Notice catalographique « ICOM Committee for Conservation, ICOM-CC, 16th Triennial Conference, Lisbon, 19-23 September 2011 : abstracts »

• ICOM Committee for Conservation
• Comité de l'ICOM pour la conservation
• Bridgland, Janet

A century of paper conservation and the development of the professional status of the conservator
M. da C.L. Casanova

A collaborative study of Native California featherwork
E. Pearlstein
R. Riedler
M. Gleeson
J. Druzik
C. Pesme

A color target for lighting and camera evaluation
R.S. Berns
M.I. Haddock

A database tool for collections risk evaluation and planning
L.K. Elkin
D. Fenkart-Fröschl
E. Nunan
R. Waller

A fracture mechanics approach for analysing failing multilayered decorative coatings on wood and for evaluating suitable consolidants
N.C. Schellmann
A.C. Taylor

A giant moor plough and an encrusted typewriter. The conservator as the objects’ advocate
G. Witt
U. Stahn

A long-term study of conservation management and corrosion of shipwrecks in the Fathom Five Underwater National Park, Lake Huron, Canada
I.D. MacLeod
N.E. Binnie

A migration mechanism for transfer of sharks from ethanol to aqueous glycerol solutions
I.D. MacLeod
A.J. van Dam

A multidisciplinary approach to conservation of rock art in Honnhammer, Norway
D. Pawel
K.F. Gebremariam

A new method for assessing the value of collections
T. Luger

A package deal: the development of tissue gel composite cleaning at SRAL
G.R. Fife
J. Van Och
B. Stabik
N. Miedema
K. Seymour
R. Hoppenbrouwers

A Pandora’s Box? The Aluminium Boxes of Lourdes Castro and the conservation of contemporary art
S. Babo
E.S. Fragoso
R.J.C. Silva
I. Corte-Real
M.J. Melo

A preliminary evaluation of artists’ and conservation varnishes for acrylic emulsion paint films
B. Ormsby
M. Cross
E. Kampasakali
L. Chantrier Aasen
P. Smithen

A preliminary study into the swelling behavior of artists’ acrylic emulsion paint films
E. Kampasakali
B. Ormsby
A. Phenix
M.R. Schilling
T. Learner

A Sino-Japanese-Portuguese byobu: its conservation and contextualization
F. Figueira
P. Meredith
A.C. Rocha

A study in scarlet – vermilion red and colour paint formulations in medieval illuminations
C. Miguel
A. Miranda
J.A. Lopes
M.J. Melo
M. Clarke

A study of the grounds used by three post-war American Artists (1954–1974): Barnett Newman, Ellsworth Kelly and Brice Marden
L. Wijnberg
E. Bracht
K.J. van den Berg
M. de Keijzer
H. van Keulen

A study on 16th- and 17th-century Luso-Oriental lacquerware
U. Körber
J.C. Frade
M. Cavaco
I. Ribeiro
J. Graça
J.C. Rodrigues

Account Books of the Royal Danish Painting Material Stores: a source on artists’ practice and material trade during the reign of King Christian IV
A.H. Christensen

Adhesion tests on stone sculptures. Course of action
X. Mas-Barberà
L. Osete Cortina
S. Kröner
A. Carayol

Advanced analytical studies towards provenancing and authentication of photographs: the Henri Cartier-Bresson project
D.C. Stulik
A. Kaplan
A. Cartier-Bresson

Advanced spectral imaging for interdisciplinary cultural heritage preservation
F.G. France
M.B. Toth
E.F. Hansen

All hazards approach: safety and accessibility for religious heritage in the province of Limburg
R. Hoppenbrouwers
J. van der Horst
A. Vugts

“All that glisters is not gold”. The appreciation of religious textiles in the Netherlands and the formulation of selection criteria for retention or disposal
R. Lugtigheid

Allowable microclimatic variations for painted wood: numerical modelling and direct tracing of the fatigue damage
L. Bratasz
R. Kozlowski
L. Lasyk
M. Lukomski
B. Rachwal

América Tropical: cultural identity, controversy and conservation of a mural
L. Rainer

An unusual glazing technique on a Portuguese panel painting from the second half of the 16th century: materials, technique and reconstructions
H.P. de Melo
J. Sanyova
A.J. Cruz

Analysis and conservation treatment of Vietnamese paintings
B. Ebert
S.M. Armstrong
B. Singer
N. Grimaldi

Another red Haring?
A. Thorn

Approche pragmatique de la conservation préventive : l’accompagnement à la conception lumière de l’exposition Madeleine Vionnet au musée des arts décoratifs à Paris du 1er août 2009 au 1er février 2010
J.-J. Ezrati

Archaeological ceramics: comparative study of the initial effectiveness of two consolidants – acrylic polymer and ethyl silicate
M.M. Santos
A.M. Lima
M.A. Dionísio

Assessment of the state of preservation of the wreck of the Belgica: implications for in situ preservation and conservation of waterlogged archaeological wood in marine environments
D. Gregory
P. Jensen
K. Strætkvern

Back to transparency, back to life: research into the restoration of broken transparent unsaturated polyester and poly(methyl methacrylate) works of art
A. Laganá
T. van Oosten

Backing boards and glazing on paintings: their damping capacity in relation to shock impact and vibration
N. Bäschlin
M. Läuchli
T. Fankhauser
C. Palmbach
A. Hoess

Between material conservation and identity preservation – the (sacred) life of medieval liturgical books
I. Correia

Biodeterioration of tiles from Pena National Palace (Portugal). First step: identification of fungal community
M.L. Coutinho
A. Phillips
A.C. Pinheiro
M.F. Macedo

Bridging controversy: the contribution of an international commission of experts to the 1950–51 study and treatment of Van Eyck’s Ghent Altarpiece
H. Dubois
A. van Grevenstein-Kruse

Bright ideas: exploring ways to document Dan Flavin’s Fluorescent Light
F. Esmay
T. Learner
A. Phenix
J. Druzik

Building Capacity for Safeguarding Sounds and Images
S. Franco Arce
A. Tandon
I. Ratti
K. Van Malssen

Can dispersed and migrated arsenic from degraded pigments in paintings be a marker for water-linked transport processes?
K. Keune
J.J. Boon

Candido Portinari: materials and techniques of a Brazilian modern painter – part I
A. Rosado
L.A.C. Souza
E. Motta Jr.
C.V. Teixeira
J.C. Portinari
I.C. Mendes

Caracterización de la goma arábiga y estudio de los cambios inducidos por envejecimiento artificial
M.E. Castillo-Valdivia
A. López-Montes
J.L. Vílchez
T. Espejo
R. Blanc

Case study of the effectiveness of removal of arsenic from textiles prior to exhibit
R.T. Hewett

CCI Lining Project: testing of lined model paintings from fractions of a second to decades
D.D. Hartin
E. Hagan
S. Michalski
M. Choquette

Characterisation of surface whitening in 20th century European paintings at Dudmaston Hall, United Kingdom
L. Hinde
K.J. van den Berg
S. de Groot
A. Burnstock

Characterization and conservation of a gun carriage excavated from the 17th-century Stirling Castle shipwreck
K. Tran
N. Boumlil
C. Albino
L. Caillat
J. Pécaut
M. Bardet
G. Gerbaud
L. Le Pape
A. Kirschner

Characterization and conservation of an early 19th-century Nativity scene
T. Dias
E. Murta
A.N. Pais
L. Esteves

Chemical and physical characterisation of degraded Baltic amber and applied conservation materials
L.M. Di Stefano
Y. Shashoua

Chiaro scuro technique in Portuguese mural paintings
P.A.R. Monteiro

Chinese export lacquerware: characterization of a group of Canton lacquer pieces from the 18th and 19th centuries
M.J. Petisca
J.C. Frade
M. Cavaco
I. Ribeiro
A.J. Candeias
J. Graça
J.C. Rodrigues

Chromatic changes on the wall paintings in Sanderum Church (Denmark)
I. Brajer
M.C. Christensen

Cleaning classical Persian carpets with silk and precious metal thread: conservation and ethical considerations
J.C. Frade
P. Cruz
E. Lopes
M.M. Sousa
J. Hallett
R. Santos
A. Aguiar-Ricardo
T. Casimiro

Collections benchmarking for success: prioritising the work of the collections care team using a risk, time and cost matrix
D. Cane
S. Cane
C. Marlow
J. Thompson-Webb

Collections Management: its value as a unifying concept
V.M. Bullock

Collections risk assessment at the Denver Museum of Nature & Science
J.A. Southward
H.H. Thorwald
G. Muething
R. Waller

Common senses: the conservator’s role in helping to maintain multi-sensory access to objects for an ageing population
E. Graves

Computational simulation of environmental conditions applied to preventive conservation of movable cultural properties in Minas Gerais, Brazil
W.B. Gonçalves
L.A.C. Souza

Concept, design and development of anoxic frames for display at Tate
A. Heath
J.H. Townsend
S. Hackney
M. Underhill
Z. Cunningham
J. Bannerman

Connecting conservation education to academic, public, and allied communities
J.J. Gutierrez
J.D.J. Wickens
D.H. Norris

Conservación de libros para niños
E. Brandão

Conservación y restauración de una maqueta de hojalata del altar mayor de la Colegiata de Xàtiva (Valencia)
C. Pérez García
M.L. Flores Madrona
I. Martínez Lázaro
I. Traver Badenes
P. d’Antoni
T. Alapont Millet
L. Ferrazza

Conservation et restauration de l’entité matérielle des fresques de l’église Saint-Sauveur à Prizren-Kossovo par nano-consolidation. Un projet sous l’égide de Patrimoine Sans Frontières
A. Chevalier
P. Baglioni
C. Thill
M. Martin
I. Auclair

Conservation of Instalação 191093, parte 1: documenting material and intangible features
A. Rocha
R. Macedo
A.M. Ramos
E.S. Fragoso
I. Corte-Real

Conservation of materials and resources
R.E. Cull

Conservation of Sogdian wall painting fragments in the collection of the National Museum of Antiquities of Tajikistan: a new approach to the conservation and mounting of excavated earthen wall painting fragments
A. Matsuoka
Y. Shimadzu
E. Checroun
A.I. Idelson
S. Bogin
K. Masuda
A. Nishimura

Conservation of the Boulle furniture from the Musée du Louvre: a study of materials and techniques, a survey and validation of conservation treatments
A. Mathieu-Daudé
M.-A. Paulin
M. Aucouturier
D. Bourgarit
F. Leblanc
M. Leroux
N. Balcar
P. Petit
R. Bertholon
D. Elie-Lefebvre

Contemporary art – market versus conservation: the drafting of an authenticity certificate for the cultural, commercial and legal classification of contemporary art
M. Pugliese
B. Ferriani
D. Jucker
E. Hedley

Contemporary murals conservation in Thai and Sri Lankan Buddhist monasteries: some thoughts on culturally integrated conservation policies
B. Byer Bayle

Creating environments for learning
K. Similä

Cultural identity, conservation approaches, and dissemination: conserving the wall paintings of Nagaur Fort, Rajasthan, India
C. Martin de Fonjaudran
S. Tringham
S. Bogin
S. Menon
K.S. Jasol

Cultural stability in an unstable environment: the waka of Te ana a maru
A. Thorn

De la restauration des peintures comme référence à une approche diversifiée. Esquisse d’une déontologie concernant les techniques qui se situent à la limite de la peinture et des arts graphiques
N. Coural
C. Gerin-Pierre

DECAGRAPH: early detection of biological and chemical contaminants of paper based cultural heritage
T.P. Nguyen
C. Laffont
T. Basset
S. Moularat
E. Robine
F. Bousta
G. Orial
R. Berardo
A. Lama
P. Ramond

Des produits certifiés pour le marquage des biens culturels
M. Dubus
A. Saïd

Design of a vibration damping system for sculpture pedestals: an integral object-based approach
W. Wei
N. Krumperman
N. Delissen

Developing a computer-based management system for monitoring change to Inside Australia (Antony Gormley, 2003)
A. Cummins
A. Thorn
D. Graves

Developing a high-level risk assessment tool for heritage assets
S. Cane
D. Slarke
J. Ashley-Smith
S. Robinson
T. Pollard

Development of portable microfading spectrometers for measurement of light sensitivity of materials
H. Liang
R. Lange
A. Lucian
P. Hyndes
J.H. Townsend
S. Hackney

Displaced cultural property from Afghanistan: conservation and a new mounting system using TWF (Triaxial Woven Fabrics) for looted wall painting fragments from Bamiyan
T. Kijima
F. Suzukamo
H. Kudo
I. Sato
K. Masuda
Y. Taniguchi
E. Takeda
E. Nakau
K. Yamauchi
M. Momii

Dress to impress: reinstating the patterned velvet of large scale bed hangings with digitally printed nylon net
M. Takami
B. Roberts

Educating the conservator-restorer. Evaluating education delivery in terms of the new ECCO Competence Framework for access to the Profession – The Oslo University case study
J. Hutchings

Effects of light on silver tarnishing
D. Thickett

Eighteenth-century lacquer art in Paris: green japanned panels from a Chinese cabinet in the Duke of Richelieu’s townhouse
A.-S. Le Hô
E. Ravaud
J. Langlois
A. Mathieu-Daudé
E. Laval
A. Jacquin
I. Chochod
M. Bégué
J. Mertens
M.-L. Deschamps
A. Forray-Carlier

El grado de conservación y restauración de bienes culturales de la Universidad de Granada: una legitimación necesaria desde la formación y la investigación universitaria
A. García-Bueno
T. Espejo
V. Medina
R. Blanc

El proceso de recuperación de un conjunto de tablas policromadas del siglo XV halladas en un contexto arqueológico en Alcózar (Soria). Nuevos retos metodológicos para la conservación
C. Gómez González
M. Barrera del Barrio
C. Escudero Remirez
M. Burón Alvarez
L. Martín Pérez
P. Vidal Meler
F. Diestro
C. Gonzalo
J.M. Lorenzo
J.F. Yusta
J.L. Sierra

Eliseu Visconti’s monumental marouflage wall paintings: conservation, context, and technical examination
E. Motta Jr.
C.V. Teixeira
M.C. Graça
H.F. Carvalho
L.A.C. Souza
C. Calza

Engaging the public in their cultural heritage: the Attingham Re-discovered project
S. Kay
C. Hughes

Envers une stratégie de conservation pour œuvres éphémères : entre le matériel et le conceptuel
J. Gilman
D. Van Gogh
C. Van Damme
B. De Meulenaer

‘EthCon’ – teaching ethics in conservation of ethnographic objects
C. Brune
H. Häyhä

Étude d’un corpus d’icônes datées des XVe et XVIe siècles conservées au musée de l’Institute of Ethiopian Studies, Université d’Addis Abeba, Éthiopie
S. Mirabaud
M. Miguirditchian
C. Bosc-Tiessé

Étude et restauration d’un objet exceptionnel : une corne en verre d’époque carolingienne
M. Bailly
I. Biron
E. Monteil

European coated papers, 1850–1975: their identification for conservation purposes
L.C.P. Loureiro
M. Sandy
A. Manning
A.I. Seruya

Evaluating the feasibility of recycling storage alcohols with HS-GC-MS
J. Giaccai
W.G. Keel
W. Moser
J. Tanner

Evaluation of cleaning and chemical stabilization of paper treated with a rigid hydrogel of gellan gum by means of chemical and physical analyses
L. Botti
A. Corazza
S. Iannuccelli
M. Placido
L. Residori
D. Ruggiero
S. Sotgiu
L. Tireni
M. Berzioli
A. Casoli
C. Isca
P. Cremonesi

Evolved gas analysis as a tool for characterizing plastics
M.R. Schilling
T. Learner

Examination of ceramic vessels from the Ban Chiang culture in the collection of the Arthur M. Sackler Gallery
K. Koss
E.S. Chase
B. McCarthy

Félix Bracquemond, La Lecture de la Bible (1851), Paris, musée du Louvre, fonds Orsay: la restauration d’une œuvre sur papier de technique complexe
N. Coural
M. Cailleteau
O. Cortet
C. Sindaco

Filling materials for easel paintings: current formulations, traditional concerns
L. Fuster-López
A. Murray
M.F. Mecklenburg
D.J. Yusá-Marco
G. Mirderikvand
M. Doutre

Fire! A twofold risk for textile art. An investigation into the consequences of flame retardant treatments
M. Bergstrand
K.H. Degerblad
K. Thuresson
T. Winther

Folklore, textiles and conservation. An approach to the consolidation of Manila and Valencian embroidered silk shawls
S. Vicente-Palomino
N. Arbues-Fandos
E.M. Montesinos-Ferrándis
L. Fuster-López
D.J. Yusá-Marco
M.T. Doménech Carbó

Fungal presence in archival settings: assessment using classic culturing and molecular biology methods
A.C. Pinheiro
V. Jurado
L. Rosado
J. Brandão
C. Viegas
M.F. Macedo

G.F. Watts’ distemper technique in Italy: a study and conservation of King Alfred Inciting the Saxons to Prevent the Landing of the Danes
E. Guerreiro
R. Ellison
R. Pelter

Henry VIII’s tapestries revealed
R. Perkins
H. Owens
C. Carr
K. Hallett
I. Gibb
K. Frame

Heritage collections at risk – English heritage collections risk and condition audit
A. Xavier-Rowe
C. Fry

Historical restoration recipes: the cleaning of oil paintings 1600–1900
M. Stols-Witlox

Holy Family: an aesthetic and methodological dilemma
E. Murta
M. Portela
N. Escobar

Identification of animal species in skin clothing from museum collections
A.L. Schmidt
M.T.P. Gilbert
E. Cappellini
J.V. Olsen

Identifying plant material used in Kakahu
E. Girvan
D.J. Carr
A. Tamarapa
R. Te Kanawa

Identité, nation et patrimoine culturel. Perspectives sociologiques pour la conservation-restauration
A. Vega Cardenas

ILKAR: current research towards the assessment of the conservation state of magnetic tapes in archives
E. Gómez-Sánchez
M. Mengel
S. Simon
L.-C. Koch

Implementation of the Movable Cultural Objects Conservation-Restoration course (bachelor degree) at the Fine Arts School in Federal University of Minas Gerais – Brazil
M.R.E. Quites
B.R. Veloso

In search of van Mander’s primuersel: intermediate layers in early Netherlandish paintings
A. Vandivere

Indigenous collections and issues around digital access – objects from the Pacific
M. Jackson
P. Coughlin
V. Daniel

Indigotin in archaeological textiles from wet or waterlogged environments
A.B. Scharff
M.G. Ringgaard

Influencias ibéricas en la terminología de los materiales: breves
apuntes
V.H. Antunes

Interdisciplinary investigation of early house paints: Picasso, Picabia and their “Ripolin” paintings – revision1
K. Muir
G. Gautier
F. Casadio
A. Vila

Intra-surveyor bias in collection condition surveys
J. Taylor

Investigation of non-aqueous remedial treatments for iron-tannate dyed textiles
H. Wilson
P. Cruickshank
M. Hacke
R. Stacey
C. Carr
V. Daniels
M. Rigout

Investigation of the loss of colour in smalt on degradation in paintings using multiple spectroscopic analytical techniques
L. Robinet
M. Spring
S. Pagès Camagna

Investigations and diagnosis on archaeological metal artifacts using LIBS technique for in-situ campaigns
M. Simileanu
R. Radvan

Ionic liquids for medieval stained glass cleaning: a new frontier
A. Machado
P. Redol
L. Branco
M. Vilarigues

Jean-Gabriel Goulinat, chef de l’atelier de restauration des peintures des musées nationaux (1935–1971)
I. Cabillic

Joining broken wax fragments: testing tensile strength of adhesives for fragile and non-polar substrates
A. Fischer
M. Eska

Journeys of our ancestors: interdisciplinary research and its influence on conservation methodologies for the assessment of archaeological artifacts
C.R. O’Grady
N. Odegaard
E.C. Adams

La colección de negativos de Ruth Matilda Anderson en la Hispanic Society of America en Nueva York. Estudio y plan de preservación
R. Herrera

La conservación de documentos fotográficos – las impresiones fotográficas de papel albuminado no pegadas sobre tarjetas
J. Spinelli Junior

La conservation des pièces en ivoire dans les musées : étude de cas par une approche multi-analytique sans prélèvement
I. Reiche
D. Large
K. Müller

La décongélation d’un ouvrage inondé sans lyophilisation
T. Basset
M. Draïs

La Serie Jerónima de Zurbarán en el Monasterio de Guadalupe (Cáceres). Estudio de sus restauraciones
R. Bruquetas Galán
T. Antelo
M. Gómez
A. Gabaldon
I. Argerich
A. Albar
M. Algueró
N. Valentín
C. Vega
C. Fernández

Las ciencias experimentales como herramienta para la conservación de las murallas de Cartagena de Indias, Colombia
J. Barón Vélez
D. Cohen Daza
M.O. Fernández Reguera
J.A. Garcés Mora
F. Saab Monroy

Le globe céleste de Schissler : enjeux d’histoire des sciences et de préservation du patrimoine
S. Gessner
A.M.M. e Carmo

Le Retable Miraflores peint par Juan de Flandes en 1496–1499 : une œuvre atypique
L. Depuydt- Elbaum
F. Rosier

Leather figures at Lytes Cary Manor, the National Trust, UK
T. Sturge

Les Funérailles de Sarah de Judith Bartolani du musée d’Art et d’Histoire du Judaïsme (Paris) : le respect d’une intervention postérieure de l’artiste
N. Coural
M. Cailleteau

Lifetime of chromogenic colour photographs in mixed archival collections
A. Fenech
M. Strlic
M. Cassar
K. Ntanos
N. Bell

Light-fastness of autochrome color screen filters under anoxic conditions
L. Casella
M. Tsukada
N. Kennedy

Lighting guidelines and the lightfastness of Australian indigenous objects at the National Museum of Australia
B. Ford
N. Smith

Liquefying oil paint: contemporary paintings in danger?
J. Schulz

Lost walls/murals rebuilt: interdisciplinary approaches to the conservation of Preclassic Maya wall paintings from San Bartolo, Guatemala
C.R. O’Grady
H. Hurst

L’étude technique et la restauration de deux œuvres d’Auguste Rodin en plâtre et pâte à modeler
H. Bluzat
A. Cascio
G. Mary

Martin Kippenberger’s Installation Der Weissen Bilder (1991) – creation, curation, conservation
R. Hellen

Materials and techniques in viceregal paintings and sculpture in Lima – 16th and 17th centuries
R. Bruquetas Galán
A. Carrassón López de Letona
R. Kuon Arce
C. Fiorentino Vásquez
M. Gómez González
R. Estabridis Cárdenas

Materials and techniques used in polychrome and gilded decorative plasterwork from the Arabian Room of the Palácio da Bolsa (Oporto, Portugal)
P.M.M. de Carvalho
F. Rocha
J. Coroado

Mobiliario dorado del Museu da Baronesa, Pelotas, RS: concepto y prácticas de restauración
A.L. Bachettini
K.C. Scolari
Â.M. Macalossi
I.H. da C. Torino
A.M. Costa
N.M.V. Corrêa

Monitoring and modelling the storage environment at The National Archives, United Kingdom
S.H. Hong
M. Strlic
I. Ridley
K. Ntanos
N. Bell
M. Cassar

Monitoring Spiral Jetty: Aerial Balloon Photography
R. Eppich
F. Esmay
T. Learner
A. Tang

Negative effects of aqueous rinsing of archaeological textiles
M.G. Ringgaard

New approaches to surface cleaning of contemporary unvarnished oil paintings – moist sponges and cloths
B.V. Mendes
K.J. van den Berg
L. Megens
I. Joosten
M. Daudin

New synergies for research in conservation/restoration: the European Charisma initiative
B.G. Brunetti

Non-destructive condition assessment of painting canvases using near infrared spectroscopy
M. Oriola
G. Campo
M. Strlic
L. Cséfalvayová
M. Odlyha
A. Možir

Non-destructive testing of silk: problems and possibilities
N. Luxford
D. Thickett
P. Wyeth

Non-invasive color restoration of faded paintings using light from a digital projector
S. Cuellar
J. Stenger
R. Gschwind
A. Mohan
Y. Mukaigawa
R. Raskar
K. Eremin
N. Khandekar

On-site categorisation and condition assessment of silks in textile collections
P. Garside
S. Howard
K. Loubser
P. Wyeth
X. Zhang

Optimisation of the quality control of cellulosic materials used for the conservation and storage of paper-based cultural heritage, based on the emissions of volatiles
T.P. Nguyen
E. le Bourg
S. Bouvet
V. Rottier

Penetrável Magic Square No. 5, De Luxe: complexities and challenges involved in the conservation of a contemporary artwork
A.C.A. Cordeiro
C.L. de França
K. de M. Barboza
L.A.C. Souza

Pérennité pour les écoles de formation dans le domaine de la conservation : étude de cas de l’École du Patrimoine Africain (EPA) pour définir des stratégies à adopter
F. Lamy-Joly
B.F. Keita

Please mind the step! Material and technical study of an 18th-century footpace from São Roque Church, Lisbon
T. Dias
L. Esteves
M. Cavaco

Pleasing the Orishas: the conservation of African ritual costumes at Salvador, Brazil
T.C.T. de Paula
M.N.B. da Cunha
G.P. Klüppel

Polymer conservation treatments for stained glass in the Burrell Collection, Glasgow: an assessment of 25 years of natural aging
N.H. Tennent

POPART: an international research project on the preservation of polymer artefacts in museums
B. Lavédrine

Pre-Columbian gold from Panama: historic collecting practices and conservation treatments
A.C. Harrison
E. Kaplan

Predicting risks to artefacts from indoor climates
B. Pretzel

Preparing for the conservation treatment of foam roses from a Bulgarian headdress: testing the consolidation of polyurethane-ether foam
C. Ward
M. Hacke
N. Rode

Presence of indigo in the paint layers of gilt and painted leather artefacts
M. Ioele
A.V. Jervis
M. Paris
L. Rissotto
A. Sodo
A. Giovagnoli
T. Poli

Protein identification in artworks by peptide mass fingerprinting
D.P. Kirby
N. Khandekar
J. Arslanoglu
K. Sutherland

Purpura and proto-changeant: the earliest representations of shot silk fabrics
M. Clarke
A. Vandivere

Re-examining conservation precepts; implications for conservation education
M. Scott
C. Smith

RE-ORG – A new tool for museum storage reorganization: a cross-cultural initiative
S. Lambert
A. Nikolic
M.O. Fernández Reguera
D. Cohen Daza
A.C.P. Francisco
M. Griesser-Stermscheg
M. del P. Salas

Reassessment of anoxic storage of ethnographic rubber objects
J. Dyer
C. Ward
N. Rode
M. Hacke
Y. Shashoua

Recognizing the interdependent relationship between heritage and its wider context
S. Court
J. Thompson
C. Biggi

Recovering from destruction: the conservation, reintegration and perceptual analysis of a flood-damaged painting by John Martin
S. Maisey
P. Smithen
A. Vilaro Soler
T.J. Smith

Recreating artifacts for a better understanding of their historical and technological context: example of a 12th century candlestick from the V&A Museum collection
C.V. Wesolowska
S. Seavers

Reflections on a biographical approach to contemporary art conservation
R. van de Vall
H. Hölling
T. Scholte
S. Stigter

Reflections on decision-making in conservation
J. Henderson

Reflective practice in conservation education
P. Manti
J. Henderson
D. Watkinson

RemolacherosDeAznárez.uy
G. Morales Larraya

Research for preventive conservation and optimal presentation of world heritage in Museum Plantin-Moretus, Antwerp
V. Kontozova
B. Krupinska
R. Van Grieken
E. Janssen
H. Moris
D. Aerts
L. Watteeuw
M. Van Bos
A. Peckstadt

Research study on support materials and adhesives for the restoration of gilt leather: first results
S. Iafrate
M. Andreano
M. Ioele
A.V. Jervis
M. Paris
U. Santamaria

Restauración de una escultura de bronce: busto de D. José Ibáñez Marín
C. Pérez García
I. Martínez Lázaro
M.L. Flores Madrona
I. Traver Badenes
J. Pérez Miralles
L. Ferrazza

Restoration or reconstruction? Towards a conservation approach for ‘Arte Povera’ Installations, based on the art process and the artist’s intent
L. Beerkens
S. Weerdenburg

Reviewing Uganda’s heritage legislation to suit contemporary dynamics
S.F. Nsibambi

Revisión crítica de algunos materiales poliméricos utilizados en contacto con los bienes del patrimonio cultural
M. Gómez
M. San Andrés
R. Chércoles
J.M. de la Roja
S. Santos
P. García
J. Sánchez
E. García
L. Ceballos
P. Borrego
I. Argerich
I. Herráez
M.D. Fuster

Sacrifice by André Masson: technical study before conservation
N. Balcar
J. Langlois

Safflower (Carthamus tinctorius L.) used as dye, pigment and rouge in China: modern laboratory preparations developed by critical interpretation of ancient texts
J. Wouters
C.M. Grzywacz
A. Claro

Sharing knowledge
F. Fekrsanati
G. Scott
M. Reuss
R. Sulistianingsih

Shot and dropped: the conservation of a Niki de Saint Phalle Shooting Picture
S. De Bernardis
J.H. Townsend
B. Ormsby
T. Green
P. Smithen

Smart conservation – targeting controlled environments to improve sustainability
D. Thickett
L. Cséfalvayová
M. Strlic

Soot removal from acrylic emulsion paint test panels: a study of dry and non-contact cleaning
J.-s. Tsang
S. Babo

Specimen fixation without formalin in natural history collections: utopia or reality?
A. Péquignot
E. Sarot
F. Duranthon
A. Pensel
M.-F. Carillo-Baraglioli

Strain monitoring of tapestries: results of a three-year research project
F. Lennard
D. Eastop
J. Dulieu-Barton
A. Chambers
D. Khennouf
C.-C. Ye
H. Williams

Strategies for conservation of historical renderings. Factors and decision criteria
M. do R. Veiga
M. Tavares
M. Menezes

Strategies for the conservation of cellulose acetate artworks – a case study of two plastic books
A. Cudell
R. Veiga
T. van Oosten
A. Laganá
H. van Keulen
I. Venade

Stripped and grained wooden church furniture: an admired and later disliked 19th-century brown colour appearance in church interiors
K. Vestergaard Kristiansen

Studies of modelling materials used in Auguste Rodin’s studio
J. Langlois
Y. Vandenberghe
N. Balcar
M. Cotte

Studies on the protection of Portuguese ceramic tiles
T.P. Santos
A.P. Carvalho
M.F. Vaz

Study and application methodology of cyclododecane used in interventions on stone sculptures and ornaments
X. Mas-Barberà
S. Kröner
M.T. Doménech Carbó
M. Martínez Bazán
A. Van Uden

Study of an 18th-century Chinese wallpaper
R. Castro
M.J. Melo
M. da C.L. Casanova
C. Queiroz

Study of the mechanism of formation of calcium soaps in an early 20th-century easel painting with correlative 2D and 3D microscopy
E.S.B. Ferreira
J.J. Boon
M. Stampanoni
F. Marone

Study on the application of heat set adhesives in conservation of tracing paper
C. Gonçalves
A.M. Ramos
M. da C.L. Casanova
L.M. Alberto

Surface micro-roughness, cleaning, and perception
W. Wei

Taking the ancestors on a visit: the role of conservators in reconnecting a collection of historic Blackfoot shirts with the community
H. Richardson

Technical examination of several portable Chinese Buddhist paintings from the Mogao Caves
E.R. Mysak
K. Eremin
N. Khandekar
M. Brack
R. Newman

Technical investigation of Rembrandt and/or studio, Saul and David, c. 1660 from the collection of the Mauritshuis
P. Noble
A. van Loon
C.R. Johnson, Jr.
D.H. Johnson

Temple of the Oracle Dorje Chenmo at Shey (Ladakh, India). Developing methodology for the conservation of living religious and cultural sites
S. Dhar

Testing the performance of a traditional Chinese adhesive for the conservation of Qing dynasty painted architectural decoration at Shuxiang Temple, Chengde
L. Wong
B. Bicer-Simsir
H. Yuan
C. Qing

The behaviour of books in changing environmental conditions and the implications for collection storage
P. Garside
B. Knight

The climate in pastel microclimate cardboard boxes when exposed to fluctuating climates
B. Ankersmit
W. Kragt
I. van Leeuwen
C. Gombaud

The composition of plaster casts
L. Megens
I. Joosten
A. de Tagle
R. Dooijes

The conservation of an early gut skin sail from the Hudson Strait
K. Jackson
H. Richardson

The conservation of baby incubators: a balance between medical heritage and social history
I. Tissot
M. Lemos
P. Pedroso
M.S. Lemos

The conservation of cultural heritage as a factor in economic development and national sovereignty: case studies of Hellenic conservation programs in Hama (Syria)
S. Chlouveraki
F. Karagiani
K. Malea
S. Rapti
M. Azar
M. Hjazy
G. Panagiaris

The conservation of polychrome wood sculpture in the United States: an historical overview, 1870–1970
L. Kargère
M. Marincola

The conservation of the Chinese map of the world by Matteo Ricci: journeys between East and West
U. Landwehr
C. Schuster
E. Zeilinger

The conservation of the statue of Christ the Redeemer, Rio de Janeiro, 2010
M.D. Braga

The consolidation of mechanically destroyed enamel decoration on copper and its alloys
A. Tomaszewska
A. Tomaszewska-Szewczyk

The darkness of The nocturnal conspiracy of Claudius Civilis by Govert Flinck and Jürgen Ovens (1659 and 1662) in the Royal Palace Amsterdam
E. Froment
M. van Eikema Hommes
M. Daudin-Schotte
S. de Groot
H. van Keulen
L. Megens

The development of an online methodology for interdisciplinary collaborative research: Investigations of dispersed paintings by the Master of the Fogg Pietà – Maestro di Figline
A. Nevin
A. Burnstock
J. Cannon
C. Richardson
C. Campbell
L. Cox
T. Hensick
N. Khandekar
H. Lie
K. Olivier
S. Wolohojian
R. Albertson
P. Klausmeyer
W. Murray
B. Strähle
L. Megens
K.J. van den Berg
R. Bellucci
C. Castelli
C. Frosinini
D. Vingtain
R. May
O. Guillon
N. Buoillon

The effect of excimer laser irradiation on selected pigments used in the 19th century
R. Bordalo
P.J. Morais
C.R.T. Young
L.F. Santos
R.M. Almeida

The emergence and spread of “Chemistry in Art” undergraduate courses in United States universities
E.S. Uffelman

The Évora Inquisition Banner – historic and scientific study behind its restoration
C. Dias
L. Tobias
A.T. Caldeira
H. Mestre
A. Conde
P. Monteiro
A. Camões
A. Candeias
T. Ferreira

The influence of urban air pollution in archives
M. Ryhl-Svendsen

The Kanota Collection: a collaborative project between family stakeholders and Indian and UK conservators
E. Schmuecker
V. Singh Macheha Rathore
M. Wheeler
A. Bancroft

The LA look from start to finish: materials, processes and conservation of works by the Finish Fetish Artists
R. Rivenc
E. Richardson
T. Learner

The moisture equilibrium in Kippinge Church, Denmark
P.K. Larsen

The Moorish hall of the former Diamant-Palace (1905) in Brussels
W. Wailliez
E. Job
A.-S. Augustyniak
M. Decroly
P. Wéry

The mural by Joan Miró at Barcelona Airport: conservation issues about a monumental work of art
A. Gall Ortlik
G. Bussienne
P. Maynés

The preservation of Maori textiles: collaboration, research and cultural meaning
C. Smith
K. Te Kanawa
M. White

The QALY in collection care – a cost effectiveness approach to collection management
A.E. Bülow
A.W. Brokerhof

The Rembrandt Database: an inter-institutional research resource for art-historical, technical and conservation documentation
W. Donkersloot
M. Franken
S. Weidema
T. Weidema
P. Noble
E. Buijsen

The Renaissance set of twelve terracotta coloured and gilded bas-relief that represent Christ Passion – study and intervention
A. Mendes
R. Triães
J. Coroado
F. Rocha

The research project: “Materials and painting techniques of painters from the north of Portugal”
A. Calvo
M.C.M.L.P.L. Aguiar

The restorer’s visual conception – a changing process. A Portuguese case
V.H. Antunes
A.M. Cardoso
A. Fryxell

The role of conservation in increasing awareness of Jamaican lacebark
E. Brennan

The role of conservation in the preservation of the authenticity of furniture
S. Auffret

The shadows by Lourdes Castro: a conservation study of PMMA in the 21st century
J.L. Ferreira
M.J. Melo
M.J. Ávila
A.M. Ramos

The stars align: preservation of the Zodiac Cycle Murals at the Stanton Street Shul
R. Keppler
S. Barack
B. Shtrum
B. Edelstein

The Tibães terracotta sculptures by the Lay Brother Cipriano da Cruz
A. Le Gac
F. Castro
D. Soares
C. Vilarinho
L. Carneiro
M. Abreu
C. Vaz
A. Dias
I.D. Costa
M.J.D. Costa

The treatment of a polyurethane rigid foam floor piece by Ger van Elk: a study in the conservation of plastics
E. Snijders
S. Weerdenburg
R. Timmermans

The yellowing/bleaching behaviour of oil paint: further investigations into significant colour change in response to dark storage followed by light exposure
J.H. Townsend
L. Carlyle
J.-H. Cho
M.F. Campos

Theft in museums in the Netherlands – facts and figures to support collection risk management
M.F.J. Peek

Three dimensional studies of glass alteration layers
S. Fearn
K. Eremin
V. Oakley
A. Hykin

Through a glass darkly: an investigation of problems observed with display case glass
H. Ganiaris
R. Payton
D. McPhail
S. Fearn
R. Chater
N. Shippen

Tinplate as a support for 19th century oil paintings by Francisco José Resende – choice and consequence
R. Veiga
A. Calvo

To err is human: understanding and sharing mistakes in conservation practice
M. Marincola
S. Maisey

To give without discrimination: Her Majesty Queen Sirikit’s 40-year effort to preserve Thai textile traditions
J.M. Brennan
P. Saengsirikulchai
P. Pochoom

To preserve the impossible – the protection and conservation of contemporary art using the example of installations
M. Jadzinska

Treatment of Claes Oldenburg’s Ice Bag–Scale C, an interdisciplinary approach
E.E. Nagy
S. Berger
K. Parker
V. Schuster
J. Miller
J. Girard
C. Mancusi-Ungaro

Treatment triage: the conservation of a portable Sudanese architectural element, Te Saqwit, 2000–2009
C. Giuntini
E. Enard
I. Rodrigues

Tuning voices from different professions. Interdisciplinary dialogue around the Sarcophagus of Frederick II in Palermo (Italy)
R. Varoli-Piazza
M. Berducou
V. Magar
G. de Guichen

Two painted works of art on diverse supports – adopting paintings conservation methods and materials in specific cases
T. Ruuben
N. Robbins

Two treatment approaches to one Dutch militia group portrait
M. te Marvelde
L. Abraham
A. van Grevenstein-Kruse
H. van Putten

Ultra-low-energy museum storage
M. Ryhl-Svendsen
L.A. Jensen
P.K. Larsen
B. Bøhm
T. Padfield

Un logiciel d’images animées au profit de la conservation d’un bureau mécanique
F. Leblanc
B. Moignard

Une base de données pour améliorer la conservation des œuvres contemporaines conservées dans les lycées en région Rhône-Alpes. Un projet expérimental et formatif
S. Moreaux
N. Broers

Using decision diagrams to explore, document, and teach treatment decisions, with an example of their application to a difficult painting consolidation treatment
S. Michalski
M. Rossi-Doria

Valuation of museum collections in Estonia: impact on conservation practice
K. Sibul
K. Konsa

‘Weeping sculptures’: research into the degradation and conservation of works of art from the Stage Evidence series by Loris Cecchini
M. Palmeira
A. Laganá
T. van Oosten

What do you see there? Dialogue between art historians, conservators and scientists
R. Varoli-Piazza
L. Rissotto
G. Martellotti
C. Seccaroni

When glass and metal corrode together, III: the formation of dicoppertrihydroxyformate
G. Eggert
S. Haseloff
H. Euler
B. Barbier

White hazes and surface crusts in Rembrandt’s Homer and related paintings
A. van Loon
P. Noble
J.J. Boon

Wiping away the dirt – a safe option for plastics?
Y. Shashoua
K. Segel
T. van Oosten
A. Laganá
B. Keneghan
G. Barabant
C. Bollard
S. Kuperholc

Working in platinum: Gertrude Käsebier
T.M. Vo
D.C. Stulik

‘Worth a hundred Milibands’. Conservation’s role in embracing cultural identity at the V&A
S. Smith
A. Bancroft

Yellows and blues: re-examination of Vermeer forgeries
A. Wallert
M. van de Laar

• ICOM-CC abstracts
• 16th Triennial Conference Lisbon, 19-23 September 2011

• French = Français
• Spanish = Espagnol

• Art objects - Conservation and restoration - Congresses
• Cultural property - Protection
• Objets d'art - Conservation et restauration
• Biens culturels - Protection
• Objets d'art - Conservation et restauration - Congrès