figure
| Nom de l'objet : | figure |
| Type de l'objet : | figure |
| Catégorie de l'objet : | REPRESENTATIONS |
| Sous-catégorie de l'objet : | carvings & sculpture |
| Matériaux : | wood, ebony |
| Technique de fabrication : | adzed carved gouged |
| Numéro de catalogue : | Ac142 |
| Pays d'origine : | Tanzania |
| Continent d'origine : | Africa |
| Culture : | Makonde |
| Secteur géo-culturel : | Central Bantu |
| Contexte culturel : | Commercial art. |
| Date de fin de production : | 1980 |
| Description : | Figure of a woman standing on her head connected in a sexual act to a male figure standing upright above her. The male humanoid figure is characterized by a bird-like head turned over the right shoulder and has two claws on each hand and foot. His feet ar |
| Fonctions : | The Makonde were a matriarchal, agricultural society. Traditionally, it is thought, the sculpture of the Makonde was restricted to ceremonial and ritual goods. Shetani spirits or creatures, now seen in contemporary Makonde sculpture, were probably unknown before the advent of commercial art production in the mid-1950's. Tales of encounters with these rarely seen spirits or creatures were part of Makonde mythology and folklore and may have served as artistic inspiration for the pieces. |
| Hauteur : | 63.8 |
| Largeur : | 16.4 |
| Profondeur : | 7.4 |
| Unité de mesure linéaire : | cm |
| Signification iconographique : | Female fertility is a common theme in Makonde myths. |
| Département : | Museum of Anthropology |
| Établissement : |
UBC Museum of Anthropology
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|
| Ville de l'établissement : | Vancouver |
| Province de l'établissement : | British Columbia |
| Enregistrement de l'institution : | Fiche complète provenant du site du musée |
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