cap
Nom de l'objet : | cap |
Artiste ou artisan : | Huatta Cruz, Esteban |
Type de l'objet : | cap |
Catégorie de l'objet : | DRESS & ADORNMENT |
Sous-catégorie de l'objet : | textiles |
Matériaux : | dye fibre, synthetic |
Technique de fabrication : | knitted sewn |
Numéro de catalogue : | Sf928 |
Province d'origine : | Puno |
Pays d'origine : | Peru |
Continent d'origine : | Central & South America |
Autres données géographiques : | Lake Titicaca Island |
Culture : | Quechua: Taquile |
Secteur géo-culturel : | Andes |
Contexte culturel : | young boy |
Date de début de production : | 1979 |
Date de fin de production : | 1979 |
Description : | A conical stocking cap with a red tassel at the top and a ribbed frill around the bottom. The top half is white, with a pink band between it and the bottom half, which has three bands of motifs on a red background, separated by thin blue lines. Two bands |
Commentaires : | Knitted by Esteban Huatta Cruz for use by his young son, Selvano. Worn on a daily basis inside and outside the house until the youngster switches to the brimless cap of the unmarried man. |
Fonctions : | The colour, extent of patterning, shape and the manner in which chullus or caps are worn signal differences in age, sex and status of the wearer. Females wear chullus in early childhood, but only males wear them later in life. Traditionally, knitting is done only by men and boys, formerly for chullus, but recently also for vest fronts, coin purses, gloves, ties, vests and sweaters which are sold to tourists. The white unpatterned top indicates this is a boy's hat and the brim indicates it is a toddler's hat. |
Hauteur : | 43.5 |
Largeur : | 26.5 |
Unité de mesure linéaire : | cm |
Signification iconographique : | The range of motifs refers to local geography and landmarks, ecology, fecundity as well as luck. The six part circle refers to the division of land into six sections on Taquile and the rotation of crops and fallow periods. The s or z shaped reverse curve can refer to the boat port or other objects that contain the idea of turning or returning such as a recurved potato hook. The cross or x-shape can refer to the warping cross in weaving, the crossroads or other intersections. The stepped diagonal lines refer to stairs on the steep island, but also to the connection with the afterworld in a particular myth. The motifs represent basic concepts or interrelationships and may have different particular references. |
Département : | Museum of Anthropology |
Établissement : | UBC Museum of Anthropology Facebook-UBC Museum of Anthropology Twitter-UBC Museum of Anthropology YouTube-UBC Museum of Anthropology |
Ville de l'établissement : | Vancouver |
Province de l'établissement : | British Columbia |
Enregistrement de l'institution : | Fiche complète provenant du site du musée |
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