Notice catalographique « ICOM Committee for Conservation, ICOM-CC, 15th Triennial Conference New Delhi, 22-26 September 2008 : preprints »

• ICOM Committee for Conservation
• Comité de l'ICOM pour la conservation
• Bridgland, Janet

Contents:

Contemporary textual evidence for the use of pigments in Anglo-Saxon England in the absence of technical descriptions
M. Clarke

One craft, many names: gilders, preparers, and polychrome painters in the 15th and 16th centuries
J. Nadolny

The journals of naturalists who visited Brazil in the 19th century: sources of information for paint materials and international trade
L. A. C. Souza

Evolutions de la base de données EROS dédiée à la conservation-restauration
G. Aitken, R. Pilla

Establishing deterrents to help reduce forgery practices and secure the authenticity of Philippine paintings (a study of the works of an early 20th century Philippine national artist)
L. C. Cruz

Color management systems for digital optical microscopy
A. C. Leào, L A. C. Souza

Mobile wireless multimedia for visitors and conservation in museums
Pillay, G. Aitken, et al.

From `diversity' to `diversity in harmony' in European conservation education
T. Auer

Séminaire - atelier de formation des personnels en charge du patrimoine bangladais: un exemple réussi de partenariat international
A. Bassier

The development of the online preventive conservation MA at Northumbria University and the integration of haptic sensory technology
A. J. E. Brown, S. Todd

An English Renaissance: the development and delivery of the Renaissance At Work programme
S. Cane

A handbook of preventive conservation in Bhutan (Himalayas)
S. Cotte

The use of conservation internships to establish the foundation for preserving African cultural heritage
A. Hakari

Continuing professional development and the surrender of culture to technology in the field of heritage preservation
F. Hassard

Learning (Garma) and teaching (Respect): engendering cultural literacy in academic environment
M. Langton

Looking forward, looking back: revisiting the development of interlinked conservation and curatorial Masters programmes - a further perspective
F. Lennard

Education of conservation scientists: the PISCON project - European PhD in science for conservation
R. Mazzeo

Conservation Interdisciplinarity and pedagogical implications
M.Scott

Conservation and training in India
N.Sinha

Art conservation: an element in nation buildings
J.Solstad

Pupura te mahara - preserving the memory: working with Maori communities on preservation projects in Aotearoa, New Zealand
T. Bloomfield

Towards better conservation: a scientific examination of musical instruments from the princely courts of North India
P. Bruguiere

159 Beyond cultural sensitivity and toward cultural centeredness: insights into the preservation of Alaskan spruce root basketry
J. Criswell

Australian Museum-Pacific Island museums and communities: a partnership approach
V. Daniel

A string of beads unbroken: continuity and collaboration in an exhibition of Iroquois beadwork
A. MacKay

Preliminary patterns of adhesive use in prehistoric and modern repairs of southwestern pottery in the United States
C. White, N. Odegaard

The brave new world of conservation
R. Peters

The evolution of a treatment strategy for an Akali Sikh turban
M. Pullan

A tensile testing method for monocotyledon leaves with parallel venation
M. Sandy

Technical examination of 12 Korean shaman paintings
M. C. Christensen

Utsavam -music from India at the Horniman Museum: fieldwork and conservation
M. Harter

The South Nias region of Sumatra (Indonesia) after the tsunami of 2005
N. Sahar

Handle with care: the dry cleaning and decontamination of ethnological objects with liquid carbon dioxide
A. Unger and H. Tello

When glass and metal corrode together
G. Eggert

In the fingerprints of Giovanni da Maiano: researching and conserving 16th century terracotta roundels at Hampton Court Palace
Z. Roberts

Raman spectrometry, a non-destructive solution to the study of glass and its alteration
L. Robinet

Traditional glassmaking in India, an ethno-archaeological study
T. Sod

An investigation into the staining of ceramics from aged shellac repairs
M.Svoboda

Chemical analyses of Mughal period enamels from India
M.T. Wypyski

The advantages of ultrasonic cleaning of some Roman pottery compared to acid chemical cleaning
S.V. Gheorghe

Historical analysis of materials used in Iranian paper dyeing with special reference to the effect of henna dye on paper based on scientific analysis
M. Barkeshli

The Stein birch-bark collection in Oxford: thirty years of developing treatment options for our most fragile manuscripts
N. Gilroy

The use of turmeric, a traditional Indian material, in the preservation of old manuscripts
B. V. Kharbade

Non-invasive analysis of Van Gogh's drawing inks
H.Neevel

Lost fingers, scurfy skin and corroding veins: conservation of anatomical papier-mâché models Dr. Auzoux
E. Nijhoff Asser

NIR/chemomcetrics approach to characterisation of historical paper and surveying of paper-based collections
M.Strlic

Developing a risk assessment model for iron gall ink on paper
S. Tse, R. Waller

The conservation assessment of an illuminated Book of Hours: understanding craftsmanship through interdisciplinary research: preliminary investigation
L. Watteeuw

Hindi Portraits on Mica: convergence of Indian tradition and Wester demand
A. Wilker

Transfer methods in master drawings - a tool in the artistic process, an under-drawing, a copy or just another kind of drawings
N. Borring

Restoration of a Chinese banner at the Guimet Museum (Paris): a compromise between eastern and western methods
M. Cailleteau

Conservation and digitization of the Lamberty manuscript: the problem of opacity induced by lining
N. Coural

Commitment books from the religious brotherhoods in Minas Gerais, Brazil
B. Reis Veloso

Possibilities and impossibilities of aqueous treatments performed on severely damaged manuscripts
V. Rouchon

Photo-documentation of hidden defects in paper paintings: a fingerprinting tool
A. R. Singh

The influence of visible light on archival documents P.Vavrova

The restoration of a gilt leather portière of the 16th century: study of a magnet-based support structure
M. Paris

Evaluation of a new type of leather for use in the restoration of historic objects
V. Deselnicu

History for sale: the Treasure Trove Act in Nova Scotia
A. MacIntyre

The legal consequences of inadequate conservation for contract maritime archaeology
I.D. MacLeod

L’engagement d`ECCO pour une reconnaissance politique, institutionelle et juridique de la conservation-restauration en Europe
M. Martelli

Towards a binding code of ethics for the conservation and display of human remains
M. Mertzani

A Canadian Aboriginal Approach to the conservation of cultural property at the Canadian Museum of Civilization J. Moses

A semi-automatic system for the non-contact ‘fingerprinting’ of objects and cultural heritage
W. Wei

Metal conservation at the National Museum of Cambodia S. Charette

Riveting technology The documentation of Mississippian metalwork
K.C. Cobb

Structural stabilisation of a copper alloy sculpture of Shiva as Nataraja
S. de Roemer

Utsavam - music from India; a preliminary study of the copper alloy components associated with a group of contemporary traditional musical instruments from India utilizing X-ray fluorescence spectrometry
G. Garrett

Dechlorination of archaeological iron artefacts: dechlorination efficiency assessment assisted by physico-chemical analytical high-tech methods
E. Guilminot

Corrosion and conservation of three elements of the American Civil War ironclad USS Monitor (1862)
I.D. MacLeod

It's all in the nameplate: brass and bronze in colonial Australia
I. D. MacLeod

Improving coating systems for metallic objects using an aliphatic perfluoro compound: a special focus on collections in the Islamic Arts Museum Malaysia
M. Musa and M. Misran

Unfolding the mystery of the non-rusting behaviour of Damascus steel
D. D. Varain Singh

Understanding of the long-term degradation of archaeological and historic iron based artefacts: a general methodology based on the complementary use of microbeam physico-chemical techniques
S. Reguer

Development and evaluation of a novel protective coating for metal artwork in humid-tropical climates
A. E. Cepero Acan

Technical study regarding the structure and composition of a pectoral cross: treatments for long-term stabilisation and conservation
M. Geba

Characterization of zinc engraving plates in contemporary art as an aid in their conservation-restoration
M. Lage and J. M. Mota

Blacksmith crafts of early Iron Age artifacts from Raja-Nala-Ka-Tila, District Sonbhadra, Uttar Pradesh, India H. Narain

Conservation of art in public places
K. Hermeren

A novel technique for the photography of daylight fluorescent artwork
E. Hinde

Time, originality and materiality in contemporary art conservation. The theory of restoration by Cesarc Brandi, between tradition and innovation
M. Pugliese

Joep van Lieshout's Mobile Home for Kröller Muller: outdoor polyester sculpture in transit
S. Stigter

Continued research and application of adapted military camouflage paint on outdoor sculpture
S. Sturman

Between make-up and make over: protective layers on modern and contemporary art plastic objects
T. B. van Oosten

Space technology - Vanguard I, Explorer VII and GRAB
materials and museum concerns
H. Szczepanowska

The examination and analysis of the historical treatments on the wall paintings in Undlose Church
I. Brajer

Microemulsions for the cleaning of wall paintings
R. Giorgi

Development of identification strategies for Asian organic colorants on historic Chinese wall paintings
C. Grzywacz

PRISMS: remote high resolution in situ multispectral imaging of wall paintings
H. Liang

Crusts of biological origin in the Cavernas do Peruaçu National Park, Minas Gerais, Brazil
L. M. de Melo pinheiro

The painting techniques, materials and conservation of Bamiyan Buddhist mural paintings in Afghanistan
Y. Taniguchi

Using anoxia to kill insect pests: methodologies and methods
R. Child

Study of natural history specimens using X-ray fluorescence
spectrometry
A. Cheung

Deterioration of zinc potassium chromate pigments: elucidating, the effects of paint composition and environmental conditions on chromatic alteration
F. Casadio

Extraction d'adhésifs de rentoilage en peinture de chevalet: nouvelle approche
A. Chevalier

The Transylvanian glass icon collection of the ASTRA Museum, Sibiu, Romania - a conservation strategy
O. Coman-Sipeanu

Facsimiles of the Ajanta Cave paintings: history, conservation and cultural context
N. Costaras, D. Patel

L'Adoration des mages de Claude Vigmon - une découverte
E. Forest, M-C Corbeii, L. Lacroix

Painting on white canvas: sixteenth century bleaching practices and analysis of morphological and chemical changes in flax fibres
G. Heydenreich

A protocol of analysis for the classification of painting techniques applied to brocades of the altarpieces of Gipuzkoa
A. Kodriguez-Lopez

The effects of lead and zinc white saponification on surface appearance of paint
Y. Shimadzu

Optical coherence tomography - a tool for high resolution non-invasis 3D-imaging of the subsurface structure of paintings
M. Spring

A preliminary understanding of the behaviour of oil paintings in tropical Southeast Asia
A. Toe, R. Sloeaett, A. Roberts

Water sensitivity of modern artists' oil paints
L. Mills

Observations on dimensional changes of sized canvas based on glue temperature
C. K. Andersen

Study of pest infestation of glue-paste lined easel paintings:
characterization of traditional glue-paste recipes and their relevant Volatile Organic Compounds by Gas Chromotography/ Mas Spectrometry
N. Bouillon

3D ESPI measurement of the strain fields introduced by strip-lining paintings
M. Debashis, C. Young

Thangka production in the 18th-21st centuries: documenting the introduction of non-traditional materials into Tibetan painting practice
J. Mass

Preparing a copy - Van Mierevelt's choices in his portraits of Prince Maurits
J. Verhave

Collodion negatives transferred from glass to other supports
S. Esmeraldo

An exhibition of photographs on a shoestring budget - some challenges and innovations
S. Girikumar

Surfactant use in the salvage of housed-water damaged black and whitse silver gelatin photographs
S. Gubby

Treating the second Anglo-Afghan war album: negotiations between book and photograph conservation
D. Hemmenway

Expanding the barytome database: the GCI Geveart collection
A. Kaplan

Changing perspectives on color photography
N. W. Kennedy

Physical effects of cold storage on cellulose nitrate negatives
Y. Shashoua

International research on the conservation and restoration of face-mounted photographs
W. Wet

Dépoussiérage de supports organiques moisis après une période de séchage
T. Basset

The mural paintings of cave 17 in Ajanta: the environmental study and the Geographic Information System (GIS) of the collected data
C. Cacace

La conservation préventive dans les musées angolais: actions et perspectives
Z. Domingo

Development and in-depth testing of standard packing solutions for collections and museums
M. Griesser

Social discount rate: modelling collection value to future generations, and understanding the difference between short-term and long-term preservation actions
S. Michalski

Now you see it, now you don't: lighting decisions for the Ardabil carpet based on the probability of visual perception and rates of fading
B. Pretzel

A comparison of light-induced damage under common museum illuminants
D. Saunderr, J. Kirby

Retrofitting old display cases
D. Thickett

Vibration impact: methods and results of some recent studies
A. Thorn

A practical collaborative approach for long-term displays M.J. Tsang

Disaster is just a step away: working at being a step ahead
F. Verberne- Khurshid

New long-term storage facilities at the Royal library, Denmark: storage requirements for mixed collections
M. Vest

Cultural property risk assessment: matching approach with purpose
R R Waller

An extended investigation of the influence of oxygen on color fading
V. beltran

Preventing the deterioration by aeroflora of objects at the Lucknow State MuseumS. Dhawan
Improved protection of paintings during exhibition, storage and transit - PROPAINT (EU project FP6, 044254)
T. Grontoft

The microclimate inside archival boxes in rooms with fluctuating relative humidity and temperature
M. Ryhl-Svendsen

Saving the medieval paintings by the master painter of The Triumph of Death in Pisa
A. Andreoti

Comparative study of the effect of traditional pigments on artificially aged oil paint systems using complementary analytical echniques
K. Keune

Progress in strain monitoring of tapestries
F. Lennand

Antibody assay to characterize binding media in paint
J. Mazurek

MOLAB, a mobile facility suitable for non-invasive in-situ investigations of early and contemporary paintings: case study - Victory Boogie Wioogie (1942-1944) Piet Mondrian
C. Miliani

A scientific evaluation of surface cleaning acrylic emulsion paintings
B. Ortmsby

The potential for applying evaporation kinetics to the study of art and archaeological materials
R. Rivenc

Possibilities and limitations of a portable XRF spectrometer for art and archaeology
V. Desnica

Determination of acetic and formic acid concentrations in model systems and identification of efflorescence on calcareous specimens
R. Hodgkin

Application of a self-built cell for in-situ InfraRed Reflection Absorption Spectroscopy investigations of non-transparent materials
C. Kleber

Activities of the Users' Group for Mass Spectrometry and Chromatography (MaSC)
C. Maines

IRUG seeks greater Asian, Oceania, and African presence with improved website and more Raman spectroscopy
B. Pretzel

Something `odd' about the Oddy test
G. D. Smith

The characterisation of shellac varnishes on a painting by William Merritt Chase
K. Sutherland

De Haar Castle, a holistic approach to the conservation of a late 19th century "Gesamtkunstwerk"
J. Gration

Your monument ... temple, my castle, my home: a theory for historic interiors research and conservation
H. Hughes

Bringing back the grandeur: conversion of Kom Tong Hall to
Dr Sun Yat-Sen Museum
E. S. T Leung

Conservation of Khatamband polychrome decorative ceilings
S. Menon

A Tibetan polychrome domestic altar and four six-panel cabinets: materials analysis, implications for dating, and conservation treatment
B. Price

Ajami rooms - polychrome wooden interior decorations from Syria of the 17th to the 19th centuries: a view into art technology and conservation problems
A. Scharrahs

Movable and integrated Christian heritage in India - strategies for conservation
D. Teves Reis

Developing new approaches to the conservation of Qing dynasty painted architectural decoration at Shuxiang temple, Chengde
L. Wong

Une approche de la conservation-restauration de la bin, instrument de musique indien
P. Haegele

Mechanical response of a Tasmanian sandstone to heat and moisture
A. Thorn

A Persian carpet's paradise garden: discovering historical and technical aspects through carpet conservation and restoration
E. Anmindo

Tapestry conservation traditions: an analysis of support techniques for large hanging textiles
K. Asai

Simple anoxic storage for textile collections in Bhutan
M. Brennan

A centralized and overarching organization of collection policy, conservation and restoration and the position of the textile restorer in this context
E. Janssen

The conservation of 17th century waterlogged textile relics
H.S. Lee

Innovation in the X-radiography of textiles: using computed
tomography imaging techniques
S. O'Connor

A preliminary investigation of digital inkjet printing on sheer fabrics for textile conservation
J. Vuori, N. Britton

Learning from prehistoric textiles: a way to understand cultural traditions
C. Marian

Conservation and its role: the Nazi looting machine and the Goering collection
M. Blewett

La restauration du carton de l'Ecole d' Athènes de Raphaël (Milan, Ambrosiana) lors de sa venue au Louvre en 1797 et la politique de conservation de l'administration du Louvre
N. Coural

Community management of cultural Heritage at Ankober, Ethiopia: a partnership in preventive conservation
A.M. Deisser

Adressing cultural adversity: challenges, meaning and consequences
S. Dhar

Towards a symmetrical approach in conservation?
L. Hummelen

Safeguarding the significance of ensembles: value assessments in Risk Management for Cultural Heritage
V. Meul

The Ajanta cave paintings: a century-old 'condition report
J. M. Reifsnyder

ICCROM history in the making: our future together
R. Varoli-Piazza

Conservation of a pre-Columbian wooden sculpture: a Mexican-French collaboration using gamma radiation technology for consolidation
A. Alonso-Olvera

Restoring a dried up Bronze Age dugout - plan and practice
J. B. Jensen

A summary and evaluation of 15 years research, practice and experience with lactitol methods developed for the conservation of waterlogged, degraded archaeological wood
A. Morgos

Deterioration patterns for alum conserved wood
T. Sandstrom

Conservation of the Mazarin chest: structural response of Japanese lacquer to variations in relative humidity
L Bratasz

La utilizacion de microesferas de vidrio como carga en aglutinante proteinico para consolidacion de esculturas en madera
C. L de Franca

A procedure for the efficient and simultaneous analysis of Asian and European lacquers in furniture of mixed origin
A. Heginbotham

The Swan/Sene giltwood bedroom suite at the Boston Museum of Fine Arts: a collaboration through history
C. Moyer

An investigation of pigments and binding material on early
New England furniture - 1640 to 1720
C. Schueller

Conservation of shell inlay (raden) on the Mazarin Chest
Y. Yamashita

Is this the way to treat an old lady?
E. Storbekk

Talking to ourselves: why do conservators find it so hard to convince others of the significance of conservation?
M. M. Brooks

Caring for collections during armed conflict: the National Museum of Afghanistan / J.Cook

Communicating conservation at the Historic Royal Palaces
K. Frame

Building an audience for conservation in Hong Kong
A. C. H. Tsang

• ICOM-CC preprints
• 15th Triennial Conference New Delhi, 22-16 September 2008

• Art objects - Conservation and restoration
• Cultural property - Protection
• Objets d'art - Conservation et restauration
• Biens culturels - Protection