Notice catalographique « Authenticity and replication : the 'real thing' in art and conservation : Proceedings of the International Conference held at the University of Glasgow, 6-7 December 2012 »

• Gordon, Rebecca
• Hermens, Erma
• Lennard, Frances

1. Opening thoughts

‘Indisputable authenticity’: engaging with the real in the museum
Mary M. Brooks

2. Challenging authenticities and the ‘real thing’

Bringing the past to life? Exploring the role of authenticity in developing young people’s historical understanding
Ceri Jones

Conservation of Japanese paintings on paper and silk: tradition and innovation
Keisuke Sugiyama

Baskinta’s Mother(s) of God: one strainer with two paintings found in the Convent of Saint Sassine in Lebanon
Kerstin Khalife, Cristoph Krekel and Aline El Maalouf

Twenty-first century approaches to reframing Italian Renaissance panels at the National Gallery
Harriet O’Neill

Differing interpretations of the authenticity of an Ushak carpet from The Metropolitan Museum of Art
Giulia Chiostrini

‘And I know damned-well what he wanted!’: deliberate alteration and interpretations of intent in several late sculptures by David Smith
Richard Mulholland

The Triumph of the Virgin: unravelling authenticities in a Glasgow Museums’ tapestry
Sarah Foskett

Identifying and pursuing authenticity in contemporary art
Rebecca Gordon

3. Artist in conversation

‘Real Life’ questions of authenticity
Ross Sinclair

4. Replication and its relationship with the ‘real thing’

Definitions of authenticity: a study of the relationship between the reproduction and original Gone With The Wind costumes at the Harry Ransom Center
Jill Morena

Calling authenticity into question: investigating the production of versions and copies in Tudor portraiture
Sophie Plender and Polly Saltmarsh

Rediscovering the Unicorn tapestries
Caron Penney

Stitching the twenty-first century into a Gilded Age Mansion
Alexandra Allardt

Dressing up for the Preston Guild: a ‘very admirable and correct costume!’
Uthra Rajgopal

Authenticity in the revival of Orthodox ecclesiastical embroidery in post-Soviet Russia
Luba Dovgan Nurse, Dinah Eastop and Mary M. Brooks

Experiencing the authentic: the reconstruction of the Tingelstad frontal, a Norwegian altar frontal from the 13th century
Katrine Scharffenberg and Anne Milnes

How to keep what was intended to be temporarily functional? Reflections on decision-making for the conservation of polyurethane ready-to-wear fashion
Susana França de Sá, Joana Lia Ferreira, Ana Maria Ramos, Bárbara Coutinho and Rita Macedo

Cultural heritage online: questions of authenticity, authority and authorship
Anna Bülow and Dinah Eastop

• Art - Expertising
• Painting - Expertising
• Art - Expertise
• Peinture - Expertise