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| Numéro d'enregistrement |
Données de l'enregistrement |
| 1 |
Pour © contacter :
Campbell House Museum
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- Nom de l'objet :
- tankard
pour l'enregistrement AEEB974 022
- Fabricant :
- Edmé Samson (1810-1891) of Edmé Samson et cie, was a prolific maker of copies specializing in copies of every sort of porcelain, enamel and faience. The company made a vast range and quantity of high-quality reproductions, particularly of Chinese, German and French porcelain. It copied all of the popular eighteenth-century early English porcelain. It copied the marks of the original factories, but it also used the company's own mark of the letter S crossed, occasionally to be found hidden away inside the fore rim or amongst the scroll work on the face of a figure. Marked pieces are the exception rather than the rule. The French copies of English porcelain are in hard paste rather than the original soft paste used by all English firms except Plymouth and Bristol. The fact that hard paste is much whiter than soft paste helps to differentiate copies from originals. The company also copied the irregularities of the originals, such as the blurred effects of blue and white.
- Date de fin de production :
- late 19th century
- Matériaux :
- ceramic
- Numéro d'accession :
- 974 022
- Établissement :
-
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| 2 |
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- Nom de l'objet :
- soup bowl
pour l'enregistrement AEEB975 004 001
- Fabricant :
- Derby Porcelain Works. "William Duesbury, a London porcelain decorator, became an important figure from 1756 among the porcelain factories in Derby when he founded the Derby Porcelain Works. He bought the Chelsea factory in 1770, and was succeeded by William Duesbury II in 1786. Specialized in figure-making and fine cabinet wares from 1770s. Major decorators included William Billingsley and superb flower and landscape painters. Factory purchased in 1811by Robert Bloor and continued until 1848."
Sources: Twitchett, J., "Derby Porcelain". Barrie & Jenkins, 1980
Twitchett, J. and B. Bailey, "Royal Crown Derby". Barrie & Jenkins, 1976.
- Date de fin de production :
- circa 1820
- Matériaux :
- ceramic
- Numéro d'accession :
- 975 004 001
- Établissement :
-
Campbell House Museum
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| 3 |
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- Nom de l'objet :
- Staircase
pour l'enregistrement AEEBHOUSE MAIN STAIRCASE
- Date de fin de production :
- 1822
- Numéro d'accession :
- House Main Staircase
- Établissement :
-
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| 4 |
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- Nom de l'objet :
- epergne
pour l'enregistrement AEEB975 005
- Artiste ou artisan :
- William Stevenson: a London maker
- Fabricant :
- William Sumner, spoon maker
- Date de fin de production :
- 1813 - 1814
- Matériaux :
- metal, silver
glass
- Numéro d'accession :
- 975 005
- Établissement :
-
Campbell House Museum
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| 5 |
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- Nom de l'objet :
- pitcher
pour l'enregistrement AEEB987 004
- Fabricant :
- Davenport, c.1797 " 1887. A major factory in Longport, Staffordshire, founded by John Davenport. Hybrid hard paste porcelain made from about 1800 and bone china from c.1808, as well as a range of earthenware's. Tea and dessert wares included a range of Imari patterns in Derby style. Marks: various marks combining the name Davenport and an anchor. Also printed marks, Davenport, Longport, Staffordshire."
Original reference: "Geoffrey Godden & Terence Lockett, "Davenport Pottery & Porcelain", Barrie & Jenkins, 1989.
The impressed mark "DAVENPORT" (alone or with an anchor) in uppercase letters is found on dishes manufactured subsequent to 1805.
Reference: Geoffrey A. Godden, "Encyclopaedia of British Pottery and Porcelain Marks". Barrie & Jenkins Ltd., London, 1964, p.189.
"In 1773 in Longport, Staffordshire a pottery was established which was purchased in 1793 by John Davenport, who successfully imitated Wedgewood ware. In 1835, the firm was named William Davenport an
- Date de début de production :
- circa 1805
- Date de fin de production :
- circa 1820
- Matériaux :
- ceramic, stoneware
- Numéro d'accession :
- 987 004
- Établissement :
-
Campbell House Museum
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| 6 |
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- Nom de l'objet :
- platter
pour l'enregistrement AEEB975 004 019
- Fabricant :
- Derby Porcelain Works. "William Duesbury, a London porcelain decorator, became an important figure from 1756 among the porcelain factories in Derby when he founded the Derby Porcelain Works. He bought the Chelsea factory in 1770, and was succeeded by William Duesbury II in 1786. Specialized in figure-making and fine cabinet wares from 1770s. Major decorators included William Billingsley and superb flower and landscape painters. Factory purchased in 1811by Robert Bloor and continued until 1848."
Sources: Twitchett, J., "Derby Porcelain". Barrie & Jenkins, 1980
Twitchett, J. and B. Bailey, "Royal Crown Derby". Barrie & Jenkins, 1976.
- Date de fin de production :
- circa 1820
- Matériaux :
- ceramic
- Numéro d'accession :
- 975 004 019
- Établissement :
-
Campbell House Museum
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| 7 |
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- Nom de l'objet :
- sauceboat
pour l'enregistrement AEEB975 004 017
- Fabricant :
- Derby Porcelain Works. "William Duesbury, a London porcelain decorator, became an important figure from 1756 among the porcelain factories in Derby when he founded the Derby Porcelain Works. He bought the Chelsea factory in 1770, and was succeeded by William Duesbury II in 1786. Specialized in figure-making and fine cabinet wares from 1770s. Major decorators included William Billingsley and superb flower and landscape painters. Factory purchased in 1811 by Robert Bloor and continued until 1848."
Sources: Twitchett, J., "Derby Porcelain". Barrie & Jenkins, 1980
Twitchett, J. and B. Bailey, "Royal Crown Derby". Barrie & Jenkins, 1976.
- Matériaux :
- ceramic
- Support :
- circa 1820
- Numéro d'accession :
- 975 004 017
- Établissement :
-
Campbell House Museum
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| 8 |
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- Nom de l'objet :
- dinner plate
pour l'enregistrement AEEB975 004 026
- Fabricant :
- Derby Porcelain Works. "William Duesbury, a London porcelain decorator, became an important figure from 1756 among the porcelain factories in Derby when he founded the Derby Porcelain Works. He bought the Chelsea factory in 1770, and was succeeded by William Duesbury II in 1786. Specialized in figure-making and fine cabinet wares from 1770s. Major decorators included William Billingsley and superb flower and landscape painters. Factory purchased in 1811by Robert Bloor and continued until 1848."
Sources: Twitchett, J., "Derby Porcelain". Barrie & Jenkins, 1980
Twitchett, J. and B. Bailey, "Royal Crown Derby". Barrie & Jenkins, 1976.
- Date de fin de production :
- circa 1820
- Matériaux :
- ceramic
- Numéro d'accession :
- 975 004 026
- Établissement :
-
Campbell House Museum
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| 9 |
Pour © contacter :
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- Nom de l'objet :
- Bust
pour l'enregistrement AEEBROBINETTE BUST
- Titre :
- John J. Robinette C.C., Q.C., First President of The Advocates' Society, 1965-1966
- Artiste ou artisan :
- lawyer and sculptor
worked for Law Society of Upper Canada from 1958 to 1988
known for his portraits in bronze of many prominent Canadians
designed the logo of The Advocates' Society
- Date de début de production :
- 1983
- Date de fin de production :
- 1983
- Matériaux :
- Bronze
- Numéro d'accession :
- Robinette Bust
- Établissement :
-
Campbell House Museum
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| 10 |
Pour © contacter :
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- Nom de l'objet :
- crock
pour l'enregistrement AEEB2005_004_A
- Type de l'objet :
- container
- Matériaux :
- ceramic
- Numéro d'accession :
- 2005_004_a
- Établissement :
-
Campbell House Museum
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