Notice catalographique « Deterioration of artists' paints - effects and analysis : a joint meeting of ICOM-CC Working Groups Paintings 1 & 2 and The Paintings Section, UKIC, British Museum, London, 10th and 11th September 2001 - extended abstracts of presentations »

• United Kingdom Institute for Conservation of Historic and Artistic Works. Paintings Section
• ICOM Committee for Conservation. Material Specific Group. Paintings

Contents:

Historical reconstructions of artists' oil paint: an investigation of oil processing methods and theuse of selected artists' mediums
Leslie Carlyle

Some developments in british paint manufacture over the last two hundred years, and the occurrence of white surface deposits on paintings
Melanie Caldwell

Ageing of Oil-Based Paintings, Jacky Mallégol

Chemical changes in old master paintings: dissolution, metal soap formation and remineralisation processes in lead pigmented paint layers of 17th C paintings.
Jaap J. Boon, Jaap van der Weerd, Katrien Keunc and Petria Noble

Pigment-medium interactions in oil paint films containing red lead or lead-tin yellow
Catherine Higgitt, Marika Spring and David Saunders

Effects of additions of mastic, Copaiba Balsam, asphalt or earth pigments on the chemical drying
Georgiana Languri, Jorrit van den Berg and Jaap Boon

Descending into the details of Th. Rousseau's 'La descente des vaches' (Museum Mesdag, The Hague) - Technical Research of a Darkened Painting
René Boitclle, Klaas Jan van den Berg, Muriel Geldof and Georgiana Languri

An analytical chemistry and microscopy study on seven darkened Dutch late 19th- and early 2oth-Century paintings.
Klaas Jan van den Berg, Muriel Geldof, Suzan de Groot and Henk van Keulen

A phenomenological approach to changes in the appearance of paintings - documentation, identification and classification.
Susanne Stangicr

Goose Skin and Orange Peel - Alterations of structural texture of objects with japanned surfaces
Maria Brunskog

Pigment-medium interaction: the visible evidence
Spike Bucklow

Visual deterioration in Pre-Raphaelite paintings
Stephen Hackney, Jacqueline Ridge, Joyce Townsend, Leslie Carlyle and Klaas Jan van den Berg

A study of aged dislocated paint layers in `Nearing Camp, Evening on the Upper Colorado River' (1882) by Thomas Moran
Rebecca Hellen, Maja R. Solajic and Brian Singer

From Munnings to Mondriaan: studies in the deterioration of early twentieth century artists' materials.
Rosalind Whitehouse and Nicholas Eastaugh

Observations relatives aux pigments bleus chez Henri Bles
Dominique Allart, Cécile Oger et Sophie Denoel

The blackening of vermilion: a study of the process through the detailed analysis of paintsamples
Marika Spring and Rachel Grout

Breakdown processes of orpiment- and realgar-based sixteenth-century paints
Hélène Dubois, Sabrina Meloni, Erika Metz, Barbara Schoonhoven and Aric Wallert

Weeping cadmium paint: a case study
Michael Duffy and Chris McGlinchey

Paul-Emile Borduas: the blacks and whites of the later paintings (1955-1960)
Michael O'Malley and Elizabeth A. Moffatt

Crystals on ivory miniatures
Sigrun Thiel and Alan Derbyshire

The conservation cleaning of acrylic dispersion paint films: preliminary investigations
Elizabeth Jablonski, James Hayes and Mark Golden

• Artists' materials
• Paint - Analysis
• Pigments - Analysis
• Matériel d'artistes
• Peinture (Produit chimique) - Analyse
• Pigments - Analyse