Notice catalographique « Papers presented at the twenty-seventh annual conference of the Association of North American Graduate Programs in the Conservation of Cultural Property [ANAGPIC], April 19-21, 2001 »

Contents:

Sanchita Balachandran
Conservation in Angkor, A History and a Future

Pamela Betts
Technical Study of a Venetian Altarpiece: Madonna with Saints and Donors

Deborah Carton
The Practice of Hand-Coloring in the Early Years of Printmaking Revealed by the Technical Examination of a Hand-Colored 16th Century Engraving by Master HSE

Debra Cuoco
A Survey and Analysis of the Materials and Bindings of Early Venetian Painted Books at Queen's University

Julie Lattin DesChamps
Vernis Cuir: The History and Use of a Nineteenth-Century Photographic Coating

Michelle Facini
Seeing Red: Investigating Japanese Woodblock Prints and Organic Colorants Using Spectrophotometry

Patricia Favero
An Evolution of Varnishes Marketed for Use on Acrylic Paintings

Scott Homolka
The Sensitivity of Phytate-Treated Iron Gall Ink Materials to Fungal Attack

Katie Swerda
Mount Monadnock: Ideas, Techniques, and Materials of Abbot Thayer and His Dublin Art Colony, with Emphasis on Richard Meryman and his Painting Mount Monadnock

Alison Whyte
An Investigation into an Unusual Black Patina on Egyptian Bronze Artifacts in the Royal Ontario Museum

• Art - Conservation and restoration - Training
• Art - Conservation et restauration - Formation