bottle
| Nom de l'objet : | bottle |
|---|---|
| Type de l'objet : | bottle |
| Catégorie de l'objet : | MORTUARY OBJECTS |
| Sous-catégorie de l'objet : | ceramics |
| Matériaux : | glaze clay |
| Technique de fabrication : | fired glazed thrown |
| Numéro de catalogue : | Ia287 |
| Province d'origine : | Laguna |
| Pays d'origine : | Philippines |
| Continent d'origine : | Asia |
| Culture : | Philippines |
| Secteur géo-culturel : | Philippines & Taiwan |
| Contexte culturel : | ceremonial mortuary exchange status |
| Date de début de production : | 960 |
| Date de fin de production : | 1279 |
| Période : | Song Dynasty |
| Description : | A pear-shape, lopsided bottle with medium mouth, flat base and no decorations. Upper part tapered and sagged at firing towards wide diameter of body where wheel marks are more apparent. There are two flat horizontal knife grooves on one side of body. Colo |
| Commentaires : | This bottle is part of a collection of Chinese ceramics found in burial context in the Philippines and was excavated in Lumban, Laguna Province, Philippines. |
| Fonctions : | Chinese ceramics were important trade items in Southeast Asia during the 11th - 16th century C.E. Due to their physical characteristics - resonance, vitreosity, durability - Chinese ceramics became fully integrated with the ideology and ritual in Philippine societies and played an important role in all aspects of cultural life (Langrick, p.61). Their functions were varied and included utilitarian, ceremonial, religious roles, as heirlooms, in mortuary ceremonies as burial goods and as items of prestige. As burial goods, imported Chinese ceramics constitute the vast majority of goods excavated in the Philippines. Buried with the deceased, they acted as indicators of wealth, protected the departing spirit from evil and served as provisions for the afterlife. Turned-over plates and bowls were used to cover certain parts of the body - the head and neck, hands, pelvis and feet - establishing a protective area around the body. Much of the excavated ceramics are consciously miniaturized replicas of larger, more functional vessels. These miniatures served as symbolic substitutes as provisions for the afterlife. In addition, small jarlets and bottles and other containers were used for ritual substances (oils, herbs, aromatic resins) and for food offerings necessary for the departing spirit. It is also important to note that much of the trade ceramics excavated in the Philippines show little or no evidence of usage before burial. It appears that most of the wares were kiln seconds or rejects. They were nevertheless regarded with high esteem and actively traded. |
| Hauteur : | 3.4 |
| Diamètre extérieur : | 3.5 |
| Unité de mesure linéaire : | in |
| Signification iconographique : | In many indigenous groups of the Philippines, supernatural power was attributed to Chinese ceramics because of the ringing sound emitted when lightly tapped and their vitreous, shiny glazed surfaces which impart an impermeable quality. The ringing sound was seen as a magical voice able to attract the attention of powerful ancestor spirits. Their impermeable and seemingly imperishable surfaces were believed to have great protective power against all kinds of influences, from evil spirits to poisons (Langrick, p. 55-56). |
| Département : | Museum of Anthropology |
| Établissement : |
UBC Museum of Anthropology
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| Ville de l'établissement : | Vancouver |
| Province de l'établissement : | British Columbia |
| Enregistrement de l'institution : | Fiche complète provenant du site du musée |