Notice catalographique « The object in context : crossing conservation boundaries - IIC contributions to the Munich Congress, 28 August-1 September 2006 »
- Titre
- The object in context : crossing conservation boundaries - IIC contributions to the Munich Congress, 28 August-1 September 2006
- Auteur ou éditeur
- International Institute for Conservation of Historic and Artistic Works
- Saunders, David
- Townsend, Joyce H.
- Woodcock, Sally
- Lieu de publication
- London
- Maison d'édition
- International Institute for Conservation of Historic and Artistic Works
- Date de publication
- 2006
- Collation
- 345 p. : ill. + 1 CD in a pocket
- Table des matières
Contents:
Keeping lt Together: Conservation, Context and Cultural, Materials
Annlinn Kruger Grossman
Christian Sacred Art: A Conservation Challenge
Antonio Ribeiro da Costa
Finding the Fallen: Conservation and the First World War
Renata Peters and Dean Sully
Context and Meaning Generation: The Conservation of Garments Deliberately Concealed Within Buildings
Dinah Eastop and Charlotte Dew
The Tate Brand: Its Consequences for the Care and Presentation of Tate Collections
Jacqueline Ridge
The Conservator in Context: Crossing Curatorial Boundaries
Caroline Buttler and Mary Davis
Vision of the Sermon by Paul Gauguin: An Exploration of Making and Meaning
Lesley Stevenson and Belinda Thomson
Paintings are Made of Paint: The Exhibition of Painting Techniques in the Munich Glaspalast , 1893
Kathrin Kinseher
Examination of Alexej Jawlensky's Painting Technique in his Munich Oeuvre frone 1896 to 1914
Ulrike Fischer, Heike Stege, Daniel Oggenfuss, Cornelia Tilenschi, Susanne Willisch and Iris Winkelmeyer
Commedia dell' Arte : When Chagall Went to Frankfurt Snejanka Bauer and Maria Kokkori
Dictated by Media: Conservation and Technical Analysis of a 1938 Joan Miro Canvas Painting
Elma O'Donoghue
Asking for the Context: Conservation Strategy for Joseph Beuys'
The End of the Twentieth Century
Maike Grün
Industrial Heritage Conservation: The Historic Diesel Power Station in Wustermark
Thomas Dempwolf
Contextualising Textiles: Using Documentary Evidence to Retrieve Evidence for Regenerated Protein Fibres
Mary M Brooks and Mary Rose
Complementing Art History: Interpreting Sheet Metal and Light Bulbs
Martina Griesser-Stermscheg
The Berlin Aleppo Room: A View into a Syrian Interior from the the Ottoman Empire
Jutta Maria Schwed
From Cosmopolitan Italy to Rural Dorset: The Separation of Night from Day by Guido Reni, 1599
Christine Leback Sitwell, Alan Bush and Jonathan Berry
French Genre Painting for the King: Masterpieces by Lancret and Watteau in Prussian Palaces
Christoph Martin Vogtherr, Eva Wenders de Calisse
The Mimbres Journey: How Shifting Contexts Necessitate a Multi-Disciplinary Conservation Approach
Mina Thompson and Angela Elliott
The Role of Context in the Conservation of Contemporary American Indian Ceramics
Jessica Fletcher, Carl Patterson, Nancy Blomberg and Polly Nordstrand
Conservation of a Maori Eel Trap: Practical and Ethical Issues
Catherine Smith and Heike Winkelbauer
Tjurkulpa: A Conservator Learns Respect for the Land, the People and the Culture
Andrew Thorn
Gamelan: Can a Conservation-Conceived Protocol Protect it Spiritually and Physically in a Museum'?
Holly Jones-Amin
Multiple Functions and Multiple Histories of Tibetan Tsha-Tshas (Votive Clay Images)
Chandra L. Reedy
Challenges in the Context of the Living Sacred Tradition of Mahayana Buddhism
Sanjay Dhar
Contextual Change and the Conservation of Wall Paintings: The Case of Korean Buddhist Temples Kyeongsoon Han
The Maya Site of Calakmul: In Situ Preservation of Wall Paintings and Limestones using Nanotechnologies
Piero Baglioni
Stone Armor 2200 Years Ago:Early Mass Production Methods in China
Sandra Bucher Fiuza
A Colourful World for the Emperor's Soul: The Polychromy of the Terracotta Sculptures at Qin Shihuang'sBurial Complex
Catharina Blänsdorf and Xia Yin
Modern Trends: Ancient Patterns
Mary Davis
A Pouring Satyr from Castel Gandolfo: History and Conservation
Erik Risser and Jens Daehner
Illuminating a Complex History: The Materials and Techniques of the Tombs of Urgell at the Cloisters Beth M. Edelstein
The Preservation and Display of a Fourth-Century BCE Painted Thracian Tomb in Bulgaria
Zdravko Barov
The Relationship Between Preservation and Technique in Paintings in the Oranjezaal
Annelies van Loon
Varnishes on Baroque Church Furnishings: In Search of a Suitable Conservation Approach
Katharina Walch-von Miller
Case Studies of Eighteenth-Century Polychromy and Metal Leaf Gilding in Bavaria
Inga Pelludat
Nomenclatura et Species Colorum Miniatae Picturae: Researching Seventeenth-Century Pigments in Sweden
Cecilia Rönnerstam and Lars Hälldahl
The Mariani-Cibo Treatise: Contents and Context
Erna Hermens
Skokloster Castle and its Environment
Jan Holmberg, Bengt Kylsberg and Per Nelander
Proscribed Pigments in Northern European Renaissance Paintings and the Case of Paris Red
Jo Kirby, David Saunders and Marika Spring
Artists Pigments Reconsidered: Does Modern Science Match the Historical Context?
Christoph Krekel, Ursula Haller and Andreas Burenester
New Age Old Masters
Spike Bucklow
Appliqué Stained Glass: The Conflict Between
Conservation and Context
Norman H. Tennent
A Cross-Cultural Approach to Urushi Conservation: Consolidation of Metal Foil Decoration on the Mazarin Chest
Shayne Rivers and Yoshihiko Yamashita
Conservation and Continuity: Preserving the Library of the Monastery of Saint Catherine on Mount Sinai
- Notes
- Includes German abstracts.
- Langue
- English = Anglais
- German = Allemand
- Sujet
- Art - Conservation and restoration - Research
- Painting - Conservation and restoration
- Cultural property - Protection
- Art - Conservation et restauration - Recherche
- Biens culturels - Protection
- Peinture - Conservation et restauration
- Pays
- United Kingdom
- Type de document
- Monograph = Monographie
- Localisation
- N 8554.5 I35 2006
- Clé
- 15008
- Collection
- Catalogue