Notice catalographique « Plaster casts : making, collecting and displaying from classic antiquity to the present »

• Frederiksen, Rune
• Marchand, Eckart

Antiquity

p.13
Plaster casts in antiquity (Rune Frederiksen)

p.35
The Baiae casts and the uniqueness of Roman copies (Christa Landwehr)

The Renaissance

p.49
Plaster and plaster casts in Renaissance Italy (Eckart Marchand)

p.81
"Giving away the moulds will cause no damage to his Majesty's casts" - new documents on the Vienna Jüngling and the sixteenth-century dissemination of casts after the antique in the Holy Roman Empire (Walter Cupperi)

p.99
"Makinge of moldes for the walles" - the stuccoes of Nonsuch: materials, methods and origins (Martin Biddle)

Making and distribution from the eighteenth to the twentieth century

p.121
"Moulded from the best originals of Rome" - eighteenth-century production and trade of plaster casts after antique sculpture in Germany (Charlotte Schreiter)

p.143
Laocoön in Scandinavia - uses and workshops 1587 onwards (Jan Zahle)

p.163
How the smiths made a living (Peter Malone)

Artists' academics

p.181
Plaster casts and memory technique: Nicolas Vleughel's display of cast collections after the antique in the French Academy in Rome (1725-1793) (Tomas Macsotay)

p.197
Incorporating antiquity - the Berlin Academy of Arts' plaster cast collection from 1786 until 1815: acquisition, use and interpretation (Claudia Sedlarz)

p.229
Art and pedagogy in the plaster cast collection of the Academia de San Carlos in Mexico City (Elizabeth Fuentes Rojas)

Artists' workshops

p.251
Picturing the use, collecting and display of plaster casts in seventeenth- and eighteenth-century artists' studios in Antwerp and Brussels (Léon E. Lock)

p.269
Modern sculpture in the making: Antonio Canova and plaster casts (Johannes Myssok)

p.289
Chantrey and the original models (Matthew Greg Sullivan)

p.307
Live body moulding and maternal devotion in Marcello's studio (Jean-François Corpataux)

p.319
Shattering the mould: Medardo Rosso and the poetics of plaster (Sharon Hecker)

p.331
"Impressionism solidified" - Umberto Boccioni's works in plaster and the definition of modernity in sculpture (Maria Elena Versari)

p.351
Outside in: the after-life of the plaster cast in contemporary culture (Sue Malvern)

p.359
Inside out: a process for production (Jane McAdam Freud)

Conservation

p.369
The plaster decoration of the choir screens in the Church of Our Lady in Halberstadt: a current conservation project (Daniela Arnold, Torsten Arnold and Elisabeth Rüber-Schütte)

p.385
The restoration of two plaster casts acquired by Velázquez in the seventeenth century: the Hercules and Flora Farnese (Ángeles Solís Parra, Judit Gasca Miramón, Silvia Viana Sánchez and José Mar­ía Luzón Nogué)

p.403
The contribution of plaster sculptures and casts to successful conservation interventions at the National Gallery of Greece, Athens (Maria Kliafa and Michael Doulgeridis)

Architectural models and collections after gems

p.419
Plaster models and plaster casts of classical architecture and its decoration (Valentin Kockel)

p.435
A Dactyliotheca by James Tassie and other collections of gem impressions at the University of Göttingen (Daniel Graepler)

p.451
A munificent gift: cast collections of gem impressions from the Sir Henry Welcome Trust (Claudia Wagner and Gertrud Seidmann)

Casting nations: the national museum

p.465
"The question of casts" - collecting and later reassessment of the cast collections at South Kensington (Diane Bilbey and Marjorie Trusted)

p.485
The reproductive continuum: plaster casts, paper mosaics and photographs as complementary modes of reproduction in the nineteenth-century museum (Malcolm Baker)

p.501
Plaster casts and postcards: the postcard edition of the Musée de Sculpture Comparée at Paris (Axel Gampp)

p.519
More valuable than originals? The plaster cast collection in the National Museum of Prague (1818-2008): its history and predecessors (Dana Stehliková)

p.539
Building a small Albertinum in Moscow: the correspondence between Georg Treu and Ivan Tsvataev (Tobias Burg)

p.557
Cast collecting in the United States (Stephen L. Dyson)

p.577
Colonial contexts: the changing meanings of the cast collection of the Auckland War Memorial Museum (Ian Cooke)

Display and the future of plaster casts

p.597
Sir John Soane's casts as part of his Academy of Architecture at 13 Lincoln's Inn Fields (Helen Dorey)

p.611
The museum as a Manifesto of taste and ideology: the twentieth-century plaster cast collection of archaeology and art at the University of Padua (Alessandra Menegazzi)

p.627
Living with plaster casts (James Perkins)

p.635
Le jardin des plâtres: un autre regard sur les collections de moulages
The garden of plaster casts: a different view on cast collections (Bernard van den Driessche)

• Antiquities - Collection and preservation - Congresses
• Cultural property - Protection - Congresses
• Plaster casts - Congresses
• Sculpture, ancient - Conservation and restoration - Congresses
• Art, ancient - Conservation and restoration - Congresses
• Archaeology - Methodology - Congresses
• Antiquités - Collections et conservation - Congrès
• Biens culturels - Protection - Congrès
• Sculpture antique - Conservation et restauration - Congrès
• Art antique - Conservation et restauration - Congrès
• Archéologie - Méthodologie - Congrès