Notice catalographique « The broad spectrum : studies in the materials, techniques and conservation of color on paper »
- Titre
- The broad spectrum : studies in the materials, techniques and conservation of color on paper
- Auteur ou éditeur
- Stratis, Harriet K., ed.
- Salvesen, Britt, ed.
- Lieu de publication
- London
- Maison d'édition
- Archetype Publications
- Date de publication
- 2002
- Collation
- 264 p.
- Table des matières
Contents:
Chapter 1: Pastel and Chalk
An Aesthetic Overview of the Pastel Palette: 1 500-1900
Marjorie Shelley
Distinguishing Between Chalk and Pastel in Early Drawings
Thea Burns
Making Up the Face: Technique and Meaning in the Pastels of Rosalba Carriera
Thea Burns
Materials. Methods, and Meanings in Edgar Degas's Late Pastels
Richard Kendall
An Investigation of the Pastels of Giuseppe De Nittis and the Pastel Revival of the Later Nineteenth Century
Anne F. Maheux
James McNeill Whistler: The Color of Line
Margaret F. MacDonald
Blues and Browns and Drabs: The Evolution of Colored Papers
Peter Bower
Housing a Pastel Collection at the National Archives of Canada. Part 1: Pick It Up ... and Move It Out
Gilbert L. Gignac and Gregory J. Hill
Housing a Pastel Collection at the National Archives of Canada. Part II: God Is in the Details: The Conservation Treatment of Early Canadian Pastels
Maria Bedynski and Gregory J. Hill
Chapter 2: Watercolor and Ink
Cause and Effect in the Historical Development of Watercolor
Marjorie B. Cohn
Observations on the Functions of Watercolors and Pastels in Italian Renaissance Drawings
Thomas McGrath
The History and Technology of Renaissance and Baroque Hand-Colored Prints
Susan Dackerman and Thomas Primeau
The Analysis of Watercolor Materials, in Particular Turner's Watercolors at the Tate Gallery (1790s to 1840s)
Joyce H. Townsend
Paul Cezanne's Watercolors: His Choice of Pigments and Papers
Faith Zieske
Winslow Homer's Watercolor Pigments
Barbara Berrie
The History and Use of Colored Inks
Carlo James
Aging of Paper and Pigments Containing Iron and Copper: A Review
Vincent Daniels
Effects of Aqueous Treatment on Iron-Gall Ink Monitoring Iron Migration with the Iron (II) Indicator Test
Elmer Eusman
All the Colors of White: The Changing Nature of White Papers
Peter Bower
Chapter 3: Nineteenth and Twentieth Century Materials
In the Kitchen with Paul Gauguin: Devising Recipes for a Symbolist Graphic Aesthetic
Peter Kort Zegers
The Use and Misuse of Distemper in the Works of Edouard Vuillard: A Curator's View
Gloria Groom
The Use and Misuse of Distemper in the Works of Edouard Vuillard: A Conservator's View
Faye T. Wrubel
The Treatment of Two Karel Appel Gouaches
Daylight Fluorescent Colors as Artistic Media
Margaret Holben Ellis
Assessing the Impact of Storage Environments on the Color Transfer of Felt-Tipped Pen on paper
Barbara Rosenberg
The Preservation and Conservation of Ink Jet and Electrophotographic Printed Materials
Debbie Glynn
On Material(ism) or Why Painting Conservators Have All the Fun
Daria Keynan
Chapter 4: The Materials of Asian Art
Color as Language in Traditional Japanese Prints
Roger S. Keyes and Elizabeth L. Coombs
Aqueous Treatment of Ukiyo-e Prints of the Edo Period: Three Case Studies
Pamela de Tristan
Painted Japanese Paper Screens: The Consolidation of Paint Layers on a Paper Substrate
Sandra Grantham and Alan Cummings
The Conservation of a Set of Japanese Fusuma
Mitsuhiro Abe and Sydney Thomson
Chinese Color Printing Technology and History in the Ten Bamboo Studio Manual of Painting and Calligraphy
Indian Paintings on Paper, Textile, and Mica: Conservation, Storage, and Display
Mike Wheeler, Pauline Webber
Chapter 5: The Assessment of Fading
Statistics without Anesthesia: Interpreting Color Data
Roy Perkinson
The Use of the X-Rite Colortron for Color Measurement of Watercolors
Barbara J. Mangum
Pursuing the Fugitive: Direct Measurement of Light Sensitivity with Micro-Fading Tests
Paul M Whitmore
The User's Point of View: Micro-Fading Test Results and the Shaping of Exhibition Policy
Craigen Bowen, Barbara J. Mangum, and Meredith Montague
- Autres titres
- The broad spectrum : studies in the materials, techniques and conservation of colour on paper
- Langue
- English = Anglais
- Sujet
- Art - Conservation and restoration
- Paper - Preservation
- Pigments
- Color in art
- Art - Technique
- Artists' materials
- Museum conservation methods
- Art - Conservation et restauration
- Matériel d'artistes
- Couleur dans l'art
- Musées - Méthodes de conservation
- Papier - Conservation
- ISBN/ISSN
- 1-87313-257-3
- Pays
- United Kingdom
- Type de document
- Monograph = Monographie
- Localisation
- N 8560 B76
- Clé
- 13269
- Collection
- Catalogue