Notice catalographique « ICOM Committee for Conservation, ICOM-CC : 12th Triennial Meeting, Lyon, 29 August-3 September, 1999 »

• Bridgland, Janet
• ICOM Committee for Conservation

CONTENTS:

Indoor environmental monitoring of colour changes of tempera-painted dosimeters
M. Bacci, M. Picollo, S. Porcinai, B. Radicati

The pollution problem in perspective
S. Bradley, D. Thickett

Low-oxygen treatment and solarisation of the Probata iconostasis: Alternative pest control methods in the field A. Brokerhof

Measurement of cumulative exposure using blue wool standards
L. Bullock, D. Saunders

Climate control in a 16th century building in the south of Portugal
L.E. Casanovas, A.I. Seruya

Air pollution levels in air-conditioned and naturally ventilated museums: A pilot study
M. Cassar, N. Blades, T. Oreszczyn

A proposed practical lighting policy for works of art on paper at the V&A
A. Derbyshire, J. Ashley-Smith

Practical climate control at the Museu Mineiro, Belo Horizonte, Brazil: A cheap and simple solution
M. Drummond, M. Almada

The Museum of Scotland: Environment during object installations
K. Eremin, J. Tate

An evaluation of three mounting systems for pastels
F. Figueira, R. Fontes

Monitoring of environmental conditions in a severe climate: How this can assist in development of conservation strategies for historic buildings and artefacts in Antarctica
J. Hughes, C. Pearson, V. Daniel, I. Cole

Mise au point d'un actinomètre pour le contrôle de l'exposition des photographies et des objets sensibles à la lumière
B. Lavédrine, M. Gillet, C. Garnier

The effect of the wooden stretcher on the RH response of backboard protected canvas paintings
F. Ligterink, G. Di Pietro

Packing and transport of hollow plaster sculpture
P.J. Marcon, D Couture-Rigert, M. Harrington, P. Heinrichs

On the usefulness of water absorbent materials in museum walls
T. Padfield

Colour changes of Portland stone in the V&A's facade
B. Pretzel

ICCROM preventive conservation experiences in Europe N. Putt, C. Menegazzi

Packing case design and testing for the transportation of pastels
D. Saunders, M. Slattery, P. Goddard

Guidelines for the design and retrofitting of energy-efficient museums for antiquities in the Mediterranean countries
A.N. Tombazis, N. Vratsanos, S.A. Preuss

Internal pollutants, risk assessment and conservation priorities
R. Waller

Humidity control for display cases in museums using a solid-state water removal device
S. Yamauchi, T. Ohya, E.Sakayori, S. Koubayasi,
Y. Takeuchi, T. Hanada, S. Miura

Coordinator's Overview
K. Dardes

The Russian experience of grading conservator-restorers and its potential contribution to an international system of qualification
A.B. Alyoshin

Interdisciplinary education in action: The context and concepts defining the development of three interlinked conservation and curatorial Masters programrnes
M.M. Brooks, J. Cronyn, A. Lister

Formative Conservation
C. Caple

FULCO: A framework of competence for professional conservation-restoration practice: The project discussed K. Foley

Peer review as a method of assessing effectiveness of conservanon training programmes
E. Pye

Coordinators' Overview
F. Hanssen-Bauer, M. te Marvelde, K. Levy-van Helm

L'Envoi du Gladiateur Borghèse au Louvre
B. Bourgeois

The language of conservation: Applying critical linguistic analysis to three conservation papers
L. Drysdale

Our creative diversity and contemporary issues in conservation
B. Federspiel

Technical studies and visual values: Conservation and connoisseurship at the Fogg Museum 1900 1950
B. W. Keyser

Conservation in Mexico
A. C. Lara, V. WIagar

La dépose des fresques de l'ancien couvent de Santa Mana degli Angeli à Lugano en 1851: Un exemple important de l'histoire de la conservation en
Suisse, M-D. Sanchez

The reprint of Professor Max von Pettenkofer's 1870 publication Über Öf arbe
S. Schmitt

Research into the history of conservation-restoration: Remarks on relevance and method
M. Marvelde

Is it useful to restore paintings? Aspects of a 1928 discussion on restoration in Germany and Austna
M. Von der Goltz

Is there an ethical problem after the twenty-third treatment of Rembrandt's Anatomy Lesson of Dr. Nicholaes Tulp?
J. Wadum, P. Noble

Coordinator's Overview
M.C. Corbeil

La cire punique: Etude critique des recettes antiques et de leur interprétation. Application aux portraits du Fayoum
S. Colinart, S. Grappin-Wsevolofsky, C. Matray

The analytical characterisation of flavonoid photodegradation products: A novel approach to identifying natural yellow dyes in ancient textiles
E.S.B. Ferreira, A. Quye, H. McNab, A.N.Hulme,
J. Wouters, J.J. Boon

Integrating imaging FTIR and secondary ion mass spectrometry for the analysis of embedded paint cross-sections,
R.M.A. Heeren, JJ. Boon, Petria Noble, J. Wadum

The analysis of layered paint samples from modern paintings using FTIR microscopy
A. Langley, A. Burnstock

Gas chromatographic determination of the fatty acid and glycerol content of lipids. IV. Evaporation of fatty acids and the formation of ghost images by framed oil paintings
M.R. Schilling, D.M. Carson, H.P.Khanjian

Chemical change in curing and ageing oil paints
KJ. van den Berg, J. J. Boon

A system for collecting data on canvas and panel paintings for maintenance and surveillance of a historical art collection in Rome
A.M. Marcone, M. Paris, G. Buzzanca

Coordinator's Overview
A. Phenix

The preparation of artists' canvases: Factors that affect adhesion between ground and canvas
P. Ackroyd, C. Young

Use of an atmosphenc atornic oxygen beam for restoration of defaced paintings
B.A. Banks, S.K Rutledge

Urgence et restauration: L'incendie du Parlement de Bretagne, S. Cotte, M.N. Laurent, F. Pellas

A collaborative treatment: Reducing water stains on a silkscreen on linen
D.D. Hartin, S. Tse, J. Vuori

Measurement of the light absorption length of 308nm pulsed laser light in artificially aged varnishes
A.E. Hill, T. Fourrier,J. Anderson, A. Athanassiou,

Preliminary results of a research project exploring local treatments of cupped cracks in contemporary paintings
M.P. Hough, S. Michalski

Towards a method for artist's interviews related to conservation of modern and contemporary art
Y. Hummelen, N. Menke, D. Petovic

Solvent extraction of organic compounds from oleo resinous 'megilp' paint media
M. Kokkori, A. Phenix, JJ. Boon

L'empaquetage avec de la baudruche pour réassembler les portraits miniatures après traitement
C. Krisai-Chizzola

Recovery of a charred painting using atomic oxygen treatment
S.K.Rutledge, B.A. Banks, V.A. Chichernea

Canvas glue removal using a 248nm excimer laser
L. Spencer, T. Fourrier, J. Anderson, A.E. Hill

The components of oil paint films extracted by organic solvents
K. Sutherland, N. Shibayama

Effects of solvents on the physical properties of paint films
C. S. Tumosa, J. Millard, D. Erhardt

A comparison of the physical properties of l9th-century canvas linings with acid aged canvas
C. Young, R. Hibberd

Coordinator's Overview
J. Wadum

The use of a white pigment patented by Freeman by Tom Thomson and the Group of Seven
M-C. Corbeil, PJ. Sirois, E.A. Moffatt

A survey of red and yellow modern synthetic organic artists' pigments discovered in the twentieth century and used in oil colours
M. de Keijzer

A technicaL assessment of eight portraits by Reynolds being considered for conservation treatment
R. Jones, J. H. Townsend, JJ. Boon

A technical investigation of Willem de Kooning's paintings from the L960s and 1970s
S. Lake, S.Q. Lomax, M.R. Schilling

A propos de l'oeuvre de La Tour. Les repentirs et leur signification
E. Martin

Evaluation de la méthode radiographique dans l'identification des essences de bois des panneaux peints
E. Ravaud

Easel painting on lapidary surfaces in 16th century Italy
J.M. Refsnyder

Caracténsation de pigments décolorés dans des tableaux de Van Gogh peints à Auvers-sur-Oise
J-P. Rioux

Collaborations with living artists: The Wyeths (a.k.a. the Pennsylvania Bruegels)
J.H. Stoner

Chiaroscuro or discoloration? The interpretation of dark areas in Raphael's Transfiguration
M. Van Eikema Hommes

Probématique et traitement de conservation-restauration d'un retable baroque catalan
I. Desperamont-Jubal

Ivoires gothiques: Polychromie originaLe et repeints
J. Levy, A. Cascio

Polychrome wooden Buddhist sculptures in Japan: History, matenals and techniques
I. Nagasawa, T. Shida, H. Oshima

La polychromie du retable de Saint wean Baptiste de Hernani, Gipuzkoa, Espagne. Contrat et analyse.
M. B. Olano, I. B. Salvarredi

The conservation of polychrome earthen bas-reliefs from the Royal Palacès of Abomey in the West African Republic of Benin
F. Piqué and L. Rainer

Un ensemble monumentaL en pierre polychromée du XIVème siècle dans la Cathédrale de Narbonne
G. Raver. M. Pavre

Restoration of the Parmigianino frescoes with stories of Diana and Actheon in the Castle of Fontanellato
F. Bandini, C. Danti, M.R. Lanfranchi

Pressure, heat and humidity treatments for detached wall paintings
I. Brajer

Study of the onginal technique of the wall paintings of the chapter house of Santa Maria de Sigena, Spain (1190 1200)
R.M. Gasol Fargas

Desalination of a painted brick vault in Kirkerup church
P.K. Larsen

Apport des techniques d'analyses pour la connaissance des peintures murales roumaines
V. Minculescu-Posteuca, P. Hugon

Johann Evangelist Holzer's ceiling painting in the pilgrimage church of St.Anthony, Garmisch-Partenkirchen
J. Pursche

The presence of saffron in Persian miniature paintings and its use as an inhibitor for the destructive effect of verdigris
M. Barkeshli

Effet de l'encapsulation sous vide du papier par la méthode "Archipress"
F. Daniel

Material consequences of the aging of paper
D. Erhardt, C.S. Tumosa

Comparison of two different methods of head space gas chromatography for determination of residual ethylene oxide in stenlised papers
J. Hanus, P. Richardin

Emission of volatile organic compounds from paper objects affected with iron-gall ink corrosion
J.B.G.A. Havennans

Le doublage des dessins de grand format sur non-tissé polyester étudié en fonction d'une série d'adhésifs
S. Lennuyeux-Comnène, A. Roche

Conservation of aquarelles on spiderwebs
M. Maggen

The behaviour of iron and sulphuric acid during iron-gall ink corrosion
J.G. Neevel, C.T.J. Mensch

A dyeing method for reconstituted parchment
A. Pataki A. Blüher

Conservation of the archives on the deportation of the Jews from Belgium: Revelation of hidden information by a combination of photography, scanning, digital image treatment and printing
J. Wouters, O. Pepauw

Le papier photographique de Rives, 1850-1914
C. Darnault

Influence of ethylene oxide sterilisation on some photographic papers
J. Hanus

Introduction to the surveyor's guide to condition assessment of photo-graphic colLections
J.S.Johnsen

Étude d'une nouveLe solution pour le montage des photographies contemporaines
G. Monni

Effets de la poLLution atmosphérique sur la dégradation de la gélatine photographique
T-P. Nguyen, B. Lavédrine, F. Flieder

The digital age in a long-term image archive: Opportunities and Risks
L. Rosenthaler, F. Frey

Stabilisation treatments for black-dyed New Zealand flax
V. Daniels

Storage, display and packing systems for Australian Aboriginal bark paintings in the collection of the National Gallery of Australia
G. Morales-Segovia

Paint stabilization without consolidants: Three treatment studies on Mexican dance masks
N.N. Odegaard, M.A. Pool

Imitations made from early plastics as trade goods
M. Reuss

Conservation et montage d'un costume de deuil tahitien pour exposition
M. Stephens

Reconstructing a medieval river craft from the Rhine
P. Hoffmann

Lactitol conservation in open-air environment: Conservation of the large wood-elements of a 5th century AD dugout pipeline
S. Imazu, A. Morgos

All that glitters is not gold: An examination of metal decorations on ecclesiastical textiles
M. Bergstrand, E. Hedhammar

EvaLuation of possible methods of cleaning the Opus Anglicanum cope of Pope Pius II
M. Matteini, I. Tosini

A survey of some recent literature and studies pertaining to the C-14 dating of textiles
N. Indictor, M. Ballard

Perfumed garments, their preservation and presentation
K. Johansen

Diffusion touristique: Le traitement d'une robe en taffetas de soie, exposition au bureau touristique, concours de robes, bal costumé
S. Little

Preserving Normansfield Hospital Theatre: Evolving a conservation strategy for a museum cum working theatre
A.J. Rowe

Synthetic dyestuffs for textiles and their fastness to washing
A.B. Scharff

Drying behaviour of fibres
A. Ti'mar-Balazsy

Conservation of an early Etruscan cloak
F. Webe, A. Stauffer

Preserving the historic document: Minimal conservation intervention for18th and 19th century needlework and pictorial embroidery
D. Windsor

La restauration des boucliers peints du musée national du Moyen Age: Première étude d'une technologie complexe (bois, cuir, couche picturale)
E. Antoine, N. Coural

The granulated donkey Shagreen: Some aspects of conservation
J. Göpfrich

The conservation of a 19th century salmon skin coat
M. Kite

Tensioning gilded and painted leather.
Part 2. First verification of supporting structures with elastic tensioning
M. Nimmo, M. Paris, L. Rissotto

Evaluation of leather samples by monitoring their drying profiles
M. Odlyha

The conservation of gilt leather wall hangings at the Isabela Stewart, Gardner Museum. Part II, C.M. Tsu, D. Fullick,

Dyestuffs and pigments in 12th to 18th Century alum tawed bookbinding leather in European collections
M. Vest, J. Wouters

Removal of stains caused by mercuric chloride treatments from herbarium sheet labels
C. Hawks, D. Bell

Carbonate crusts on marble fragments of the excavation site in Milet, Turkey: Examination of crust formation and first results of a cleaning
S. Brüggerhoff

Conservation of the bas reliefs at Angkor Wat temple in Cambodia: research, practice, training
H. Leisen

Decay of limestone blocks in the block fields of Karnak Temple (Egypt): Non-destructive damage analysis and control of consolidation treatments
S. Simon, A-M. Hind

Lichen growth on old Khmer-styled sandstone monuments in Thailand: Damage factor or shelter
E. Wendler, C. Prasartset

A preliminary investigation into the effect of self-adhesive ultraviolet-absorbing films on window glass
G. Allen, L. Black, K. Hallam

Reproduction de l'altération des émaux peints
I. Biron, M. Belassene

A novel inorganic polymer for the conservation of ceramic objects
S. Bradley

Re-treatment of a ceramic red-figure south Italian pelike
M. Elston

Protective effects of paint layers on the surface of painted archaeological window glass
P. Loukopoulou

The treatment of a severely deteriorated enamel
C.E. Magee

Moving displays: Four methods used for mounting ceramics and glass objects in drawers
J. Navarro

Those evasive salt crystals
A.B. Paterakis

Amencan opalescent window glass: Composition and deterioration issues
J.L. Sloan

Playing with fire: Characterisation of clay types used to fabricate cuneiform tablets and their thermal behaviour during firing-based conservation treatments
D. Thickett, M. Odlyha

Cleaning of corrosion crusts on stained glass windows with excimer lasers
C. Troll, H. Römich

Black spots on bronzes and elemental sulphur
G. Eggert

The effects of pH and stress on seawater corrosion and conservation of copper and its alloys
I.D. Macleod

Aux limites de la conservation-restauration. Cas d'un ensemble d'orfèvrerie liturgique brûlé, ND de la Délivrance, La Martinique
S.L.Pennec

The use of a thermally applied wax coating on a large-scale outdoor bronze monument
J. Sembrat Jr

The conservation and restoration treatment of the Chinese lacquered panels of the 'Japanese Room' of the Palais Esterhazy
S. Miklin-Kniefacz

Recognition of copals in aged resin/oil paints and varnishes
K. J. Van Den

Composition of kiln-produced tar
I. Marie-Egenberg, J. Glastrup

The poly (methyl methacrylate) objects in the collection of The Netherlands Institute for Cultural Hentage
A. Lorne

Les materiaux composites polychromes dans les commandes publiques d'oeuvres d'art: Etude de cas Couple d'amoureux aux yeux de fleur d'amandier de Miro
A. Roche

Interventive conservation treatments for plastics and rubber artefacts in The British Museum
C. Ward, Y. Shashoua

• French = Français
• English = Anglais

• Art objects - Conservation and restoration
• Cultural property - Protection
• Objets d'art - Conservation et restauration
• Biens culturels - Protection