Notice catalographique « Art of the past : sources and reconstructions: proceedings of the first symposium of the Art Technological Source Research Study Group »

• Instituut Collectie Nederland
• Art Technological Source Research Study Group
• ATSR
• Clarke, Mark
• Townsend, Joyce H.
• Stijnman, Ad.

Contents:

Style and technique are inseparable: art technological sources and reconstructions
Ad Stijnman

The Cologne database for painting materials and reconstructions
Doris Oltrogge

Interpreting historical sources on painting materials and techniques: the myth of 'copper resinate' and the reconstruction of indigo oil paints
Margriet H. van Eikema Hommes

Is gold an ingredient in Assyrian-Mesopotamian written recipes for red glass?
Mark Clarke

Reflections on sources and reconstructions
Lorne Campbell

Reading technical sources
Arie Wallert

Munich Taxae project: the Kolberg inventory list of 1589, Andreas Burmester, Ursula Hailer and Christoph Krekel

Page-image recipe databases: a new approach to making art technological manuscripts and rare printed sources accessible
Mark Clarke and Leslie Carlyle

Historically accurate reconstructions of artists' oil painting materials
Leslie Carlyle and Maartje Witlox

Cobalt blue, emerald green and rose madder in copal-based mediums as used by the Pre-Raphaelites
Joyce H. Townsend, Jacqueline Ridge and Leslie Carlyle

The reconstruction of late 19th-century French red lake pigments
Jo Kirby

The Whistler correspondence as a source of information on Whistler's studio practice
Erma Hermens and Margaret F MacDonald

Representing authentic surfaces for oil paintings: experiments with 18th- and 19th-century varnish recipes
Leslie Carlyle

Sixteenth-century portrait miniatures: key methodologies for a holistic approach
Alan Derbyshire, Nick Frayling and Timea Tallian

Reconstruction of Albrecht Durer's drawing machine
Aurelie Nicolaus and William Whitney

A mediaeval colorant in the 17th century: turnsole Arie Wallert

Sources and preparatory drawing in post-Byzantine iconography (15th-19th century): reproducing the reverse imprint technique of transferring preparatory drawing
Ekaterina Talarou-Ganitis and Vaios Ganitis

Rembrandt and burnt plate oil: new observations and proposals on Rembrandt's painting medium
Sarah Belchetz-Swenson and Phoebe Dent Weil

Intrigues and trade in painting materials in 18th-century Havana, Carlos Venegas Fornias and Alberto de Tagle

Imitating ultramarine: artists' economies reconstructed
Sally Woodcock and Libby Sheldon

Blue smalt lacquers on silver leaf: Baroque and Rococo polychromy in southern Germany
Mark Richter

Three-dimensional virtual restoration: techniques and case study
Angela Geary

Reconstructions of iron-gall ink recipes for the InkCor project
Ad Stijnman

Compatibility of contemporary pigments in mixtures
E. Gbieta Szmit-Naud

Painted skin: reconstruction of recipes for flesh colours in artists' manuals
Kathrin Kinseher

When glass is made of plastic: restoration of the model of the Pavilion Saint-Gobain for the International Exhibition of 1937
Olivier Beringuer

• Art - Conservation and restoration
• Pigments - Analysis
• Glass - Analysis
• Art - Conservation et restauration
• Verre - Analyse
• Pigments - Analyse