Notice catalographique « Toning materials for conservation : (abstracts) »

CONTENTS:

Dyestuffs and their appropriateness for different materials

An overview of methods and materials used for colouring backing papers in the Organic Artifacts Section
Barbara Wills

The practicalities and aesthetics of retouching
Jane McAusland

The technique of applying fibre-reactive dyes to Japanese paper for the repair of 3-D paper objects, and the use of a 3-colour chart
Ruth Norton

Perspectives on image re-integration: a look at the highly subjective topic of image re-integration and the cultural, ethical and practical parameters which determine its practice
Jean Brown

The use of Cartasol K direct dyes in paper conservation
David Jacobs and Barbara Rodgers

Matching nineteenth-century paper for leaf-casting
Lorraine Finch

Colour-coordinated: the physics of seeing
Bob Child

Mellow yellow: Japanese brown and yellow dyes plus black and indigo, and how the Japanese apply them to paper and silk
Sandra Grantham

Toning papers using washing extract
Piers Townshend

Toning reconstituted parchment
Andrea Pataki

The use of leather dyes for vegetable-tanned and alum-tawed skin
David Dorning

The use of an airbrush in toning paper and parchment
Lien Gyles

The use of acrylic for toning linen in book conservation
Sarah Bunn

The use of colouring media for the localised coloration of support fabrics in order to camouflage areas of loss in textile conservation
Kim Theusing

• Paper - Preservation
• Papier - Conservation