Notice catalographique « The articulate surface : dialogues on paintings between conservators, curators and art historians »
- Titre
- The articulate surface : dialogues on paintings between conservators, curators and art historians
- Auteur ou éditeur
- Wallace, Sue-Anne
- Lieu de publication
- Canberra
- Maison d'édition
- The Humanities Research Centre, The Australian National University and The National Gallery of Australia
- Date de publication
- 1996
- Collation
- 333 p.
- Table des matières
Contents:
A portrait of Charles the Bold Found Under a Later Painting
Andrew Parkin
Part 1: The Articulate Surface
Painting Techniques: Realism and Illusion
David Bomford
Residual Connoisseurship and Formalism in Recent Art
Writing: What does the Articulate Surface Articulate ?
Margaret Plant
Sightings
Mary Eagle
Perception and Pictorial Representation: A Revision
of a Neglected Suggestion made by Helmholtz
Alan Lee
What did the Picture's Surface Convey? Copies and Copying in the National Gallery of Victoria During the Colonial Period
Alison Inglis
Surface Coatings
Robyn Sloggett
The Structure Beneath
Allan Byrne
From Dead-Colouring To Finishing: British Eighteenth-
and Nineteenth-Century Oil Paint Application as Discussed
in Contemporary Oil Painting Instruction Books
Leslie Carlyle
Emulation and Change: Some Materials and Practices in British Painting, 1750-1850
Anna Southall
Memories of 'Masonite' & Dulux': A Study of Experimental Painting Techniques used by Australian Modernists of the 1950s and 1960s
Jenny Zimmer
Part Two: Dialogues
Tintoretto's The Resurrection c. 1565: The Visible and Invisible Evidence
John Hook and Chris Saines
Looking at the Problem of Pictures: The Revision
of the Catalogue of European Painting and Sculpture
Before 1800 in the National Gallery of Victoria
Ursula Hoff and John Payne
Was Watling The Artist? Provenance and Dating Curatorial Evidence
Elizabeth Ellis
Comparative Examination and Pigment Analysis
of Four Oil Paintings Attributed to Thomas Watling
Paula Dredge and Steward Laidler
Mr Robinson's First Interview with Timmy
Erica Burgess and Bruce Ford
Curatorial Observations
Roger Butler
Facelift-Conserving Portraits at the State Library of NSW
Richard Neville, with Allan Byrne
Show and Tell: Communicating the Findings of Conservation-Curatorial Research
Jane Clarke
The Art of Frederick McCubbin: A New Perspective
Bridget Whitelaw, John Payne and Gillian Leahy
John Russell: A Study of His Impressionist Technique
Paula Dredge
Hidden Agendas: Early Design Matrices in the Art of Godfrey Miller (1893-1964).
Ann Wookey
lan Fairweather's Shalimar
Jacqueline Macnaughtan
Five Australian Artists: A Study of Techniques and Textures
David Keany
- Notes
- Conference held in Canberra on 1-3 May 1992.
- Langue
- English = Anglais
- Sujet
- Painting - Expertising
- Painting - Conservation and restoration
- Painting - Technique
- Peinture - Conservation et restauration
- Peinture - Expertise
- Peinture - Technique
- ISBN/ISSN
- 0-7315-2405-5
- Pays
- Australia
- Type de document
- Monograph = Monographie
- Localisation
- ND 1635 A79 1992
- Clé
- 10972
- Collection
- Catalogue