Notice catalographique « Painting techniques, history, materials, and studio practice : contributions to the IIC Dublin congress, 7-11 September 1998 »

• International Institute for Conservation of Historic and Artistic Works
• Roy, Ashok
• Smith, Perry

Contents:

Some observations on panel painting technique in Tuscany from the twelfth to the thirteenth century
MARCO CIATTI

Hispano-Muslim wall paintings
CARMEN RALLO and ENRIQUE PARRA

The technique of the mural paintings in the choir of
Angers Cathedral
SYLVIE DEMAILLY, PAULETTE HUGON,
MARCEL STEFANAGGI and WITOLD NOWIK

The technical study of a late thirteenth-century Byzantine marginal psalter from the Walters Art Gallery
ABIGAIL QUANDT and ARIE WALLERT

Analytical study of the evolution of panel painting
technique in Valencian workshops from the fourteenth to the seventeenth century
M.T. DOMENECH, R. MATEO, V. PERIS,
J.V. GIMENO, F. BOSCH, E. AURA and E. LOPEZ

The mediaeval polychromy of the Majestic West Portal
of Toro, Spain: insight into the workshop activities of late mediaeval painters and polychromers
MELISSA R. KATZ

English fourteenth-century interior polychromy:
manuscript sources and workshop practice at Exeter Cathedral
ANNA HULBERT

The Thornham Parva retable: workshop practice in
fourteenth-century English panel painting
LOUISA GOLDSMITH and SPIKE BUCKLOW

The recipe collection of Johannes Alcherius and the
painting materials used in manuscript illumination in
France and Northern Italy, c. 1380-1420
NANCY TURNER

Painting techniques in the Boucicaut Hours and in
Jacques Coene's colour recipes as found in Jean Lebègue's Libri Colorum
BERNARD GUINEAU, INES VILLELA-PETIT and
JEAN VEZIN

Painting on parchment besides miniatures: scientific
analyses and a study of the artistic techniques of
Giovannino de' Grassi's model book
LETIZIA MONTALBANO, MICHELA PICCOLO and
MARIA GRAZIA VACCARI

Late mediaeval wall painting techniques at Farleigh
Hungerford Castle and their context
HELEN HOWARD, TRACY MANNING and
SOPHIE STEWART

The Calvary of S. Francisco's church in Leiria:
workshop practice in a Portuguese late Gothic wall
painting
GRAÇA HORTA, ISABEL RIBEIRO and LUIS AFONSO

The construction and painting of a large Castilian
retable: a study of techniques and workshop practices
SAM HODGE, MARIKA SPRING and
RAY MARCHANT

Oil painting in the late Middle Ages in Spain: the
relationship of style to technique in the Epiphany
Altarpiece of Saint Paul's Convent in Toledo
MARTA PRESA, ROCIO BRUQUETAS and
MARCO CONNOR

Stylistic, technical and material developments in the paintings of Giovanni di Paolo
ELYSE KLEIN, ERIC GORDON and KAREN
FRENCH

Piero della Francesca's process: panel painting technique
ROBERTO BELLUCCI and CECILIA FROSININI

The Washington Portrait of a Lady by Rogier van der
Weyden reconsidered in light of recent investigations
CATHERINE A. METZGER and MICHAEL PALMER

The origin and significance of marbling and
monochrome paint layers on frames and supports in
Netherlandish painting of the fifteenth and sixteenth centuries
HÉLENE VEROUGSTRAETE and
ROGER VAN SCHOUTE

The relationship between Albrecht Dürer' s palette and
fifteenth/sixteenth-century pharmacy price lists: the use
of azurite and ultramarine
ANDREAS BURMESTER and CHRISTOPH KREKEL

Artistic exchange and experimental variation: studies in
the workshop practice of Lucas Cranach the Elder
GUNNAR HEYDENREICH

Some aspects of the utilization of different wood species
in certain European workshops
PETER KLEIN

Contribution to the study of grounds for panel painting
of the Spanish School in the fifteenth and sixteenth
centuries
S. SANTOS GOMEZ, M. SAN ANDRÉS MOYA, J.L.
BALDONEDO RODRIGUEZ, O. CONEJO SASTRE,
M.I. BAEZ AGLIO and A. RODRIGUEZ MUNOZ

The development of painting on coloured surfaces in
sixteenth-century Italy
JILL DUNKERTON and MARIKA SPRING

The Elizabethan wall paintings of Hill Hall: influences
and techniques
TOBIT CURTEIS

Antwerp artists and the practice of painting on copper
MICHAEL K. KOMANECKY, ISABEL HOROVITZ
and NICHOLAS EASTAUGH

Peeter Stas: an Antwerp coppersmith and his marks
(1587-1610)
J0RGEN WADUM

Esaias van de Velde's technical innovations: translating
a graphic tradition into paint
E. MELANIE GIFFORD

A note on technical aspects of prints and paintings of
Hercules Segers
ARIE WALLERT

Sixteenth- to eighteenth-century green colours in
landscape and flower paintings: composition and deterioration
JO KIRBY and DAVID SAUNDERS

A new lead-based yellow in the seventeenth century
ASHOK ROY and BARBARA H. BERRIE

Indigo used in the Haarlem Civic Guard group portraits
by Frans Hals
E. HENDRIKS, M. VAN EIKEMA HOMMES and
K. LEVY-VAN HALM

Italian wall painting in oil: Carlo Bononi and Ferraù
Fenzoni, two artists of the seventeenth century
A. TUCCI, F. BEVILACQUA, C. DI FRANCESCO
and V. TAGLIATTI

Eight seventeenth-century decorative paintings - one
painter?
TONE MARIE OLSTAD and KRISTIN SOLBERG

Seventeenth-century church paintings of Gottfried Hendtzschel: technical examination and church records
TINE FR0YSAKER

French eighteenth-century painting techniques
ELMA O'DONOGHUE, RAFAEL ROMERO and JORIS DIK

The political construction of fragility and French arts policy around 1750
THEA BURNS

The technique of Sir Henry Raeburn examined in the context of late eighteenth-century British portraiture
LESLEY A. STEVENSON

Supplying artists' materials to Australia 1788-1850
ERICA BURGESS and PAULA DREDGE

Nineteenth-century paint media: the formulation and
properties of megilps
JOYCE H. TOWNSEND, LESLIE CARLYLE, AVIVA BURNSTOCK, MARIANNE ODLYHA and
JAAP J. BOON

Mixing and mingling: John Constable's oil paint
mediums c. 1802-1837, including the analysis of the 'Manton' paint box
SARAH COVE

An examination of the relationship between the
materials and techniques used for works on paper, canvas and panel by Honoré Daumier
AVIVA BURNSTOCK and WILLIAM BRADFORD

G.F. Watts in context: his choice of materials and
techniques
JACQUELINE RIDGE and JOYCE H. TOWNSEND

Methods and materials of the Pre-Raphaelite circle in the
1850s
LIBBY SHELDON

Absorbent grounds and the matt aesthetic in Post Impressionist painting
VOJTECH JIRAT-WASIUTYNSKI and H. TRAVERS NEWTON JR

The Life of a Painter: technical information in painters'
biographies and autobiographies published in Britain
1820-1940
SALLY WOODCOCK

Painting materials research in Munich from 1825 to 1937
BRUCE F. MILLER

• Contributions to the Dublin congress, 7-11 September 1998 - [suppl.1]. Summaries of the posters at the Dublin congress - [suppl.2]. List of delegates to the Dublin congress.
• REF copy has 2 supplements

• Art - Conservation and restoration - Research
• Painting - Technique
• Painting - Materials
• Painting - History
• Art - Conservation et restauration - Recherche
• Peinture - Histoire
• Peinture - Matériaux
• Peinture - Technique