Notice catalographique « ICOM Committee for Conservation, ICOM-CC, 14th Triennial Meeting, The Hague, 12-16 September 2005 : preprints »

• ICOM Committee for Conservation
• Comité de l'ICOM pour la conservation
• Verger, Isabelle

Contents:

The Art of Conservation: an exhibition
F. Verberne-Khurshid, P. Knolle, I. Smit

EROS: an open source database for museum conservation restoration
G. Aitken, C. Lahanier

Page-image recipe databases, a new approach for accessing art technological manuscripts and rare printed sources: the Winsor & Newton archive prototype
M. Clark, L. Carlyle

Two-dimensional multi-spectral digitization and three-dimensional modelling of easel paintings
C. Lahanier, G. Aitken, R. Pillay

Three-dimensional modelling of archaeological objects for conservation, visualisation, colour and shape characterization: comparison of details
C. Lahanier, D. Pitzalis, O. Feihl, M. Jeanlin, F. Schmitt

Using an ontology for interoperability and browsing of museum, library and archive information
P. Le Boeuf, P. Sinclair, K. Martinez, P. Lewis, G. Aitken, C. Lahanier

Multimedia franco japonais. Les Apotres de Georges de La Tour
G. Aitken, I. Cassan, E. Martin, J. Koga

Three-dimensional imaging: a tool for all aspects of visual documentation in conservation
P.Ravines, A. Degani, A. Tashtchiev

The development of competencies at the Canadian Conservation Institute by L. Perron Croteau, D. Grattan, C. Costain

Educating conservators for lifelong commitment
E. Graves

Minding the gaps: recognizing and responding to learning failure in professional education and development
A. Lister

Kuikuro and Karaja techniques for gathering, processing, and using plant materials
M. Lima de Carvalho

Case studies in pesticide identification at the National Museum of the American Indian
J. S. Johnson, S. Heald, L. Chang

First person voice: Native communities and conservation consultations at the National Museum of the American Indian
M. A. Kaminitz

A study of the materials and techniques of two Dayak longhouse models
A. Liow, A. Tee, T. S. Hayes

Decontamination of ethnological objects with supercritical carbon dioxide
H. Tello, A. Unger, F. Gockel, E. Jelen

Decisions on the restoration of a Trobriand yam storehouse: the `Decision Making Model for the
Conservation and Restoration of Modern Art' applied to an ethnographic object
D. C. J. Wisse, A. W. Brokerhof

Preliminary Results from a Survey for Residual Arsenic on the North American Ethnographic Collections at The Field Museum, Chicago
M. Klaus, J. Plitnikas, R. Norton, T. Almazan, S. Coleman

Conservation of Marind-anim 'dema' costumes
B. Zurcher

A collection of ceramics damaged by acetate salts: conservation and investigation into the causes
L. Halsberghe, L. Gibson, D. Erhardt

Understanding glass deterioration in museum collections: a multidisciplinary approach
L. Robinet, S. Fearn, K. Eremin

The use of computer-match colour prediction in the restoration of ceramics
N. H. Tennent, J. H. Nobbs, M. Binns

Technological study of pigments and paints on archaeological ceramics from the northwestern Argentine region: an archaeometrical approach and implications for conservation
G. A. De La Fuente

Glass lantern slides: deterioration and conservation
M. Schermer

Quality control of mass deacidification of library and archival holdings
G. Banik, T. Doering, G. Kolbe, U. Hahner

Application of immobilized enzymes for the paper splitting process
E. Galinsky, ...

Du laboratoire au musee, vers une identification des materiaux graphiques: les materiaux noirs
H. Guicharnaud, A. Duval

X-ray ditfraction analysis of parchment: applications to manufacture, conservation and restoration
C. Kennedy, J. Hiller, C, Tilaxueell, T. Hess

Antioxidants for stabilization of iron gall ink corrosion
J. Kolar

Conservation of biodeteriorated ancient documents and paper consolidation by plasma treatments
L. Laguardia, A. Cremona, F. Cappitelli

Damage assessment of parchment: complexity and relations at different structural levels
R. Larsen, ...

Photo-induced degradation of cellulose / Difficult decisions in the Conservation of 'the Book of Curiosities: 13th century Islamic manuscript
A. Mckay

Consolidation of white chalk with aerosols
A. Pataki

Review of practices for aqueous paper deacidifrcation
M. Strlic

Spot tests to paper manuscripts dated from 1250 to 1500
M. C. Sistach, A. C. d'Arago

Comparative study of environmental ageing-related changes in parchments by calorimetry and
electron microscopy
G. Della Gatta, E. Badea

Enzyme application in wallpaper conservation
F. Galinsky, M. Klasz, G. Banik

New paper conservation approaches in Romania
M. Geba

The study of application of lipase from Pseudomonas mendocina for removal of fat spots from paper
L. G rabauskaite, ..

Czech cardboard for the protection and storage of library collections: physico-mechanical and protective properties

Fabulous beasts - leather, silk and gold: recent research on and conservation of 12th century footwear from the episcopal tombs in the Treves Cathedral

Leather spue: a problem with lubricants
U. Knuutinen, L. Sallas

Bookbinding leather in the paper deacidification process. Part I. Analytical investigation of the leather
R. Larsen, ..

Dilemmas and solutions on the conservation treatments of three gilt leather rooms in The Netherlands
Van Kempen, ...

Use of some techniques in the investigation and conservation of a bookbinding
C. Abdel-Maksoud, N. Abdel-Fatah

Selection d'un cuir de tannage vegetal destine a des traitements de conservation sur des livres anciens
C. Barbe, ...

Etude comparative de trois methodes de mise au ton du cuir neuf utilisees en restauration
F. Juchauld, F. Richard

Research into a safe method to extract excess lubricants from leather: a preliminary report
R. Selm

Une assise juridique proposee pour une demarche communautaire de protection, rapatrienient et transmission des biens culturels patrimoniaux des premieres nations du Quebec
M. Bonin

Partenariat / la solution au trafic illicite d'oeuvres d'art. (Conclusion du projet pilote 2003-2005 de la police nationale du Quebec)
A. Lacoursiere, J. F. Talbot

The impact of artists' moral rights legislation on conservation practice in the United Kingdom and beyond
F. Lennard

Problems in stabilizing historic iron-bladed weapons displayed in an uncontrolled environment in the Criminal Museum of Athens, Greece

Electrochemical monitoring of the storage or stabilization of archaeological copper-based artifacts in sodium sesquicarbonate solutions
K. Leyssens

A new corrosion mechanism for iron shipwrecks in seawater: a study of the Fujikawa Maru (1944) in Chuuk Lagoon, Federated States of Micronesia
I. D. MacLeod

Preliminary study of the morphology of corrosion developing on historic steel armour artifacts from the Palace Armoury Collection, Valletta, Malta
D. Vella, ...

New alternatives for the conservation of metal artwork in humid-tropical climates
A. E. Cepero

We wish to be gold. The golden embroideries. Scientific investigation of metallic threads
O. Marincas

Reproducing Morris Louis paintings to evaluate conservation strategies
G. A. Gates

The `Aeromodeller 00-PL' ; the conservation of a PVC balloon
F. Huys, T. B. van Oosten

'Pesce, polyurethane and what happens today'. Results from the AXA Art Conservation Project in cooperation with the Vitra Design Museum
K. Kessler, T. B. van Oosten

Ageing studies of acrylic emulsion paints. Part II. Comparing formulations with poly(EA-co-MMA) and poly(n-BA-co-MMA) binders
D. Scalarone, O. Chiantore, T. Learner

Storing plastics in the cold: more harm than good?
Y. Shashoua

To replace or not to replace? Photographic material in site-specific conceptual art
S. Stigter

Micro-environmental study of lichen invasion at a Ngunnawal Aboriginal rock art site in the eastern Australian sub-alpine region
B. Ford, K. Officer

Microbial communities inhabiting caves with Paleolithic paintings
J. M. Gonzalez, L. Laiz

Effects of moisture, micronutrient supplies and microbiological activity on the surface pH of
rocks in the Burrup Peninsula
L D. MacLeod

La Cueva de las Ventanas en la zona arqueologica de Cuarenta Casas, Chihuahua. Un trabajo interdisciplinano de conservacion
H. Orea Magana

Conservation and research in the archaeological Maya site of Ek balam at the Yucatan Peninsula: an extensive project on stucco decor and mural painting preservation
A. Alonso Olvera

Moisture instability in loosely bound pigmented surfaces / A. Thorn

Conservacion de la Pintura mural de las Capillas Familiares de San Miguel Ixtla, Guanajuato: ejemplo de proyecto integral de conservation con comunidades
B. N. Vilar, R. S. Glantz

Mural painting and religious colonial architecture in Colombia: a problem of presentation
O. L. Gonzalez Correa

An anatomical collection dissected: practical implementation of a national de-accessioning
project, B. Aarts

Practical application of the Revolutionary Preservation (RP) System' for marcasite
J. Day

The 'format question' in Hodler's work / K. Beltinger
Rejuvenating the appearance of Seurat's A Sunday on La Grande Jatte 1884 using colour and imaging science techniques: a simulation
R. S. Berns

Comparison of the fading and surface deterioration of red lake pigments in six paintings by Vincent van Gogh with artificially aged paint reconstructions
A. Burnstock, I. Lanfear, K. J. van den Berg, L. Carlyle, M. Clarke, E. Hendriks, J. Kirby

Spare parts: dilemmas in contemporary painting
T. Green

Van Gogh's use of the perspective frame in his Pans paintings
F. Hendriks

Malachite pigment of spherical particle form
G. Heydenreich, M. Spring

Changing properties of the asphalt- and oil-derived components in asphalt-oil paints prepared according to 19th century recipes
G..M. Languri, J. J. Boon, R. Boitelle

Chemical changes in old master paintings II: darkening due to increased transparency as a result
of metal soap formation
P. Noble, A. Van Loon, J. J. Boon

Polynomial texture mapping: a new tool for examining the surface of paintings
J. Padfield, D. Saunders

The whitening of oil paint films containing bone black
A. Van Loon, J, Boon

`A perfect ground is the very soul of the art' (Kingston 1835): ground recipes for oil painting, 1600-1900]
M. Witlox, L. Carlyle

The impact of water on artists' acrylic paint
E. Hagan, R. Ploeger
A. Murray

Orpiment overlooked: expect the unexpected in 17th century workshop practice / L. Sheldon

Gustave Le Gray's salted paper prints
L. Barro, N. W. Kennedy

The provision of photographic conservation training opportunities in Australia
D. Lueth, A. Leggio

Investigation of ATR-FTIR spectroscopy as an alternative to the Water-Leach free acidity test for
cellulose acetate-based film
Y. Shashoua, K. B. Johansen

Getty Conservation Institute portable analytical laboratory for photograph conservation: the first three years
D. C. Stulik

A local microscopic model for silver mirroring: assessment of the degradation rate
G. Di Pietro, R. Gschwind, F. J. Ligterink

L'utilisation des NTIC dans la-preservation et la mise en valeur des archives photographiques
en Afrique de L'Ouest
F. Fall

Assessment of density changes in colour slides after 12 years of natural ageing
K. B. Pedersen, J. S. Johnsen, U. B. Kejser

Proyecto preservation de colecciones fotogrificas patnmoniales 2002-2007
I. C. Pimstein

LightCheck®, new disposable indicators for monitoring lighting conditions in museums
M. Bacci, C. Cucci, A.-L. Dupont, B. Lavedrine, C. Loisel, S. Gerlach, H. Roemich, G. Martin

Defining suitability of museum galleries by risk mapping S. Bradley

Allowable thresholds in dynamic changes of microclimate for wooden cultural objects: monitoring in situ and modelling
L. Bratasz, S. Jakiela, R. Kozlowski

Risk assessment of Museum Amstelkring: application to an historic building and its collections and the consequences for preservation management
A. W. Brokerhof, T. Luger,

Simple methods to measure air exchange rates and detect leaks in display and storage enclosures
A. Calver, A. Holbrook, D. Thickett, S. Weintraub

The impact of climate change on cultural heritage: evidence and response
M. Cassar, R. Pender

Development of an early warning sensor for assessing deterioration of organic materials indoor in museums, historic buildings and archives
E. Dahlin, T. Grentoft, S. Rentmeister, C. Calnan, J. Czop, K. Hallett, D. Howell, C. Pitzen, A. S. Larsen

Stories from historic buildings
V. Daniel, S. King, C. Pearson, I. Cole

Breaking glass: perception and risk
T. Green, S. Hackney, R. Perry

Simple methods for the identification of acetate salts on museum objects
L. Halsberghe, D. Erhardt, L. T. Gibson, K. Zehnder

Building a new shared storage facility for 16 museums and archives
L. R. Knudsen, M. H. Rasmussen

Analysis of the potential of using forced ventilation for environmental control in museological spaces in tropical conditions
E. Kruger, S. K. de Paula Carvalho

Managing dust in historic houses - a visitor/conservator interface
K. Lithgow, H. Lloyd, P. Brimblecombe, Y. H. Yoon, D. Thickets

Microclimate indoor monitoring: damage assessment for cultural heritage preservation
M. Odlyha, N. Wade, Q. Wang, R. Campana, J. M. Slater

Low-energy air conditioning of archives
T. Padfield, P. K. Larsen

The RIBA project: a climate strategy for paper-based archives at the Victoria & Albert Museum
B. Pretzel

El estudio de la iluminacion en los museos una metodologia al alcance de todos
M. O. F.Reguera

Conservation of exhibitions: making a maintenance programme work
M. Reuss, G. Scott, F. MacKinnon

The effect of painting orientation during air transportation
D. Saunders

Reviewing past environments in a historic house library using building simulation
J. Taylor, N. Blades, M. Cassar, I. Ridley

Predicting the solar impact of the restored glazing regime of the Dom Reading Room, State Library of Victoria
A. Thorn

Moving a museum collection: a project at the Centro Leon in the Dominican Republic
H. A.Utermohlen, E. Chao

A paradigm shift for preventive conservation, and a software tool to facilitate the transition
R. Waller, S. Michalski

New conservation paper for active protection against pollution
J. Barthez, J. Lafon, A.-L. Dupont

Light-emitting diodes: a future for museum lighting?
J. J. Ezrati

Biological, chemical and microclimatic monitoring in museums; the case of Musei Civici of Pesaro
E. Giani, A. Giovagnoli, M. P. Nugari, L. Gordini, E. Ruschioni

Handheld field sensors for indoor air pollutants
L. T. Gibson, C. Robertson, C. Watt, A. Cheung, W. Johnstone

Spectral imaging using a commercial colour-filter array digital camera
R. S. Berns, L. A. Taplin, M. Nezamabadi ..

Analyses de savons de plomb presents dans des produits cosmetiques et pharmaceutiques antiques
M. Cotte, P. Walter, P. Dumas

Damage assessment of parchment by micro-thermal analysis and scanning electron microscopy
J. de Groot, M. Odlyha

Non-destructive elemental analysis: reliability of a portable X-ray fluorescence spectrometer for museum applications
L. Dussubieux, S. E. Pinchin, J. Tsang, C. S. Tumosa

Chemical aspects of the binding media of the Oranjezaal ensemble: an insight into 17th century

Netherlandish materials and methods
E. S. B. Ferreira, J. van der Horst, J. J. Boon

Analytical characterization of the main component found in logwooddyed textile samples after extraction with hydrochloric acid
A. N. Huhrne, H. McNab

Identification of four degradation products formed within parchment and evaluation of their role as deterioration markers using liquid chromatography-mass spectrometry
H. Jerosch, F. Juchauld

Characterization and localization of the oil-binding medium in paint cross-sections using imaging secondary ion mass spectrometry
K. Keune, E. S. B. Ferreira, J. J. Boon

The deterioration of cadmium sulphide yellow artists' pigments
B. Leone

Quantitative colour comparison of grounds and paints in paint crosssections from a selection of paintings from the Paris period by Vincent van Gogh
B. Marino, J. Boon

A 'single-shot' separation and identification technique for water extractable additives in acrylic emulsion paints
G. D. Smith

Pigment and material characterization by portable micro-probe Raman spectroscopy of works of art with a paper support
K. Castro, M. Perez-Alonso

The Lazurite database: an image-based solution for recording and presenting data from painting studies
N. Eastaugh, V. Walsh, J. J. Boon

New techniques in X-ray imaging using synchrotron radiation
K. Krug, J. Dik, M. den Leeuw, A. Bravin

The colour of medieval Portuguese illumination
M. J. Melo, F. Pina

Raman spectroscopy: the benefits of using an optical bench and complimentary techniques (XRF
and SEM-EDX)
S. Saverwyns

A case study in laser cleaning: soot removal
K. Seymour, S. Postma

Molecular study of the depth-dependent oxidation and condensation gradients of aged dammar and mastic varnish films assisted by KrF excimer laser ablation
C. Theodorakopoulos, V. Zafiropulos, J. J. Boon

The Users' Group for Mass Spectrometry and Chromatography and the development of a mass
spectral database for the study of artistic and cultural objects
K. J. van den Berg, C. Maines, E., S. B. Ferreira, C, Higgitt, K. Sutherland

A matter of scale? From sculpture to interior: the conservation of polychrome surfaces
R. Hoppenbrouwers

Effects of cryogenic temperatures on paint layers on polychrome wooden objects
A. Schieweck

`Anti-scrape' in the Rijksmuseum, Amsterdam: the reconstruction of the colours of Cuypers
A. van Grevenstein

Use of lipase to remove oil-based overpaints
D. Vokic, M. Berovic

Les papiers peints japonais en Europe occidentale autour de 1900
W. Wailliez, M. Van Bos, C. Glaude

Polychromie des terres cuites manselles: les bleus
N. Balcar, S. Pages-Camagna

Future of losses compensation in conservation of gilded objects: non-traditional in-gilding techniques
M. Sawicki

La polychromie exterieure de la tour japonaise (1901-1905) de Laeken
W. Wailliez, M. Van Bos, C. Glaude

Assessing the performance of protective winter covers for outdoor marble statuary: pilot investigation
J. Berry, F. David, S. Julien-Lees, B. Stanley, D. Thickett

Treatment of heavily iron-stained limestone and marble sculpture
A. Thorn

Accuracy, precision and investigation: mordant analysis on antique textiles by various methods
L. Dussubieux, D. Naedel, R. Cunningham, H. Alden, M. W. Ballard

Vermont painted theatre curtains and their community custodians
C. Hadsel, M. Pagan

Size exclusion chromatography of silk: inferring the tensile strength and assessing the condition of historic tapestries
K. Hallett, D. Howell

Ancient textiles - recent knowledge: a multidisciplinary research project on textile fragments from the prehistoric salt mine of Hallstatt
R. Hofmann-de Keozer, A. Hard, M. R. van Bommel, I. Joosten, H. Reschreiter, K. Gromer

The effect of adhesive concentration, reactivation time, and pressure on the peel strength of heat and solvent-reactivated Lascaux 360/498 HV bonds to silk
I. F. Karsten, J. Down

Textile conservation at the Greek Ministry of Culture: a case study of the conservation of costumes from the Ethnographical and Historical Museum of Larissa
T. Kousoulou

A `green' approach to antique textile cleaning
M. Sousa, M. J. Melo

Making the invisible visible: the potential of X-radiography as an investigative technique for textile conservation decision making
S. O'Connor, M. M. Brooks

Don't give up the flag: the conservation of the United States Naval Academy's 1813 `Don't Give
Up The Ship' flag
D. L. Trupin

Analysis of synthetic dyes in an embroidery of Emile Bernard (circa 1892)
M. R. van Bommel, A. M. Wallert

Laser cleaning of silk: a first evaluation
K. von Lerber, S. Pentzien, M. Strlic, W. Kautek

A preliminary study of the use of bathophenanthroline iron test strips on textile
J. Vouri, S. Tse

Treatment of 103 fragments found in water during the archaeological excavations in ancient harbour of Genova
P. Benzi, M. C. Gallo

Studying the degradation of archaeological silk fibres by scanning electron microscopy
C. Marian

Celebrating 500 years of survival/cultural past: scientific analysis of a post-Byzantine textile from the collection of Putna Monastery
O. Marincas, M. Giurginca

Reinforcing treatment of silk embroidery threads with carboxymethyl chitosan and chitosan acetate
J. Contreras Vargas

Les peintures transposees du Musee du Louvre, etude des techniques de transposition en France, de 1750 jusqu'a la fin du XIXeme siecle
F. Barres

Relic or release: defining and documenting the physical and aesthetic death of contemporary works of art
A. Bracker, R. Barker

Questions of authenticity after six re-restorations of the wall paintings in Fjennerslev Church
I.Brajer, I. Haslund

Changing values: exploring the aetiology behind the nature of conservation among different cultural groups
C. L. Huckleshy

A problem of methodology: Merrifield, Eastlake and the use of oil-based media by medieval English painters
J. Nadolny

Archives under attack: the preservation of European documentary heritage in World War II
K.Spirydowicz

The legacy of William Suhr: from Berlin to New York
J. Hill Stoner

Analysis of elemental sulphur (S8) in waterlogged archaeological wood
S. Erpenbek, T. Skinner

The use of conductivity and compression strength to assess the state of preservation of
waterlogged archaeological wood
P. Jensen, D. Gregory

Wood on display: an unexpected effect of display conditions on a freeze-dried wooden object
H. Ganiaris, L. Goodman

Les signaux emis par les larves d'insectes xylophages et la detection acoustique
D. De Reyer, E.Maurin

Lacquer on Japanese porcelain: a case study of two Imari vases with urushi lacquer decoration from the collection of the Rijksmuseum Amsterdam
S. Lambooy

Conservation of Japanese lacquer in Western collections: conserving meaning and substance
S.Rivers

• ICOM-CC preprints
• 14th Triennial Meeting, The Hague, 12-16 September 2005

• French = Français
• Spanish = Espagnol
• English = Anglais

• Art objects - Conservation and restoration
• Cultural property - Protection
• Objets d'art - Conservation et restauration
• Biens culturels - Protection