Notice catalographique « ICOM Committee for Conservation, ICOM-CC : 13th Triennial Meeting, Rio de Janeiro, 22-27 September 2002 : preprints »
- Titre
- ICOM Committee for Conservation, ICOM-CC : 13th Triennial Meeting, Rio de Janeiro, 22-27 September 2002 : preprints
- Auteur ou éditeur
- Vontobel, Roy
- ICOM Committee for Conservation
- Lieu de publication
- Rome
- Maison d'édition
- ICOM-CC
- Date de publication
- 2002
- Collation
- 2 v.
- Table des matières
Contents:
The continuing development of a practical lighting policy for works of art on paper and other object types at the Victoria and Albert Museum
Development of a Web-based software tool for predicting the occurrence and effect of air pollutants inside museum buildings
Solarization: A cheap but effective method to disinfest museum objects
Opening the box: developing the Collections Centre at the Museum of Science and Industry in Manchester
Emergency planning for cultural institutions: the process and some of its challenges
Conservation of objects in transit - the loan of works of art in Brazil - growing demand, growing care and expertise
Issues related to the application of museum air quality standards: responses to allegations of damage to the National Gallery of Australia collections
Predicting the unpredictable: how does the museum environment fluctuate
Controlled ventilation and heating to preserve collections in historic buildings in hot and humid regions
Double the life for each five-degree drop, more than double the life for each halving of relative humidity
S. Michalski
Damage assessment of museum environments using paint-based dosimetry
How to protect glazed pictures from climatic insult
House of Rui Barbosa Museum: a preventive conservation plan based on an environmental control strategy
Vibration damage levels for museum objects
Evaluation of portable equipment for large-scale deinfestation in museum collections using a low-oxygen environment
A risk model for collection preservation In control or simply monitoring ? The protection of museum collections from dust and vibration during building works
Generation 2, a project to assure quality and continuity of training for museum professionals in Africa
Communication and technology: assessing the potential of distance learning experience in career entry and
continuing professional development in conservation education
The wall paintings in Tirsted Church: problems of aesthetic presentation after the fourth re-restoration
The Nation's Equipment Funding Conservation Provision and Training for Museums and Galleries in the U.K., 1969-1984
Documenting conservation through oral history
A brief review of the conservation of wall paintings in Mexico
Memoire des restaurations: reflexron sur la documentation servant a etablir l'histoire de la restauration des tableau; du Louvre
Changing, attitudes towards restoration
In their own words: painting conservation and restoration in nineteenth-century America according to the artists and restorers who recorded their practices and beliefs
Conserving the Kamehameha monument in Hawaii: a case study in public conservation
The relative importance of surface roughness and refractive index in the effects of varnishes on the appearance of paintings
The use of multi-channel visible spectrum imaging for pigment identification
Identification of pigments and media from a paint cross-section by direct mass spectrometry and high-resolution imaging mass spectrometric and microspectroscopic techniques
Thermally assisted hydrolysis and methvlation-gas chromatography-mass spectrometry for the chemical characterization of traditional and synthetic binders
Non-destructive spectroscopic investigations of dyed textiles: an application to yellow- dyed wool samples
Scientific investigation of surface cleaning processes: quantitative study, of gel residue on porous and topographically complex surfaces
Controlled laser cleaning of fire-damaged paintings
A database of artists' materials from paintings examined at the Courtauld Institute of Art
Conservation documentation at the National Museums of Scotland
J. Clark
Cultural content in a new millennium
The Digital Image System
EROS: an open source, multilingual research system for image content retrieval dedicated to conservation-restoration exchange between cultural institutions
CRISATEL: high definition spectral digital imaging of paintings with simulation of varnish removal
ACOHIR: a system for 3D digitization applied to conservation and research imaging
Structural treatments for canvas paintings in 2002: summary of questionnaire replies
The yellowing / bleaching of oil paintings and oil paint samples, including the effect of oil processing, driers and mediums on the colour of lead white paint
L. Carlyle, N. Binnie, E. Kaminska, A. Ruggles
Self-expansion stretcher for two-sided paintings: floating auto-adapting suspension system
The restoration history of a late fifteenth-century German altarpiece and how it reflects philosophical trends in conservation
Detection of residues on the surfaces of objects previously treated with aqueous solvent gels
An alternative adjustable aluminium spring stretcher for a large painting
The attraction of magnets as a conservation tool
An investigation into the adhesive bond and transfer of tension in lined canvas paintings
Echos d'un chef-d'oeuvre perdu de Pierre Bruegel l'Ancien: les deux versions de la Chute d'Icare conservees a Bruxelles
A technical study of Ferdinand Hodler's painting technique: work in progress
Made in BraziP Eckhout and Post, Dutch painters in Brazil, 1637-1644
Mechanical and chemical changes in Old Master paintings: dissolution, metal soap formation and
remineralisation processes in lead pigmented ground / intermediate paint layers of 17th century paintings
Cracking the 'matter paintings' of Antoni Tapies: the role of artistic intent, deterioration and underlying mechanical causes
I. Civil, S. Michalski, A. Murray
Three generations of Florentine workshop: a comparative study of the materials and techniques of Lorenzo di Bicci, Bicci di Lorenzo and Neri di Bicci
Mesure de la couleur : Couleurs, textures et surfaces des oeuvres d'art
Pre-Raphaelite technique and its consequences
Canvas painting in the workshop of Lucas Cranach the Elder
Le changement par le peintre du format de son oeuvre : etude technique et tvpologie des agrandissements
A survey on pigments and pigment application on 31 Norwegian medieval oil paintings dated to the period 1250-1350
Colour change in red lead-containing paint films
Darkening and surface degradation in 19th- and early 20th-century paintings: an analytical study
Latest news from Paradise: a preliminary attempt to identify Rubens's studio practice, Part II - The Power of the Matrix: the application of archaeological stratigraphy to the interpretation of complex paintings
The Montvianex Madonna: materials and techniques in 12th-century Auvergne study and treatment of the Madonna and Child by Conrad Meit, particularly of partial
polychromv and polished finishes
The Ruby to Baroque Christ Sculptures in Brazil
Research into non-traditional gilding techniques as a substitute for traditional matte water-gilding method
Investigation. conservation and mounting of a fibrous plaster frieze by Charles Rennie Mackintosh
Redecouverte d'un modele en terre cuite du Sommei de Rodin : etude et restauration
Chromatic degradation processes of red lead pigment
Rock art conservation to the Peruac valley, Minas Gerais, Brazil
Determination of the treatment and restoration needs of medieval frescos in Georgia
Painting techniques of the Mexicas at the Great Temple of Tenochtitlan in Mexico City
Microclimate modelling for prediction of environmental conditions within rock art shelters
Weathering processes at a rock art site in Baja California, Mexico
Rock paintings conservation and pigment analysis at Cueva de las Manos and Cerro de los Indios, Santa Cruz (Patagonia), Argentina by I. N.M. Wainwright, K. Helwig, D.S. Rolandi, C. Gradin, M.M. Podestda, M. Onetto, C.A. Aschero
Technological study and conservation of the Gospel of the Donnition Cathedral
An investigation into the effect of iron gall ink on the discolouration of lead white
Deacidification without equipment and money - dream or reality
Italian metal point drawings: international studies of the artistic technique
Assessment of the state of degradation of historical parchment by dynamic mechanical thermal analysis (DMTA) and Solid-state CNMR
Leafcasting parchment documents degraded by mould
The acidity of paper. Evaluation of methods to measure the pH of paper samples
Condition survey and preservation strategies at the Danish Film Archive
Recent advances and future directions in the education and training of photograph conservators
Investigation of Jean-Louis-Marie-Eugene Durieu's toning and varnishing experiments: a non-destructive approach
An investigation into a consolidation treatment for flaking autochrome plates
Pesticides and repatriation at the National Museum of the American Indian
Common problems in archaeological and ethnographic conservation intersect with the contemporary: case studies of two African objects
Into the Unknown Amazon . . .
Real-time monitoring of dimensional change in Australian Aboriginal bark paintings during storage
A collaborative examination of the colourfastness of Amazonian featherwork: assessing the effects of exposure to light and laser radiation
The Lactitol conservation of wet polychrome wooden objects found in a 15th- century archaeological site in Mexico
The Bremen Cog Project: the conservation of a big medieval ship
Caring for a Brazilian 'humming bird': an adventure in the embroidered world of Arthur Bispo do Rosario
Conservation project of an early 19th-century Turkish Ghiordes rug found to have significant pesticide (DDT) contamination: the result of a successful cooperation
L'art de la Fibre de nylon : Le defi d'un textile architectural contemporain
A study of material and digital transformations: the conservation of two ancient Egyptian beaded items of dress
The conservation of a Korean painted silk banner, circa 1800: Paint analysis and support via solvent-reactivated acrylic adhesive
The role of pressure mounting in textile conservation: recent applications of U.S. techniques
Meeting between Solomon and the Queen of Sheba: history, technology and dating of a gilt leather wall-hanging, or the contribution of a restoration process
Conservation procedure based on methodical research to remove an alkyd varnish from a gilt leather wall-hanging
Presentation and evaluation of spot tests for identification of the tannin type in vegetable tanned leather
The Nine Muses Roman sarcophagus at Hearst Castle: Identification of the geological provenance and characterization of the marble during the first phase of conservation
The conservation of enamels on metal: characterization and historical notes
Evaluation de la corrosion du plomb aux archives nationales de France
All that glitters is not pseudogold: a study in pseudo-pseudogilding
Application of corrosion data to develop conservation strategies for a historic building in Antarctica
In situ corrosion monitoring of the iron shipwreck City of Launceston (1865)
An investigation of the photochemical stability of films of the urea-aldehyde resins Laropal
Durability of an epoxy resin employed in restoration of historical buildings
Possibilities for removing epoxy resins with lasers
Analysis of materials, restoration practice. design and control of display conditions at the National Cinema Museum to Torino
Ageing studies of acrylic emulsion paints
Making better choices for painted outdoor sculpture
Deterioration and conservation of plasticized poly (vinyl chloride) objects
Transparent Tubes by William Turnbull: the degradation of a polymethyl methacrylate sculpture
- Notes
- CDs in A-V collection
- Autres titres
- ICOM-CC preprints
- 13th Triennial Meeting, Rio de Janeiro, 22-27 September 2002
- Langue
- English = Anglais
- Sujet
- Cultural property - Protection
- Art objects - Conservation and restoration
- Objets d'art - Conservation et restauration
- Biens culturels - Protection
- ISBN/ISSN
- 1-902916-30-1
- Pays
- Italy
- Type de document
- Monograph = Monographie
- Localisation
- N 8560 I53 2002
- Clé
- 13337
- Collection
- Catalogue