Notice catalographique « In artists' footsteps : the reconstruction of pigments and paintings »

Making reconstructions at the Hamilton Kerr Institute

Housewife chemistry

Towards a new English Cennino

Reconstructing the exceptional: the decoration of the Wingfield organ

Aspects of painting technique in the Madonna and Child with St Anne attributed to Gian Giacomo Caprotti, called Salai

Reconstructing intermediate layers in early Netherlandish paintings

Sebastiano del Piombo's Adoration of the Shepherds: on the pursuit of colouristic splendour in a 'lost' painting

Reconstructing towards a better understanding: a study of missing underdrawings in Van Mierevelt's portraits

Does the de Mayerne manuscript reflect contemporary studio practice?

Further observation on Corot's late painting technique

Shocking a mock-up: recreating the damages and historical treatments found in Edvard Munch's monumental Aula paintings to test materials and procedure for marouflaging a marouflage

Reconstructing red lakes in traditional paint systems

'...And now you see it!': the use of digital reconstructions in painting conservation

Four weeks of work fo four seconds of fame: reconstructions for television

Reconstruction of the tin relief decoration on the Thornham Parva Retable

Being Paolo Uccello

Reconstructing the preparation layers of a late fifteenth-century panel painting from Seville

Preparing a copper panel for painting: a late sixteenth-century reconstruction

Perspective: constructing a seventeenth-century Dutch interior

The reconstruction of The Yarmouth Collection

Reconstruction of a fruit and flower piece by Jan van Os

Copying Alfred Stevens' La Liseuse

• Painting - Conservation and restoration
• Pigments - Conservation and restoration
• Peinture - Conservation et restauration
• Pigments - Conservation et restauration