-catégorie de l'objet : | carvings & sculpture |
| Matériaux : | wood, ebony |
| Technique de fabrication : | adzed carved gouged |
| Numéro de catalogue : | Ac201 |
| Pays d'origine : | Tanzania |
| Continent d'origine : | Africa |
| Culture : | Makonde |
| Secteur géo-culturel : | Central Bantu |
| Contexte culturel : | Commercial art. |
| Date de fin de production : | 1980 |
| Description : | Totem of human, animal figures, and heads. One side of the sculpture is occupied almost entirely by the back view of a squatting male figure clothed in a loincloth. The head is turned to the right with the arms bent at the elbows and raised, extending sli |
| Fonctions : | The Makonde were a matriarchal, agricultural society. Traditionally, it is thought, the sculpture of the Makonde was restricted to ceremonial and ritual goods. Shetani spirits or creatures, now seen in contemporary Makonde sculpture, were probably unknown before the advent of commercial art production in the mid-1950's. Tales of encounters with these rarely seen spirits or creatures were part of Makonde mythology and folklore and may have served as artistic inspiration for the pieces. |
| Hauteur : | 92.5 |
| Largeur : | 26 |
| Profondeur : | 18.9 |
| Unité de mesure linéaire : | cm |
| Signification iconographique : | Deep striations on the surface seem to suggest the depiction of the dead in human or spirit form. |
| Département : | Museum of Anthropology |
| Établissement : |
UBC Museum of Anthropology
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| Ville de l'établissement : | Vancouver |
| Province de l'établissement : | British Columbia |
| Enregistrement de l'institution : | Fiche complète provenant du site du musée |