Notice catalographique « ICOM Committee for Conservation, ICOM-CC, 16th Triennial Conference, Lisbon, 19-23 September 2011 : abstracts »
- Titre
- ICOM Committee for Conservation, ICOM-CC, 16th Triennial Conference, Lisbon, 19-23 September 2011 : abstracts
- Auteur ou éditeur
- ICOM Committee for Conservation
- Comité de l'ICOM pour la conservation
- Bridgland, Janet
- Lieu de publication
- Almada
- Maison d'édition
- Critério
- Date de publication
- 2011
- Collation
- xxiv, 343 p. ; 30 cm.
- Table des matières
A century of paper conservation and the development of the professional status of the conservator
M. da C.L. Casanova
A collaborative study of Native California featherwork
E. Pearlstein
R. Riedler
M. Gleeson
J. Druzik
C. Pesme
A color target for lighting and camera evaluation
R.S. Berns
M.I. Haddock
A database tool for collections risk evaluation and planning
L.K. Elkin
D. Fenkart-Fröschl
E. Nunan
R. Waller
A fracture mechanics approach for analysing failing multilayered decorative coatings on wood and for evaluating suitable consolidants
N.C. Schellmann
A.C. Taylor
A giant moor plough and an encrusted typewriter. The conservator as the objects’ advocate
G. Witt
U. Stahn
A long-term study of conservation management and corrosion of shipwrecks in the Fathom Five Underwater National Park, Lake Huron, Canada
I.D. MacLeod
N.E. Binnie
A migration mechanism for transfer of sharks from ethanol to aqueous glycerol solutions
I.D. MacLeod
A.J. van Dam
A multidisciplinary approach to conservation of rock art in Honnhammer, Norway
D. Pawel
K.F. Gebremariam
A new method for assessing the value of collections
T. Luger
A package deal: the development of tissue gel composite cleaning at SRAL
G.R. Fife
J. Van Och
B. Stabik
N. Miedema
K. Seymour
R. Hoppenbrouwers
A Pandora’s Box? The Aluminium Boxes of Lourdes Castro and the conservation of contemporary art
S. Babo
E.S. Fragoso
R.J.C. Silva
I. Corte-Real
M.J. Melo
A preliminary evaluation of artists’ and conservation varnishes for acrylic emulsion paint films
B. Ormsby
M. Cross
E. Kampasakali
L. Chantrier Aasen
P. Smithen
A preliminary study into the swelling behavior of artists’ acrylic emulsion paint films
E. Kampasakali
B. Ormsby
A. Phenix
M.R. Schilling
T. Learner
A Sino-Japanese-Portuguese byobu: its conservation and contextualization
F. Figueira
P. Meredith
A.C. Rocha
A study in scarlet – vermilion red and colour paint formulations in medieval illuminations
C. Miguel
A. Miranda
J.A. Lopes
M.J. Melo
M. Clarke
A study of the grounds used by three post-war American Artists (1954–1974): Barnett Newman, Ellsworth Kelly and Brice Marden
L. Wijnberg
E. Bracht
K.J. van den Berg
M. de Keijzer
H. van Keulen
A study on 16th- and 17th-century Luso-Oriental lacquerware
U. Körber
J.C. Frade
M. Cavaco
I. Ribeiro
J. Graça
J.C. Rodrigues
Account Books of the Royal Danish Painting Material Stores: a source on artists’ practice and material trade during the reign of King Christian IV
A.H. Christensen
Adhesion tests on stone sculptures. Course of action
X. Mas-Barberà
L. Osete Cortina
S. Kröner
A. Carayol
Advanced analytical studies towards provenancing and authentication of photographs: the Henri Cartier-Bresson project
D.C. Stulik
A. Kaplan
A. Cartier-Bresson
Advanced spectral imaging for interdisciplinary cultural heritage preservation
F.G. France
M.B. Toth
E.F. Hansen
All hazards approach: safety and accessibility for religious heritage in the province of Limburg
R. Hoppenbrouwers
J. van der Horst
A. Vugts
“All that glisters is not gold”. The appreciation of religious textiles in the Netherlands and the formulation of selection criteria for retention or disposal
R. Lugtigheid
Allowable microclimatic variations for painted wood: numerical modelling and direct tracing of the fatigue damage
L. Bratasz
R. Kozlowski
L. Lasyk
M. Lukomski
B. Rachwal
América Tropical: cultural identity, controversy and conservation of a mural
L. Rainer
An unusual glazing technique on a Portuguese panel painting from the second half of the 16th century: materials, technique and reconstructions
H.P. de Melo
J. Sanyova
A.J. Cruz
Analysis and conservation treatment of Vietnamese paintings
B. Ebert
S.M. Armstrong
B. Singer
N. Grimaldi
Another red Haring?
A. Thorn
Approche pragmatique de la conservation préventive : l’accompagnement à la conception lumière de l’exposition Madeleine Vionnet au musée des arts décoratifs à Paris du 1er août 2009 au 1er février 2010
J.-J. Ezrati
Archaeological ceramics: comparative study of the initial effectiveness of two consolidants – acrylic polymer and ethyl silicate
M.M. Santos
A.M. Lima
M.A. Dionísio
Assessment of the state of preservation of the wreck of the Belgica: implications for in situ preservation and conservation of waterlogged archaeological wood in marine environments
D. Gregory
P. Jensen
K. Strætkvern
Back to transparency, back to life: research into the restoration of broken transparent unsaturated polyester and poly(methyl methacrylate) works of art
A. Laganá
T. van Oosten
Backing boards and glazing on paintings: their damping capacity in relation to shock impact and vibration
N. Bäschlin
M. Läuchli
T. Fankhauser
C. Palmbach
A. Hoess
Between material conservation and identity preservation – the (sacred) life of medieval liturgical books
I. Correia
Biodeterioration of tiles from Pena National Palace (Portugal). First step: identification of fungal community
M.L. Coutinho
A. Phillips
A.C. Pinheiro
M.F. Macedo
Bridging controversy: the contribution of an international commission of experts to the 1950–51 study and treatment of Van Eyck’s Ghent Altarpiece
H. Dubois
A. van Grevenstein-Kruse
Bright ideas: exploring ways to document Dan Flavin’s Fluorescent Light
F. Esmay
T. Learner
A. Phenix
J. Druzik
Building Capacity for Safeguarding Sounds and Images
S. Franco Arce
A. Tandon
I. Ratti
K. Van Malssen
Can dispersed and migrated arsenic from degraded pigments in paintings be a marker for water-linked transport processes?
K. Keune
J.J. Boon
Candido Portinari: materials and techniques of a Brazilian modern painter – part I
A. Rosado
L.A.C. Souza
E. Motta Jr.
C.V. Teixeira
J.C. Portinari
I.C. Mendes
Caracterización de la goma arábiga y estudio de los cambios inducidos por envejecimiento artificial
M.E. Castillo-Valdivia
A. López-Montes
J.L. Vílchez
T. Espejo
R. Blanc
Case study of the effectiveness of removal of arsenic from textiles prior to exhibit
R.T. Hewett
CCI Lining Project: testing of lined model paintings from fractions of a second to decades
D.D. Hartin
E. Hagan
S. Michalski
M. Choquette
Characterisation of surface whitening in 20th century European paintings at Dudmaston Hall, United Kingdom
L. Hinde
K.J. van den Berg
S. de Groot
A. Burnstock
Characterization and conservation of a gun carriage excavated from the 17th-century Stirling Castle shipwreck
K. Tran
N. Boumlil
C. Albino
L. Caillat
J. Pécaut
M. Bardet
G. Gerbaud
L. Le Pape
A. Kirschner
Characterization and conservation of an early 19th-century Nativity scene
T. Dias
E. Murta
A.N. Pais
L. Esteves
Chemical and physical characterisation of degraded Baltic amber and applied conservation materials
L.M. Di Stefano
Y. Shashoua
Chiaro scuro technique in Portuguese mural paintings
P.A.R. Monteiro
Chinese export lacquerware: characterization of a group of Canton lacquer pieces from the 18th and 19th centuries
M.J. Petisca
J.C. Frade
M. Cavaco
I. Ribeiro
A.J. Candeias
J. Graça
J.C. Rodrigues
Chromatic changes on the wall paintings in Sanderum Church (Denmark)
I. Brajer
M.C. Christensen
Cleaning classical Persian carpets with silk and precious metal thread: conservation and ethical considerations
J.C. Frade
P. Cruz
E. Lopes
M.M. Sousa
J. Hallett
R. Santos
A. Aguiar-Ricardo
T. Casimiro
Collections benchmarking for success: prioritising the work of the collections care team using a risk, time and cost matrix
D. Cane
S. Cane
C. Marlow
J. Thompson-Webb
Collections Management: its value as a unifying concept
V.M. Bullock
Collections risk assessment at the Denver Museum of Nature & Science
J.A. Southward
H.H. Thorwald
G. Muething
R. Waller
Common senses: the conservator’s role in helping to maintain multi-sensory access to objects for an ageing population
E. Graves
Computational simulation of environmental conditions applied to preventive conservation of movable cultural properties in Minas Gerais, Brazil
W.B. Gonçalves
L.A.C. Souza
Concept, design and development of anoxic frames for display at Tate
A. Heath
J.H. Townsend
S. Hackney
M. Underhill
Z. Cunningham
J. Bannerman
Connecting conservation education to academic, public, and allied communities
J.J. Gutierrez
J.D.J. Wickens
D.H. Norris
Conservación de libros para niños
E. Brandão
Conservación y restauración de una maqueta de hojalata del altar mayor de la Colegiata de Xàtiva (Valencia)
C. Pérez García
M.L. Flores Madrona
I. Martínez Lázaro
I. Traver Badenes
P. d’Antoni
T. Alapont Millet
L. Ferrazza
Conservation et restauration de l’entité matérielle des fresques de l’église Saint-Sauveur à Prizren-Kossovo par nano-consolidation. Un projet sous l’égide de Patrimoine Sans Frontières
A. Chevalier
P. Baglioni
C. Thill
M. Martin
I. Auclair
Conservation of Instalação 191093, parte 1: documenting material and intangible features
A. Rocha
R. Macedo
A.M. Ramos
E.S. Fragoso
I. Corte-Real
Conservation of materials and resources
R.E. Cull
Conservation of Sogdian wall painting fragments in the collection of the National Museum of Antiquities of Tajikistan: a new approach to the conservation and mounting of excavated earthen wall painting fragments
A. Matsuoka
Y. Shimadzu
E. Checroun
A.I. Idelson
S. Bogin
K. Masuda
A. Nishimura
Conservation of the Boulle furniture from the Musée du Louvre: a study of materials and techniques, a survey and validation of conservation treatments
A. Mathieu-Daudé
M.-A. Paulin
M. Aucouturier
D. Bourgarit
F. Leblanc
M. Leroux
N. Balcar
P. Petit
R. Bertholon
D. Elie-Lefebvre
Contemporary art – market versus conservation: the drafting of an authenticity certificate for the cultural, commercial and legal classification of contemporary art
M. Pugliese
B. Ferriani
D. Jucker
E. Hedley
Contemporary murals conservation in Thai and Sri Lankan Buddhist monasteries: some thoughts on culturally integrated conservation policies
B. Byer Bayle
Creating environments for learning
K. Similä
Cultural identity, conservation approaches, and dissemination: conserving the wall paintings of Nagaur Fort, Rajasthan, India
C. Martin de Fonjaudran
S. Tringham
S. Bogin
S. Menon
K.S. Jasol
Cultural stability in an unstable environment: the waka of Te ana a maru
A. Thorn
De la restauration des peintures comme référence à une approche diversifiée. Esquisse d’une déontologie concernant les techniques qui se situent à la limite de la peinture et des arts graphiques
N. Coural
C. Gerin-Pierre
DECAGRAPH: early detection of biological and chemical contaminants of paper based cultural heritage
T.P. Nguyen
C. Laffont
T. Basset
S. Moularat
E. Robine
F. Bousta
G. Orial
R. Berardo
A. Lama
P. Ramond
Des produits certifiés pour le marquage des biens culturels
M. Dubus
A. Saïd
Design of a vibration damping system for sculpture pedestals: an integral object-based approach
W. Wei
N. Krumperman
N. Delissen
Developing a computer-based management system for monitoring change to Inside Australia (Antony Gormley, 2003)
A. Cummins
A. Thorn
D. Graves
Developing a high-level risk assessment tool for heritage assets
S. Cane
D. Slarke
J. Ashley-Smith
S. Robinson
T. Pollard
Development of portable microfading spectrometers for measurement of light sensitivity of materials
H. Liang
R. Lange
A. Lucian
P. Hyndes
J.H. Townsend
S. Hackney
Displaced cultural property from Afghanistan: conservation and a new mounting system using TWF (Triaxial Woven Fabrics) for looted wall painting fragments from Bamiyan
T. Kijima
F. Suzukamo
H. Kudo
I. Sato
K. Masuda
Y. Taniguchi
E. Takeda
E. Nakau
K. Yamauchi
M. Momii
Dress to impress: reinstating the patterned velvet of large scale bed hangings with digitally printed nylon net
M. Takami
B. Roberts
Educating the conservator-restorer. Evaluating education delivery in terms of the new ECCO Competence Framework for access to the Profession – The Oslo University case study
J. Hutchings
Effects of light on silver tarnishing
D. Thickett
Eighteenth-century lacquer art in Paris: green japanned panels from a Chinese cabinet in the Duke of Richelieu’s townhouse
A.-S. Le Hô
E. Ravaud
J. Langlois
A. Mathieu-Daudé
E. Laval
A. Jacquin
I. Chochod
M. Bégué
J. Mertens
M.-L. Deschamps
A. Forray-Carlier
El grado de conservación y restauración de bienes culturales de la Universidad de Granada: una legitimación necesaria desde la formación y la investigación universitaria
A. García-Bueno
T. Espejo
V. Medina
R. Blanc
El proceso de recuperación de un conjunto de tablas policromadas del siglo XV halladas en un contexto arqueológico en Alcózar (Soria). Nuevos retos metodológicos para la conservación
C. Gómez González
M. Barrera del Barrio
C. Escudero Remirez
M. Burón Alvarez
L. Martín Pérez
P. Vidal Meler
F. Diestro
C. Gonzalo
J.M. Lorenzo
J.F. Yusta
J.L. Sierra
Eliseu Visconti’s monumental marouflage wall paintings: conservation, context, and technical examination
E. Motta Jr.
C.V. Teixeira
M.C. Graça
H.F. Carvalho
L.A.C. Souza
C. Calza
Engaging the public in their cultural heritage: the Attingham Re-discovered project
S. Kay
C. Hughes
Envers une stratégie de conservation pour œuvres éphémères : entre le matériel et le conceptuel
J. Gilman
D. Van Gogh
C. Van Damme
B. De Meulenaer
‘EthCon’ – teaching ethics in conservation of ethnographic objects
C. Brune
H. Häyhä
Étude d’un corpus d’icônes datées des XVe et XVIe siècles conservées au musée de l’Institute of Ethiopian Studies, Université d’Addis Abeba, Éthiopie
S. Mirabaud
M. Miguirditchian
C. Bosc-Tiessé
Étude et restauration d’un objet exceptionnel : une corne en verre d’époque carolingienne
M. Bailly
I. Biron
E. Monteil
European coated papers, 1850–1975: their identification for conservation purposes
L.C.P. Loureiro
M. Sandy
A. Manning
A.I. Seruya
Evaluating the feasibility of recycling storage alcohols with HS-GC-MS
J. Giaccai
W.G. Keel
W. Moser
J. Tanner
Evaluation of cleaning and chemical stabilization of paper treated with a rigid hydrogel of gellan gum by means of chemical and physical analyses
L. Botti
A. Corazza
S. Iannuccelli
M. Placido
L. Residori
D. Ruggiero
S. Sotgiu
L. Tireni
M. Berzioli
A. Casoli
C. Isca
P. Cremonesi
Evolved gas analysis as a tool for characterizing plastics
M.R. Schilling
T. Learner
Examination of ceramic vessels from the Ban Chiang culture in the collection of the Arthur M. Sackler Gallery
K. Koss
E.S. Chase
B. McCarthy
Félix Bracquemond, La Lecture de la Bible (1851), Paris, musée du Louvre, fonds Orsay: la restauration d’une œuvre sur papier de technique complexe
N. Coural
M. Cailleteau
O. Cortet
C. Sindaco
Filling materials for easel paintings: current formulations, traditional concerns
L. Fuster-López
A. Murray
M.F. Mecklenburg
D.J. Yusá-Marco
G. Mirderikvand
M. Doutre
Fire! A twofold risk for textile art. An investigation into the consequences of flame retardant treatments
M. Bergstrand
K.H. Degerblad
K. Thuresson
T. Winther
Folklore, textiles and conservation. An approach to the consolidation of Manila and Valencian embroidered silk shawls
S. Vicente-Palomino
N. Arbues-Fandos
E.M. Montesinos-Ferrándis
L. Fuster-López
D.J. Yusá-Marco
M.T. Doménech Carbó
Fungal presence in archival settings: assessment using classic culturing and molecular biology methods
A.C. Pinheiro
V. Jurado
L. Rosado
J. Brandão
C. Viegas
M.F. Macedo
G.F. Watts’ distemper technique in Italy: a study and conservation of King Alfred Inciting the Saxons to Prevent the Landing of the Danes
E. Guerreiro
R. Ellison
R. Pelter
Henry VIII’s tapestries revealed
R. Perkins
H. Owens
C. Carr
K. Hallett
I. Gibb
K. Frame
Heritage collections at risk – English heritage collections risk and condition audit
A. Xavier-Rowe
C. Fry
Historical restoration recipes: the cleaning of oil paintings 1600–1900
M. Stols-Witlox
Holy Family: an aesthetic and methodological dilemma
E. Murta
M. Portela
N. Escobar
Identification of animal species in skin clothing from museum collections
A.L. Schmidt
M.T.P. Gilbert
E. Cappellini
J.V. Olsen
Identifying plant material used in Kakahu
E. Girvan
D.J. Carr
A. Tamarapa
R. Te Kanawa
Identité, nation et patrimoine culturel. Perspectives sociologiques pour la conservation-restauration
A. Vega Cardenas
ILKAR: current research towards the assessment of the conservation state of magnetic tapes in archives
E. Gómez-Sánchez
M. Mengel
S. Simon
L.-C. Koch
Implementation of the Movable Cultural Objects Conservation-Restoration course (bachelor degree) at the Fine Arts School in Federal University of Minas Gerais – Brazil
M.R.E. Quites
B.R. Veloso
In search of van Mander’s primuersel: intermediate layers in early Netherlandish paintings
A. Vandivere
Indigenous collections and issues around digital access – objects from the Pacific
M. Jackson
P. Coughlin
V. Daniel
Indigotin in archaeological textiles from wet or waterlogged environments
A.B. Scharff
M.G. Ringgaard
Influencias ibéricas en la terminología de los materiales: breves
apuntes
V.H. Antunes
Interdisciplinary investigation of early house paints: Picasso, Picabia and their “Ripolin” paintings – revision1
K. Muir
G. Gautier
F. Casadio
A. Vila
Intra-surveyor bias in collection condition surveys
J. Taylor
Investigation of non-aqueous remedial treatments for iron-tannate dyed textiles
H. Wilson
P. Cruickshank
M. Hacke
R. Stacey
C. Carr
V. Daniels
M. Rigout
Investigation of the loss of colour in smalt on degradation in paintings using multiple spectroscopic analytical techniques
L. Robinet
M. Spring
S. Pagès Camagna
Investigations and diagnosis on archaeological metal artifacts using LIBS technique for in-situ campaigns
M. Simileanu
R. Radvan
Ionic liquids for medieval stained glass cleaning: a new frontier
A. Machado
P. Redol
L. Branco
M. Vilarigues
Jean-Gabriel Goulinat, chef de l’atelier de restauration des peintures des musées nationaux (1935–1971)
I. Cabillic
Joining broken wax fragments: testing tensile strength of adhesives for fragile and non-polar substrates
A. Fischer
M. Eska
Journeys of our ancestors: interdisciplinary research and its influence on conservation methodologies for the assessment of archaeological artifacts
C.R. O’Grady
N. Odegaard
E.C. Adams
La colección de negativos de Ruth Matilda Anderson en la Hispanic Society of America en Nueva York. Estudio y plan de preservación
R. Herrera
La conservación de documentos fotográficos – las impresiones fotográficas de papel albuminado no pegadas sobre tarjetas
J. Spinelli Junior
La conservation des pièces en ivoire dans les musées : étude de cas par une approche multi-analytique sans prélèvement
I. Reiche
D. Large
K. Müller
La décongélation d’un ouvrage inondé sans lyophilisation
T. Basset
M. Draïs
La Serie Jerónima de Zurbarán en el Monasterio de Guadalupe (Cáceres). Estudio de sus restauraciones
R. Bruquetas Galán
T. Antelo
M. Gómez
A. Gabaldon
I. Argerich
A. Albar
M. Algueró
N. Valentín
C. Vega
C. Fernández
Las ciencias experimentales como herramienta para la conservación de las murallas de Cartagena de Indias, Colombia
J. Barón Vélez
D. Cohen Daza
M.O. Fernández Reguera
J.A. Garcés Mora
F. Saab Monroy
Le globe céleste de Schissler : enjeux d’histoire des sciences et de préservation du patrimoine
S. Gessner
A.M.M. e Carmo
Le Retable Miraflores peint par Juan de Flandes en 1496–1499 : une œuvre atypique
L. Depuydt- Elbaum
F. Rosier
Leather figures at Lytes Cary Manor, the National Trust, UK
T. Sturge
Les Funérailles de Sarah de Judith Bartolani du musée d’Art et d’Histoire du Judaïsme (Paris) : le respect d’une intervention postérieure de l’artiste
N. Coural
M. Cailleteau
Lifetime of chromogenic colour photographs in mixed archival collections
A. Fenech
M. Strlic
M. Cassar
K. Ntanos
N. Bell
Light-fastness of autochrome color screen filters under anoxic conditions
L. Casella
M. Tsukada
N. Kennedy
Lighting guidelines and the lightfastness of Australian indigenous objects at the National Museum of Australia
B. Ford
N. Smith
Liquefying oil paint: contemporary paintings in danger?
J. Schulz
Lost walls/murals rebuilt: interdisciplinary approaches to the conservation of Preclassic Maya wall paintings from San Bartolo, Guatemala
C.R. O’Grady
H. Hurst
L’étude technique et la restauration de deux œuvres d’Auguste Rodin en plâtre et pâte à modeler
H. Bluzat
A. Cascio
G. Mary
Martin Kippenberger’s Installation Der Weissen Bilder (1991) – creation, curation, conservation
R. Hellen
Materials and techniques in viceregal paintings and sculpture in Lima – 16th and 17th centuries
R. Bruquetas Galán
A. Carrassón López de Letona
R. Kuon Arce
C. Fiorentino Vásquez
M. Gómez González
R. Estabridis Cárdenas
Materials and techniques used in polychrome and gilded decorative plasterwork from the Arabian Room of the Palácio da Bolsa (Oporto, Portugal)
P.M.M. de Carvalho
F. Rocha
J. Coroado
Mobiliario dorado del Museu da Baronesa, Pelotas, RS: concepto y prácticas de restauración
A.L. Bachettini
K.C. Scolari
Â.M. Macalossi
I.H. da C. Torino
A.M. Costa
N.M.V. Corrêa
Monitoring and modelling the storage environment at The National Archives, United Kingdom
S.H. Hong
M. Strlic
I. Ridley
K. Ntanos
N. Bell
M. Cassar
Monitoring Spiral Jetty: Aerial Balloon Photography
R. Eppich
F. Esmay
T. Learner
A. Tang
Negative effects of aqueous rinsing of archaeological textiles
M.G. Ringgaard
New approaches to surface cleaning of contemporary unvarnished oil paintings – moist sponges and cloths
B.V. Mendes
K.J. van den Berg
L. Megens
I. Joosten
M. Daudin
New synergies for research in conservation/restoration: the European Charisma initiative
B.G. Brunetti
Non-destructive condition assessment of painting canvases using near infrared spectroscopy
M. Oriola
G. Campo
M. Strlic
L. Cséfalvayová
M. Odlyha
A. Možir
Non-destructive testing of silk: problems and possibilities
N. Luxford
D. Thickett
P. Wyeth
Non-invasive color restoration of faded paintings using light from a digital projector
S. Cuellar
J. Stenger
R. Gschwind
A. Mohan
Y. Mukaigawa
R. Raskar
K. Eremin
N. Khandekar
On-site categorisation and condition assessment of silks in textile collections
P. Garside
S. Howard
K. Loubser
P. Wyeth
X. Zhang
Optimisation of the quality control of cellulosic materials used for the conservation and storage of paper-based cultural heritage, based on the emissions of volatiles
T.P. Nguyen
E. le Bourg
S. Bouvet
V. Rottier
Penetrável Magic Square No. 5, De Luxe: complexities and challenges involved in the conservation of a contemporary artwork
A.C.A. Cordeiro
C.L. de França
K. de M. Barboza
L.A.C. Souza
Pérennité pour les écoles de formation dans le domaine de la conservation : étude de cas de l’École du Patrimoine Africain (EPA) pour définir des stratégies à adopter
F. Lamy-Joly
B.F. Keita
Please mind the step! Material and technical study of an 18th-century footpace from São Roque Church, Lisbon
T. Dias
L. Esteves
M. Cavaco
Pleasing the Orishas: the conservation of African ritual costumes at Salvador, Brazil
T.C.T. de Paula
M.N.B. da Cunha
G.P. Klüppel
Polymer conservation treatments for stained glass in the Burrell Collection, Glasgow: an assessment of 25 years of natural aging
N.H. Tennent
POPART: an international research project on the preservation of polymer artefacts in museums
B. Lavédrine
Pre-Columbian gold from Panama: historic collecting practices and conservation treatments
A.C. Harrison
E. Kaplan
Predicting risks to artefacts from indoor climates
B. Pretzel
Preparing for the conservation treatment of foam roses from a Bulgarian headdress: testing the consolidation of polyurethane-ether foam
C. Ward
M. Hacke
N. Rode
Presence of indigo in the paint layers of gilt and painted leather artefacts
M. Ioele
A.V. Jervis
M. Paris
L. Rissotto
A. Sodo
A. Giovagnoli
T. Poli
Protein identification in artworks by peptide mass fingerprinting
D.P. Kirby
N. Khandekar
J. Arslanoglu
K. Sutherland
Purpura and proto-changeant: the earliest representations of shot silk fabrics
M. Clarke
A. Vandivere
Re-examining conservation precepts; implications for conservation education
M. Scott
C. Smith
RE-ORG – A new tool for museum storage reorganization: a cross-cultural initiative
S. Lambert
A. Nikolic
M.O. Fernández Reguera
D. Cohen Daza
A.C.P. Francisco
M. Griesser-Stermscheg
M. del P. Salas
Reassessment of anoxic storage of ethnographic rubber objects
J. Dyer
C. Ward
N. Rode
M. Hacke
Y. Shashoua
Recognizing the interdependent relationship between heritage and its wider context
S. Court
J. Thompson
C. Biggi
Recovering from destruction: the conservation, reintegration and perceptual analysis of a flood-damaged painting by John Martin
S. Maisey
P. Smithen
A. Vilaro Soler
T.J. Smith
Recreating artifacts for a better understanding of their historical and technological context: example of a 12th century candlestick from the V&A Museum collection
C.V. Wesolowska
S. Seavers
Reflections on a biographical approach to contemporary art conservation
R. van de Vall
H. Hölling
T. Scholte
S. Stigter
Reflections on decision-making in conservation
J. Henderson
Reflective practice in conservation education
P. Manti
J. Henderson
D. Watkinson
RemolacherosDeAznárez.uy
G. Morales Larraya
Research for preventive conservation and optimal presentation of world heritage in Museum Plantin-Moretus, Antwerp
V. Kontozova
B. Krupinska
R. Van Grieken
E. Janssen
H. Moris
D. Aerts
L. Watteeuw
M. Van Bos
A. Peckstadt
Research study on support materials and adhesives for the restoration of gilt leather: first results
S. Iafrate
M. Andreano
M. Ioele
A.V. Jervis
M. Paris
U. Santamaria
Restauración de una escultura de bronce: busto de D. José Ibáñez Marín
C. Pérez García
I. Martínez Lázaro
M.L. Flores Madrona
I. Traver Badenes
J. Pérez Miralles
L. Ferrazza
Restoration or reconstruction? Towards a conservation approach for ‘Arte Povera’ Installations, based on the art process and the artist’s intent
L. Beerkens
S. Weerdenburg
Reviewing Uganda’s heritage legislation to suit contemporary dynamics
S.F. Nsibambi
Revisión crítica de algunos materiales poliméricos utilizados en contacto con los bienes del patrimonio cultural
M. Gómez
M. San Andrés
R. Chércoles
J.M. de la Roja
S. Santos
P. García
J. Sánchez
E. García
L. Ceballos
P. Borrego
I. Argerich
I. Herráez
M.D. Fuster
Sacrifice by André Masson: technical study before conservation
N. Balcar
J. Langlois
Safflower (Carthamus tinctorius L.) used as dye, pigment and rouge in China: modern laboratory preparations developed by critical interpretation of ancient texts
J. Wouters
C.M. Grzywacz
A. Claro
Sharing knowledge
F. Fekrsanati
G. Scott
M. Reuss
R. Sulistianingsih
Shot and dropped: the conservation of a Niki de Saint Phalle Shooting Picture
S. De Bernardis
J.H. Townsend
B. Ormsby
T. Green
P. Smithen
Smart conservation – targeting controlled environments to improve sustainability
D. Thickett
L. Cséfalvayová
M. Strlic
Soot removal from acrylic emulsion paint test panels: a study of dry and non-contact cleaning
J.-s. Tsang
S. Babo
Specimen fixation without formalin in natural history collections: utopia or reality?
A. Péquignot
E. Sarot
F. Duranthon
A. Pensel
M.-F. Carillo-Baraglioli
Strain monitoring of tapestries: results of a three-year research project
F. Lennard
D. Eastop
J. Dulieu-Barton
A. Chambers
D. Khennouf
C.-C. Ye
H. Williams
Strategies for conservation of historical renderings. Factors and decision criteria
M. do R. Veiga
M. Tavares
M. Menezes
Strategies for the conservation of cellulose acetate artworks – a case study of two plastic books
A. Cudell
R. Veiga
T. van Oosten
A. Laganá
H. van Keulen
I. Venade
Stripped and grained wooden church furniture: an admired and later disliked 19th-century brown colour appearance in church interiors
K. Vestergaard Kristiansen
Studies of modelling materials used in Auguste Rodin’s studio
J. Langlois
Y. Vandenberghe
N. Balcar
M. Cotte
Studies on the protection of Portuguese ceramic tiles
T.P. Santos
A.P. Carvalho
M.F. Vaz
Study and application methodology of cyclododecane used in interventions on stone sculptures and ornaments
X. Mas-Barberà
S. Kröner
M.T. Doménech Carbó
M. Martínez Bazán
A. Van Uden
Study of an 18th-century Chinese wallpaper
R. Castro
M.J. Melo
M. da C.L. Casanova
C. Queiroz
Study of the mechanism of formation of calcium soaps in an early 20th-century easel painting with correlative 2D and 3D microscopy
E.S.B. Ferreira
J.J. Boon
M. Stampanoni
F. Marone
Study on the application of heat set adhesives in conservation of tracing paper
C. Gonçalves
A.M. Ramos
M. da C.L. Casanova
L.M. Alberto
Surface micro-roughness, cleaning, and perception
W. Wei
Taking the ancestors on a visit: the role of conservators in reconnecting a collection of historic Blackfoot shirts with the community
H. Richardson
Technical examination of several portable Chinese Buddhist paintings from the Mogao Caves
E.R. Mysak
K. Eremin
N. Khandekar
M. Brack
R. Newman
Technical investigation of Rembrandt and/or studio, Saul and David, c. 1660 from the collection of the Mauritshuis
P. Noble
A. van Loon
C.R. Johnson, Jr.
D.H. Johnson
Temple of the Oracle Dorje Chenmo at Shey (Ladakh, India). Developing methodology for the conservation of living religious and cultural sites
S. Dhar
Testing the performance of a traditional Chinese adhesive for the conservation of Qing dynasty painted architectural decoration at Shuxiang Temple, Chengde
L. Wong
B. Bicer-Simsir
H. Yuan
C. Qing
The behaviour of books in changing environmental conditions and the implications for collection storage
P. Garside
B. Knight
The climate in pastel microclimate cardboard boxes when exposed to fluctuating climates
B. Ankersmit
W. Kragt
I. van Leeuwen
C. Gombaud
The composition of plaster casts
L. Megens
I. Joosten
A. de Tagle
R. Dooijes
The conservation of an early gut skin sail from the Hudson Strait
K. Jackson
H. Richardson
The conservation of baby incubators: a balance between medical heritage and social history
I. Tissot
M. Lemos
P. Pedroso
M.S. Lemos
The conservation of cultural heritage as a factor in economic development and national sovereignty: case studies of Hellenic conservation programs in Hama (Syria)
S. Chlouveraki
F. Karagiani
K. Malea
S. Rapti
M. Azar
M. Hjazy
G. Panagiaris
The conservation of polychrome wood sculpture in the United States: an historical overview, 1870–1970
L. Kargère
M. Marincola
The conservation of the Chinese map of the world by Matteo Ricci: journeys between East and West
U. Landwehr
C. Schuster
E. Zeilinger
The conservation of the statue of Christ the Redeemer, Rio de Janeiro, 2010
M.D. Braga
The consolidation of mechanically destroyed enamel decoration on copper and its alloys
A. Tomaszewska
A. Tomaszewska-Szewczyk
The darkness of The nocturnal conspiracy of Claudius Civilis by Govert Flinck and Jürgen Ovens (1659 and 1662) in the Royal Palace Amsterdam
E. Froment
M. van Eikema Hommes
M. Daudin-Schotte
S. de Groot
H. van Keulen
L. Megens
The development of an online methodology for interdisciplinary collaborative research: Investigations of dispersed paintings by the Master of the Fogg Pietà – Maestro di Figline
A. Nevin
A. Burnstock
J. Cannon
C. Richardson
C. Campbell
L. Cox
T. Hensick
N. Khandekar
H. Lie
K. Olivier
S. Wolohojian
R. Albertson
P. Klausmeyer
W. Murray
B. Strähle
L. Megens
K.J. van den Berg
R. Bellucci
C. Castelli
C. Frosinini
D. Vingtain
R. May
O. Guillon
N. Buoillon
The effect of excimer laser irradiation on selected pigments used in the 19th century
R. Bordalo
P.J. Morais
C.R.T. Young
L.F. Santos
R.M. Almeida
The emergence and spread of “Chemistry in Art” undergraduate courses in United States universities
E.S. Uffelman
The Évora Inquisition Banner – historic and scientific study behind its restoration
C. Dias
L. Tobias
A.T. Caldeira
H. Mestre
A. Conde
P. Monteiro
A. Camões
A. Candeias
T. Ferreira
The influence of urban air pollution in archives
M. Ryhl-Svendsen
The Kanota Collection: a collaborative project between family stakeholders and Indian and UK conservators
E. Schmuecker
V. Singh Macheha Rathore
M. Wheeler
A. Bancroft
The LA look from start to finish: materials, processes and conservation of works by the Finish Fetish Artists
R. Rivenc
E. Richardson
T. Learner
The moisture equilibrium in Kippinge Church, Denmark
P.K. Larsen
The Moorish hall of the former Diamant-Palace (1905) in Brussels
W. Wailliez
E. Job
A.-S. Augustyniak
M. Decroly
P. Wéry
The mural by Joan Miró at Barcelona Airport: conservation issues about a monumental work of art
A. Gall Ortlik
G. Bussienne
P. Maynés
The preservation of Maori textiles: collaboration, research and cultural meaning
C. Smith
K. Te Kanawa
M. White
The QALY in collection care – a cost effectiveness approach to collection management
A.E. Bülow
A.W. Brokerhof
The Rembrandt Database: an inter-institutional research resource for art-historical, technical and conservation documentation
W. Donkersloot
M. Franken
S. Weidema
T. Weidema
P. Noble
E. Buijsen
The Renaissance set of twelve terracotta coloured and gilded bas-relief that represent Christ Passion – study and intervention
A. Mendes
R. Triães
J. Coroado
F. Rocha
The research project: “Materials and painting techniques of painters from the north of Portugal”
A. Calvo
M.C.M.L.P.L. Aguiar
The restorer’s visual conception – a changing process. A Portuguese case
V.H. Antunes
A.M. Cardoso
A. Fryxell
The role of conservation in increasing awareness of Jamaican lacebark
E. Brennan
The role of conservation in the preservation of the authenticity of furniture
S. Auffret
The shadows by Lourdes Castro: a conservation study of PMMA in the 21st century
J.L. Ferreira
M.J. Melo
M.J. Ávila
A.M. Ramos
The stars align: preservation of the Zodiac Cycle Murals at the Stanton Street Shul
R. Keppler
S. Barack
B. Shtrum
B. Edelstein
The Tibães terracotta sculptures by the Lay Brother Cipriano da Cruz
A. Le Gac
F. Castro
D. Soares
C. Vilarinho
L. Carneiro
M. Abreu
C. Vaz
A. Dias
I.D. Costa
M.J.D. Costa
The treatment of a polyurethane rigid foam floor piece by Ger van Elk: a study in the conservation of plastics
E. Snijders
S. Weerdenburg
R. Timmermans
The yellowing/bleaching behaviour of oil paint: further investigations into significant colour change in response to dark storage followed by light exposure
J.H. Townsend
L. Carlyle
J.-H. Cho
M.F. Campos
Theft in museums in the Netherlands – facts and figures to support collection risk management
M.F.J. Peek
Three dimensional studies of glass alteration layers
S. Fearn
K. Eremin
V. Oakley
A. Hykin
Through a glass darkly: an investigation of problems observed with display case glass
H. Ganiaris
R. Payton
D. McPhail
S. Fearn
R. Chater
N. Shippen
Tinplate as a support for 19th century oil paintings by Francisco José Resende – choice and consequence
R. Veiga
A. Calvo
To err is human: understanding and sharing mistakes in conservation practice
M. Marincola
S. Maisey
To give without discrimination: Her Majesty Queen Sirikit’s 40-year effort to preserve Thai textile traditions
J.M. Brennan
P. Saengsirikulchai
P. Pochoom
To preserve the impossible – the protection and conservation of contemporary art using the example of installations
M. Jadzinska
Treatment of Claes Oldenburg’s Ice Bag–Scale C, an interdisciplinary approach
E.E. Nagy
S. Berger
K. Parker
V. Schuster
J. Miller
J. Girard
C. Mancusi-Ungaro
Treatment triage: the conservation of a portable Sudanese architectural element, Te Saqwit, 2000–2009
C. Giuntini
E. Enard
I. Rodrigues
Tuning voices from different professions. Interdisciplinary dialogue around the Sarcophagus of Frederick II in Palermo (Italy)
R. Varoli-Piazza
M. Berducou
V. Magar
G. de Guichen
Two painted works of art on diverse supports – adopting paintings conservation methods and materials in specific cases
T. Ruuben
N. Robbins
Two treatment approaches to one Dutch militia group portrait
M. te Marvelde
L. Abraham
A. van Grevenstein-Kruse
H. van Putten
Ultra-low-energy museum storage
M. Ryhl-Svendsen
L.A. Jensen
P.K. Larsen
B. Bøhm
T. Padfield
Un logiciel d’images animées au profit de la conservation d’un bureau mécanique
F. Leblanc
B. Moignard
Une base de données pour améliorer la conservation des œuvres contemporaines conservées dans les lycées en région Rhône-Alpes. Un projet expérimental et formatif
S. Moreaux
N. Broers
Using decision diagrams to explore, document, and teach treatment decisions, with an example of their application to a difficult painting consolidation treatment
S. Michalski
M. Rossi-Doria
Valuation of museum collections in Estonia: impact on conservation practice
K. Sibul
K. Konsa
‘Weeping sculptures’: research into the degradation and conservation of works of art from the Stage Evidence series by Loris Cecchini
M. Palmeira
A. Laganá
T. van Oosten
What do you see there? Dialogue between art historians, conservators and scientists
R. Varoli-Piazza
L. Rissotto
G. Martellotti
C. Seccaroni
When glass and metal corrode together, III: the formation of dicoppertrihydroxyformate
G. Eggert
S. Haseloff
H. Euler
B. Barbier
White hazes and surface crusts in Rembrandt’s Homer and related paintings
A. van Loon
P. Noble
J.J. Boon
Wiping away the dirt – a safe option for plastics?
Y. Shashoua
K. Segel
T. van Oosten
A. Laganá
B. Keneghan
G. Barabant
C. Bollard
S. Kuperholc
Working in platinum: Gertrude Käsebier
T.M. Vo
D.C. Stulik
‘Worth a hundred Milibands’. Conservation’s role in embracing cultural identity at the V&A
S. Smith
A. Bancroft
Yellows and blues: re-examination of Vermeer forgeries
A. Wallert
M. van de Laar
- Notes
- Text in English, French, or Spanish
- Autres titres
- ICOM-CC abstracts
- 16th Triennial Conference Lisbon, 19-23 September 2011
- Langue
- French = Français
- Spanish = Espagnol
- Sujet
- Art objects - Conservation and restoration - Congresses
- Cultural property - Protection
- Objets d'art - Conservation et restauration
- Biens culturels - Protection
- Objets d'art - Conservation et restauration - Congrès
- ISBN/ISSN
- 9789899752221
- Pays
- Portugal
- Type de document
- Monograph = Monographie
- Localisation
- N 8560 I53a 2011 REF
- Clé
- 16817
- Collection
- Catalogue