Notice catalographique « ICOM Committee for Conservation, ICOM-CC : 13th Triennial Meeting, Rio de Janeiro, 22-27 September 2002 : preprints »

• Vontobel, Roy
• ICOM Committee for Conservation

Contents:

The continuing development of a practical lighting policy for works of art on paper and other object types at the Victoria and Albert Museum

Development of a Web-based software tool for predicting the occurrence and effect of air pollutants inside museum buildings

Solarization: A cheap but effective method to disinfest museum objects

Opening the box: developing the Collections Centre at the Museum of Science and Industry in Manchester

Emergency planning for cultural institutions: the process and some of its challenges

Conservation of objects in transit - the loan of works of art in Brazil - growing demand, growing care and expertise

Issues related to the application of museum air quality standards: responses to allegations of damage to the National Gallery of Australia collections

Predicting the unpredictable: how does the museum environment fluctuate

Controlled ventilation and heating to preserve collections in historic buildings in hot and humid regions

Double the life for each five-degree drop, more than double the life for each halving of relative humidity
S. Michalski

Damage assessment of museum environments using paint-based dosimetry

How to protect glazed pictures from climatic insult

House of Rui Barbosa Museum: a preventive conservation plan based on an environmental control strategy

Vibration damage levels for museum objects

Evaluation of portable equipment for large-scale deinfestation in museum collections using a low-oxygen environment

A risk model for collection preservation In control or simply monitoring ? The protection of museum collections from dust and vibration during building works

Generation 2, a project to assure quality and continuity of training for museum professionals in Africa

Communication and technology: assessing the potential of distance learning experience in career entry and
continuing professional development in conservation education

The wall paintings in Tirsted Church: problems of aesthetic presentation after the fourth re-restoration

The Nation's Equipment Funding Conservation Provision and Training for Museums and Galleries in the U.K., 1969-1984

Documenting conservation through oral history

A brief review of the conservation of wall paintings in Mexico

Memoire des restaurations: reflexron sur la documentation servant a etablir l'histoire de la restauration des tableau; du Louvre

Changing, attitudes towards restoration

In their own words: painting conservation and restoration in nineteenth-century America according to the artists and restorers who recorded their practices and beliefs

Conserving the Kamehameha monument in Hawaii: a case study in public conservation

The relative importance of surface roughness and refractive index in the effects of varnishes on the appearance of paintings

The use of multi-channel visible spectrum imaging for pigment identification

Identification of pigments and media from a paint cross-section by direct mass spectrometry and high-resolution imaging mass spectrometric and microspectroscopic techniques

Thermally assisted hydrolysis and methvlation-gas chromatography-mass spectrometry for the chemical characterization of traditional and synthetic binders

Non-destructive spectroscopic investigations of dyed textiles: an application to yellow- dyed wool samples

Scientific investigation of surface cleaning processes: quantitative study, of gel residue on porous and topographically complex surfaces

Controlled laser cleaning of fire-damaged paintings

A database of artists' materials from paintings examined at the Courtauld Institute of Art

Conservation documentation at the National Museums of Scotland
J. Clark

Cultural content in a new millennium

The Digital Image System

EROS: an open source, multilingual research system for image content retrieval dedicated to conservation-restoration exchange between cultural institutions

CRISATEL: high definition spectral digital imaging of paintings with simulation of varnish removal

ACOHIR: a system for 3D digitization applied to conservation and research imaging

Structural treatments for canvas paintings in 2002: summary of questionnaire replies

The yellowing / bleaching of oil paintings and oil paint samples, including the effect of oil processing, driers and mediums on the colour of lead white paint
L. Carlyle, N. Binnie, E. Kaminska, A. Ruggles

Self-expansion stretcher for two-sided paintings: floating auto-adapting suspension system

The restoration history of a late fifteenth-century German altarpiece and how it reflects philosophical trends in conservation

Detection of residues on the surfaces of objects previously treated with aqueous solvent gels

An alternative adjustable aluminium spring stretcher for a large painting

The attraction of magnets as a conservation tool

An investigation into the adhesive bond and transfer of tension in lined canvas paintings

Echos d'un chef-d'oeuvre perdu de Pierre Bruegel l'Ancien: les deux versions de la Chute d'Icare conservees a Bruxelles

A technical study of Ferdinand Hodler's painting technique: work in progress

Made in BraziP Eckhout and Post, Dutch painters in Brazil, 1637-1644

Mechanical and chemical changes in Old Master paintings: dissolution, metal soap formation and
remineralisation processes in lead pigmented ground / intermediate paint layers of 17th century paintings

Cracking the 'matter paintings' of Antoni Tapies: the role of artistic intent, deterioration and underlying mechanical causes
I. Civil, S. Michalski, A. Murray

Three generations of Florentine workshop: a comparative study of the materials and techniques of Lorenzo di Bicci, Bicci di Lorenzo and Neri di Bicci

Mesure de la couleur : Couleurs, textures et surfaces des oeuvres d'art

Pre-Raphaelite technique and its consequences

Canvas painting in the workshop of Lucas Cranach the Elder

Le changement par le peintre du format de son oeuvre : etude technique et tvpologie des agrandissements

A survey on pigments and pigment application on 31 Norwegian medieval oil paintings dated to the period 1250-1350

Colour change in red lead-containing paint films

Darkening and surface degradation in 19th- and early 20th-century paintings: an analytical study

Latest news from Paradise: a preliminary attempt to identify Rubens's studio practice, Part II - The Power of the Matrix: the application of archaeological stratigraphy to the interpretation of complex paintings

The Montvianex Madonna: materials and techniques in 12th-century Auvergne study and treatment of the Madonna and Child by Conrad Meit, particularly of partial
polychromv and polished finishes

The Ruby to Baroque Christ Sculptures in Brazil

Research into non-traditional gilding techniques as a substitute for traditional matte water-gilding method

Investigation. conservation and mounting of a fibrous plaster frieze by Charles Rennie Mackintosh

Redecouverte d'un modele en terre cuite du Sommei de Rodin : etude et restauration

Chromatic degradation processes of red lead pigment

Rock art conservation to the Peruac valley, Minas Gerais, Brazil

Determination of the treatment and restoration needs of medieval frescos in Georgia

Painting techniques of the Mexicas at the Great Temple of Tenochtitlan in Mexico City

Microclimate modelling for prediction of environmental conditions within rock art shelters

Weathering processes at a rock art site in Baja California, Mexico

Rock paintings conservation and pigment analysis at Cueva de las Manos and Cerro de los Indios, Santa Cruz (Patagonia), Argentina by I. N.M. Wainwright, K. Helwig, D.S. Rolandi, C. Gradin, M.M. Podestda, M. Onetto, C.A. Aschero

Technological study and conservation of the Gospel of the Donnition Cathedral

An investigation into the effect of iron gall ink on the discolouration of lead white

Deacidification without equipment and money - dream or reality

Italian metal point drawings: international studies of the artistic technique

Assessment of the state of degradation of historical parchment by dynamic mechanical thermal analysis (DMTA) and Solid-state CNMR

Leafcasting parchment documents degraded by mould

The acidity of paper. Evaluation of methods to measure the pH of paper samples

Condition survey and preservation strategies at the Danish Film Archive

Recent advances and future directions in the education and training of photograph conservators

Investigation of Jean-Louis-Marie-Eugene Durieu's toning and varnishing experiments: a non-destructive approach

An investigation into a consolidation treatment for flaking autochrome plates

Pesticides and repatriation at the National Museum of the American Indian

Common problems in archaeological and ethnographic conservation intersect with the contemporary: case studies of two African objects

Into the Unknown Amazon . . .
Real-time monitoring of dimensional change in Australian Aboriginal bark paintings during storage

A collaborative examination of the colourfastness of Amazonian featherwork: assessing the effects of exposure to light and laser radiation

The Lactitol conservation of wet polychrome wooden objects found in a 15th- century archaeological site in Mexico

The Bremen Cog Project: the conservation of a big medieval ship

Caring for a Brazilian 'humming bird': an adventure in the embroidered world of Arthur Bispo do Rosario

Conservation project of an early 19th-century Turkish Ghiordes rug found to have significant pesticide (DDT) contamination: the result of a successful cooperation

L'art de la Fibre de nylon : Le defi d'un textile architectural contemporain

A study of material and digital transformations: the conservation of two ancient Egyptian beaded items of dress

The conservation of a Korean painted silk banner, circa 1800: Paint analysis and support via solvent-reactivated acrylic adhesive

The role of pressure mounting in textile conservation: recent applications of U.S. techniques

Meeting between Solomon and the Queen of Sheba: history, technology and dating of a gilt leather wall-hanging, or the contribution of a restoration process

Conservation procedure based on methodical research to remove an alkyd varnish from a gilt leather wall-hanging

Presentation and evaluation of spot tests for identification of the tannin type in vegetable tanned leather

The Nine Muses Roman sarcophagus at Hearst Castle: Identification of the geological provenance and characterization of the marble during the first phase of conservation

The conservation of enamels on metal: characterization and historical notes

Evaluation de la corrosion du plomb aux archives nationales de France

All that glitters is not pseudogold: a study in pseudo-pseudogilding

Application of corrosion data to develop conservation strategies for a historic building in Antarctica

In situ corrosion monitoring of the iron shipwreck City of Launceston (1865)

An investigation of the photochemical stability of films of the urea-aldehyde resins Laropal

Durability of an epoxy resin employed in restoration of historical buildings

Possibilities for removing epoxy resins with lasers

Analysis of materials, restoration practice. design and control of display conditions at the National Cinema Museum to Torino

Ageing studies of acrylic emulsion paints

Making better choices for painted outdoor sculpture

Deterioration and conservation of plasticized poly (vinyl chloride) objects

Transparent Tubes by William Turnbull: the degradation of a polymethyl methacrylate sculpture

• ICOM-CC preprints
• 13th Triennial Meeting, Rio de Janeiro, 22-27 September 2002

• Cultural property - Protection
• Art objects - Conservation and restoration
• Objets d'art - Conservation et restauration
• Biens culturels - Protection