Notice catalographique « The broad spectrum : studies in the materials, techniques and conservation of color on paper »

• Stratis, Harriet K., ed.
• Salvesen, Britt, ed.

Contents:

Chapter 1: Pastel and Chalk

An Aesthetic Overview of the Pastel Palette: 1 500-1900
Marjorie Shelley

Distinguishing Between Chalk and Pastel in Early Drawings
Thea Burns

Making Up the Face: Technique and Meaning in the Pastels of Rosalba Carriera
Thea Burns

Materials. Methods, and Meanings in Edgar Degas's Late Pastels
Richard Kendall

An Investigation of the Pastels of Giuseppe De Nittis and the Pastel Revival of the Later Nineteenth Century
Anne F. Maheux

James McNeill Whistler: The Color of Line
Margaret F. MacDonald

Blues and Browns and Drabs: The Evolution of Colored Papers
Peter Bower

Housing a Pastel Collection at the National Archives of Canada. Part 1: Pick It Up ... and Move It Out
Gilbert L. Gignac and Gregory J. Hill

Housing a Pastel Collection at the National Archives of Canada. Part II: God Is in the Details: The Conservation Treatment of Early Canadian Pastels
Maria Bedynski and Gregory J. Hill

Chapter 2: Watercolor and Ink

Cause and Effect in the Historical Development of Watercolor
Marjorie B. Cohn

Observations on the Functions of Watercolors and Pastels in Italian Renaissance Drawings
Thomas McGrath

The History and Technology of Renaissance and Baroque Hand-Colored Prints
Susan Dackerman and Thomas Primeau

The Analysis of Watercolor Materials, in Particular Turner's Watercolors at the Tate Gallery (1790s to 1840s)
Joyce H. Townsend

Paul Cezanne's Watercolors: His Choice of Pigments and Papers
Faith Zieske

Winslow Homer's Watercolor Pigments
Barbara Berrie

The History and Use of Colored Inks
Carlo James

Aging of Paper and Pigments Containing Iron and Copper: A Review
Vincent Daniels

Effects of Aqueous Treatment on Iron-Gall Ink Monitoring Iron Migration with the Iron (II) Indicator Test
Elmer Eusman

All the Colors of White: The Changing Nature of White Papers
Peter Bower

Chapter 3: Nineteenth and Twentieth Century Materials

In the Kitchen with Paul Gauguin: Devising Recipes for a Symbolist Graphic Aesthetic
Peter Kort Zegers

The Use and Misuse of Distemper in the Works of Edouard Vuillard: A Curator's View
Gloria Groom

The Use and Misuse of Distemper in the Works of Edouard Vuillard: A Conservator's View
Faye T. Wrubel

The Treatment of Two Karel Appel Gouaches

Daylight Fluorescent Colors as Artistic Media
Margaret Holben Ellis

Assessing the Impact of Storage Environments on the Color Transfer of Felt-Tipped Pen on paper
Barbara Rosenberg

The Preservation and Conservation of Ink Jet and Electrophotographic Printed Materials
Debbie Glynn

On Material(ism) or Why Painting Conservators Have All the Fun
Daria Keynan

Chapter 4: The Materials of Asian Art

Color as Language in Traditional Japanese Prints
Roger S. Keyes and Elizabeth L. Coombs

Aqueous Treatment of Ukiyo-e Prints of the Edo Period: Three Case Studies
Pamela de Tristan

Painted Japanese Paper Screens: The Consolidation of Paint Layers on a Paper Substrate
Sandra Grantham and Alan Cummings

The Conservation of a Set of Japanese Fusuma
Mitsuhiro Abe and Sydney Thomson

Chinese Color Printing Technology and History in the Ten Bamboo Studio Manual of Painting and Calligraphy

Indian Paintings on Paper, Textile, and Mica: Conservation, Storage, and Display
Mike Wheeler, Pauline Webber

Chapter 5: The Assessment of Fading

Statistics without Anesthesia: Interpreting Color Data
Roy Perkinson

The Use of the X-Rite Colortron for Color Measurement of Watercolors
Barbara J. Mangum

Pursuing the Fugitive: Direct Measurement of Light Sensitivity with Micro-Fading Tests
Paul M Whitmore

The User's Point of View: Micro-Fading Test Results and the Shaping of Exhibition Policy
Craigen Bowen, Barbara J. Mangum, and Meredith Montague

• Art - Conservation and restoration
• Paper - Preservation
• Pigments
• Color in art
• Art - Technique
• Artists' materials
• Museum conservation methods
• Art - Conservation et restauration
• Matériel d'artistes
• Couleur dans l'art
• Musées - Méthodes de conservation
• Papier - Conservation