Notice catalographique « The object in context : crossing conservation boundaries - IIC contributions to the Munich Congress, 28 August-1 September 2006 »

• International Institute for Conservation of Historic and Artistic Works
• Saunders, David
• Townsend, Joyce H.
• Woodcock, Sally

Contents:

Keeping lt Together: Conservation, Context and Cultural, Materials
Annlinn Kruger Grossman

Christian Sacred Art: A Conservation Challenge
Antonio Ribeiro da Costa

Finding the Fallen: Conservation and the First World War
Renata Peters and Dean Sully

Context and Meaning Generation: The Conservation of Garments Deliberately Concealed Within Buildings
Dinah Eastop and Charlotte Dew

The Tate Brand: Its Consequences for the Care and Presentation of Tate Collections
Jacqueline Ridge

The Conservator in Context: Crossing Curatorial Boundaries
Caroline Buttler and Mary Davis

Vision of the Sermon by Paul Gauguin: An Exploration of Making and Meaning
Lesley Stevenson and Belinda Thomson

Paintings are Made of Paint: The Exhibition of Painting Techniques in the Munich Glaspalast , 1893
Kathrin Kinseher

Examination of Alexej Jawlensky's Painting Technique in his Munich Oeuvre frone 1896 to 1914
Ulrike Fischer, Heike Stege, Daniel Oggenfuss, Cornelia Tilenschi, Susanne Willisch and Iris Winkelmeyer

Commedia dell' Arte : When Chagall Went to Frankfurt Snejanka Bauer and Maria Kokkori

Dictated by Media: Conservation and Technical Analysis of a 1938 Joan Miro Canvas Painting
Elma O'Donoghue

Asking for the Context: Conservation Strategy for Joseph Beuys'

The End of the Twentieth Century
Maike Grün

Industrial Heritage Conservation: The Historic Diesel Power Station in Wustermark
Thomas Dempwolf

Contextualising Textiles: Using Documentary Evidence to Retrieve Evidence for Regenerated Protein Fibres
Mary M Brooks and Mary Rose

Complementing Art History: Interpreting Sheet Metal and Light Bulbs
Martina Griesser-Stermscheg

The Berlin Aleppo Room: A View into a Syrian Interior from the the Ottoman Empire
Jutta Maria Schwed

From Cosmopolitan Italy to Rural Dorset: The Separation of Night from Day by Guido Reni, 1599
Christine Leback Sitwell, Alan Bush and Jonathan Berry

French Genre Painting for the King: Masterpieces by Lancret and Watteau in Prussian Palaces
Christoph Martin Vogtherr, Eva Wenders de Calisse

The Mimbres Journey: How Shifting Contexts Necessitate a Multi-Disciplinary Conservation Approach
Mina Thompson and Angela Elliott

The Role of Context in the Conservation of Contemporary American Indian Ceramics
Jessica Fletcher, Carl Patterson, Nancy Blomberg and Polly Nordstrand

Conservation of a Maori Eel Trap: Practical and Ethical Issues
Catherine Smith and Heike Winkelbauer

Tjurkulpa: A Conservator Learns Respect for the Land, the People and the Culture
Andrew Thorn

Gamelan: Can a Conservation-Conceived Protocol Protect it Spiritually and Physically in a Museum'?
Holly Jones-Amin

Multiple Functions and Multiple Histories of Tibetan Tsha-Tshas (Votive Clay Images)
Chandra L. Reedy

Challenges in the Context of the Living Sacred Tradition of Mahayana Buddhism
Sanjay Dhar

Contextual Change and the Conservation of Wall Paintings: The Case of Korean Buddhist Temples Kyeongsoon Han

The Maya Site of Calakmul: In Situ Preservation of Wall Paintings and Limestones using Nanotechnologies
Piero Baglioni

Stone Armor 2200 Years Ago:Early Mass Production Methods in China
Sandra Bucher Fiuza

A Colourful World for the Emperor's Soul: The Polychromy of the Terracotta Sculptures at Qin Shihuang'sBurial Complex
Catharina Blänsdorf and Xia Yin

Modern Trends: Ancient Patterns
Mary Davis

A Pouring Satyr from Castel Gandolfo: History and Conservation
Erik Risser and Jens Daehner

Illuminating a Complex History: The Materials and Techniques of the Tombs of Urgell at the Cloisters Beth M. Edelstein

The Preservation and Display of a Fourth-Century BCE Painted Thracian Tomb in Bulgaria
Zdravko Barov

The Relationship Between Preservation and Technique in Paintings in the Oranjezaal
Annelies van Loon

Varnishes on Baroque Church Furnishings: In Search of a Suitable Conservation Approach
Katharina Walch-von Miller

Case Studies of Eighteenth-Century Polychromy and Metal Leaf Gilding in Bavaria
Inga Pelludat

Nomenclatura et Species Colorum Miniatae Picturae: Researching Seventeenth-Century Pigments in Sweden
Cecilia Rönnerstam and Lars Hälldahl

The Mariani-Cibo Treatise: Contents and Context
Erna Hermens

Skokloster Castle and its Environment
Jan Holmberg, Bengt Kylsberg and Per Nelander

Proscribed Pigments in Northern European Renaissance Paintings and the Case of Paris Red
Jo Kirby, David Saunders and Marika Spring

Artists Pigments Reconsidered: Does Modern Science Match the Historical Context?
Christoph Krekel, Ursula Haller and Andreas Burenester

New Age Old Masters
Spike Bucklow

Appliqué Stained Glass: The Conflict Between

Conservation and Context
Norman H. Tennent

A Cross-Cultural Approach to Urushi Conservation: Consolidation of Metal Foil Decoration on the Mazarin Chest
Shayne Rivers and Yoshihiko Yamashita

Conservation and Continuity: Preserving the Library of the Monastery of Saint Catherine on Mount Sinai

• English = Anglais
• German = Allemand

• Art - Conservation and restoration - Research
• Painting - Conservation and restoration
• Cultural property - Protection
• Art - Conservation et restauration - Recherche
• Biens culturels - Protection
• Peinture - Conservation et restauration