Notice catalographique « The articulate surface : dialogues on paintings between conservators, curators and art historians »

Contents:

A portrait of Charles the Bold Found Under a Later Painting
Andrew Parkin

Part 1: The Articulate Surface

Painting Techniques: Realism and Illusion
David Bomford

Residual Connoisseurship and Formalism in Recent Art
Writing: What does the Articulate Surface Articulate ?
Margaret Plant

Sightings
Mary Eagle

Perception and Pictorial Representation: A Revision
of a Neglected Suggestion made by Helmholtz
Alan Lee

What did the Picture's Surface Convey? Copies and Copying in the National Gallery of Victoria During the Colonial Period
Alison Inglis

Surface Coatings
Robyn Sloggett

The Structure Beneath
Allan Byrne

From Dead-Colouring To Finishing: British Eighteenth-
and Nineteenth-Century Oil Paint Application as Discussed
in Contemporary Oil Painting Instruction Books
Leslie Carlyle

Emulation and Change: Some Materials and Practices in British Painting, 1750-1850
Anna Southall

Memories of 'Masonite' & Dulux': A Study of Experimental Painting Techniques used by Australian Modernists of the 1950s and 1960s
Jenny Zimmer

Part Two: Dialogues

Tintoretto's The Resurrection c. 1565: The Visible and Invisible Evidence
John Hook and Chris Saines

Looking at the Problem of Pictures: The Revision
of the Catalogue of European Painting and Sculpture
Before 1800 in the National Gallery of Victoria
Ursula Hoff and John Payne

Was Watling The Artist? Provenance and Dating Curatorial Evidence
Elizabeth Ellis

Comparative Examination and Pigment Analysis
of Four Oil Paintings Attributed to Thomas Watling
Paula Dredge and Steward Laidler

Mr Robinson's First Interview with Timmy
Erica Burgess and Bruce Ford

Curatorial Observations
Roger Butler

Facelift-Conserving Portraits at the State Library of NSW
Richard Neville, with Allan Byrne

Show and Tell: Communicating the Findings of Conservation-Curatorial Research
Jane Clarke

The Art of Frederick McCubbin: A New Perspective
Bridget Whitelaw, John Payne and Gillian Leahy

John Russell: A Study of His Impressionist Technique
Paula Dredge

Hidden Agendas: Early Design Matrices in the Art of Godfrey Miller (1893-1964).
Ann Wookey

lan Fairweather's Shalimar
Jacqueline Macnaughtan

Five Australian Artists: A Study of Techniques and Textures
David Keany

• Painting - Expertising
• Painting - Conservation and restoration
• Painting - Technique
• Peinture - Conservation et restauration
• Peinture - Expertise
• Peinture - Technique