Gouvernement du Canada / Government of Canada

Recherche

Notice catalographique « ICOM-CC : 16th triennial conference, Lisbon, 19-23 September 2011 [CD-ROM] : preprints »

Titre
ICOM-CC : 16th triennial conference, Lisbon, 19-23 September 2011 [CD-ROM] : preprints
Auteur ou éditeur
  • ICOM Committee for Conservation (ICOM-CC)
  • Bridgland, Janet
  • Catherine Antomarchi
Lieu de publication
[Paris]
Maison d'édition
ICOM-CC
Date de publication
2011
Collation
1 CD-ROM
Notes
  • A century of paper conservation and the development of the professional status of the conservator / M. da C.L. Casanova -- A collaborative study of Native California featherwork / E. Pearlstein [et al.] -- A color target for lighting and camera evaluation / R.S. Berns, M.I. Haddock -- A database tool for collections risk evaluation and planning / L.K. Elkin, D. Fenkart-Fröschl [et al.] -- A fracture mechanics approach for analysing failing multilayered decorative coatings on wood and for evaluating suitable consolidants / N.C. Schellmann, A.C. Taylor -- A giant moor plough and an encrusted typewriter. The conservator as the objects’ advocate / G. Witt, U. Stahn -- A long-term study of conservation management and corrosion of shipwrecks in the Fathom Five Underwater National Park, Lake Huron, Canada / I.D. MacLeod, N.E. Binnie -- A migration mechanism for transfer of sharks from ethanol to aqueous glycerol solutions / I.D. MacLeod, A.J. van Dam -- A multidisciplinary approach to conservation of rock art in Honnhammer, Norway / D. Pawel, K.F. Gebremariam -- A new method for assessing the value of collections / T. Luger -- A package deal: the development of tissue gel composite cleaning at SRAL / G.R. Fife, J. Van Och [et al.] -- A Pandora’s Box? The Aluminium Boxes of Lourdes Castro and the conservation of contemporary art / S. Babo, E.S. Fragoso [et al.] -- A preliminary evaluation of artists’ and conservation varnishes for acrylic emulsion paint films / B. Ormsby, M. Cross -- A preliminary study into the swelling behavior of artists’ acrylic emulsion paint films / E. Kampasakali, B. Ormsby -- A Sino-Japanese-Portuguese byobu: its conservation and contextualization / F. Figueira, P. Meredith, A.C. Rocha -- A study in scarlet – vermilion red and colour paint formulations in medieval illuminations / C. Miguel, A. Miranda [et al.] -- A study of the grounds used by three post-war American Artists (1954–1974): Barnett Newman, Ellsworth Kelly and Brice Marden / L. Wijnberg, E. Bracht [et al.] -- A study on 16th- and 17th-century Luso-Oriental lacquerware / U. Körber, J.C. Frade -- Account Books of the Royal Danish Painting Material Stores: a source on artists’ practice and material trade during the reign of King Christian IV / A.H. Christensen -- Adhesion tests on stone sculptures. Course of action / X. Mas-Barberà, L. Osete Cortina [et al.] -- Advanced analytical studies towards provenancing and authentication of photographs: the Henri Cartier-Bresson project / D.C. Stulik, A. Kaplan, A. Cartier-Bresson – Advanced spectral imaging for interdisciplinary cultural heritage preservation / F.G. France, M.B. Toth, E.F. Hansen -- All hazards approach: safety and accessibility for religious heritage in the province of Limburg / R. Hoppenbrouwers, J. van der Horst, A. Vugts -- “All that glisters is not gold”. The appreciation of religious textiles in the Netherlands and the formulation of selection criteria for retention or disposal / R. Lugtigheid -- Allowable microclimatic variations for painted wood: numerical modelling and direct tracing of the fatigue damage / L. Bratasz, R. Kozlowski [et al.] -- América Tropical: cultural identity, controversy and conservation of a mural / L. Rainer -- An unusual glazing technique on a Portuguese panel painting from the second half of the 16th century: materials, technique and reconstructions / H.P. de Melo [et al.] -- Analysis and conservation treatment of Vietnamese paintings / B. Ebert, S.M. Armstrong [et al.] -- Another red Haring? / A. Thorn -- Approche pragmatique de la conservation préventive : l’accompagnement à la conception lumière de l’exposition Madeleine Vionnet au musée des arts décoratifs à Paris du 1er août 2009 au 1er février 2010 / J.-J. Ezrati -- Archaeological ceramics: comparative study of the initial effectiveness of two consolidants – acrylic polymer and ethyl silicate / M.M. Santos, A.M. Lima, M.A. Dionísio -- Assessment of the state of preservation of the wreck of the Belgica: implications for in situ preservation and conservation of waterlogged archaeological wood in marine environments / D. Gregory, P. Jensen, K. Strætkvern -- Back to transparency, back to life: research into the restoration of broken transparent unsaturated polyester and poly(methyl methacrylate) works of art / A. Laganá, T. van Oosten -- Backing boards and glazing on paintings: their damping capacity in relation to shock impact and vibration / N. Bäschlin, M. Läuchli [et al.] -- Between material conservation and identity preservation – the (sacred) life of medieval liturgical books / I. Correia -- Biodeterioration of tiles from Pena National Palace (Portugal). First step: identification of fungal community / M.L. Coutinho, A. Phillips [et al.] -- Bridging controversy: the contribution of an international commission of experts to the 1950–51 study and treatment of Van Eyck’s Ghent Altarpiece / H. Dubois, A. van Grevenstein-Kruse -- Bright ideas: exploring ways to document Dan Flavin’s Fluorescent Light / F. Esmay, T. Learner [et al.] -- Building Capacity for Safeguarding Sounds and Images / S. Franco Arce, A. Tandon [et al.] -- Can dispersed and migrated arsenic from degraded pigments in paintings be a marker for water-linked transport processes? / K. Keune
  • J.J. Boon -- Candido Portinari: materials and techniques of a Brazilian modern painter – part I / A. Rosado, L.A.C. Souza [et al.] -- Caracterización de la goma arábiga y estudio de los cambios inducidos por envejecimiento artificial / M.E. Castillo-Valdivia, A. López-Montes [et al.] -- Case study of the effectiveness of removal of arsenic from textiles prior to exhibit / R.T. Hewett -- CCI Lining Project: testing of lined model paintings from fractions of a second to decades / D.D. Hartin, E. Hagan, S. Michalski, M. Choquette -- Characterisation of surface whitening in 20th century European paintings at Dudmaston Hall, United Kingdom / L. Hinde, K.J. van den Berg [et al.] -- Characterization and conservation of a gun carriage excavated from the 17th-century Stirling Castle shipwreck / K. Tran, N. Boumlil [et al.] -- Characterization and conservation of an early 19th-century Nativity scene / T. Dias, E. Murta [et al.] -- Chemical and physical characterisation of degraded Baltic amber and applied conservation materials / L.M. Di Stefano, Y. Shashoua -- Chiaro scuro technique in Portuguese mural paintings / P.A.R. Monteiro -- Chinese export lacquerware: characterization of a group of Canton lacquer pieces from the 18th and 19th centuries / M.J. Petisca, J.C. Frade [et al.] -- Chromatic changes on the wall paintings in Sanderum Church (Denmark) / I. Brajer, M.C. Christensen -- Cleaning classical Persian carpets with silk and precious metal thread: conservation and ethical considerations / J.C. Frade, P. Cruz, E. Lopes [et al.] -- Collections benchmarking for success: prioritising the work of the collections care team using a risk, time and cost matrix / D. Cane, S. Cane [et al.] -- Collections Management: its value as a unifying concept / V.M. Bullock -- Collections risk assessment at the Denver Museum of Nature & Science / J.A. Southward, H.H. Thorwald [et al.] -- Common senses: the conservator’s role in helping to maintain multi-sensory access to objects for an ageing population / E. Graves -- Computational simulation of environmental conditions applied to preventive conservation of movable cultural properties in Minas Gerais, Brazil / W.B. Gonçalves, L.A.C. Souza -- Concept, design and development of anoxic frames for display at Tate / A. Heath, J.H. Townsend [et al.] -- Connecting conservation education to academic, public, and allied communities / J.J. Gutierrez, J.D.J. Wickens, D.H. Norris -- Conservación de libros para niños / E. Brandão -- Conservación y restauración de una maqueta de hojalata del altar mayor de la Colegiata de Xàtiva (Valencia) / C. Pérez García, M.L. Flores Madrona [et al.] -- Conservation et restauration de l’entité matérielle des fresques de l’église Saint-Sauveur à Prizren-Kossovo par nano-consolidation. Un projet sous l’égide de Patrimoine Sans Frontières / A. Chevalier, P. Baglioni [et al.] -- Conservation of Instalação 191093, parte 1: documenting material and intangible features / A. Rocha, R. Macedo [et al.] -- Conservation of materials and resources / R.E. Cull -- Conservation of Sogdian wall painting fragments in the collection of the National Museum of Antiquities of Tajikistan: a new approach to the conservation and mounting of excavated earthen wall painting fragments / A. Matsuoka, Y. Shimadzu [et al.] -- Conservation of the Boulle furniture from the Musée du Louvre: a study of materials and techniques, a survey and validation of conservation treatments / A. Mathieu-Daudé, M.-A. Paulin [et al.] -- Contemporary art – market versus conservation: the drafting of an authenticity certificate for the cultural, commercial and legal classification of contemporary art / M. Pugliese, B. Ferriani [et al.] -- Contemporary murals conservation in Thai and Sri Lankan Buddhist monasteries: some thoughts on culturally integrated conservation policies / B. Byer Bayle -- Creating environments for learning / K. Similä -- Cultural identity, conservation approaches, and dissemination: conserving the wall paintings of Nagaur Fort, Rajasthan, India / C. Martin de Fonjaudran, S. Tringham [et al.] -- Cultural stability in an unstable environment: the waka of Te ana a maru / A. Thorn -- De la restauration des peintures comme référence à une approche diversifiée. Esquisse d’une déontologie concernant les techniques qui se situent à la limite de la peinture et des arts graphiques / N. Coural, C. Gerin-Pierre -- DECAGRAPH: early detection of biological and chemical contaminants of paper based cultural heritage / T.P. Nguyen, C. Laffont [et al.] -- Des produits certifiés pour le marquage des biens culturels / M. Dubus
  • A. Saïd -- Design of a vibration damping system for sculpture pedestals: an integral object-based approach / W. Wei, N. Krumperman, N. Delissen -- Developing a computer-based management system for monitoring change to Inside Australia (Antony Gormley, 2003) / A. Cummins, A. Thorn, D. Graves -- Developing a high-level risk assessment tool for heritage assets / S. Cane, D. Slarke [et al.] -- Development of portable microfading spectrometers for measurement of light sensitivity of materials / H. Liang, R. Lange [et al.] -- Displaced cultural property from Afghanistan: conservation and a new mounting system using TWF (Triaxial Woven Fabrics) for looted wall painting fragments from Bamiyan / T. Kijima, F. Suzukamo [et al.] -- Dress to impress: reinstating the patterned velvet of large scale bed hangings with digitally printed nylon net / M. Takami, B. Roberts -- Educating the conservator-restorer. Evaluating education delivery in terms of the new ECCO Competence Framework for access to the Profession – The Oslo University case study / J. Hutchings -- Effects of light on silver tarnishing / D. Thickett -- Eighteenth-century lacquer art in Paris: green japanned panels from a Chinese cabinet in the Duke of Richelieu’s townhouse / A.-S. Le Hô, E. Ravaud [et al.] -- El grado de conservación y restauración de bienes culturales de la Universidad de Granada: una legitimación necesaria desde la formación y la investigación universitaria / A. García-Bueno, T. Espejo [et al.] -- El proceso de recuperación de un conjunto de tablas policromadas del siglo XV halladas en un contexto arqueológico en Alcózar (Soria). Nuevos retos metodológicos para la conservación / C. Gómez González, M. Barrera del Barrio -- Eliseu Visconti’s monumental marouflage wall paintings: conservation, context, and technical examination / E. Motta Jr., C.V. Teixeira [et al.] -- Engaging the public in their cultural heritage: the Attingham Re-discovered project / S. Kay, C. Hughes -- Envers une stratégie de conservation pour œuvres éphémères : entre le matériel et le conceptuel / J. Gilman, D. Van Gogh [et al.] -- ‘EthCon’ – teaching ethics in conservation of ethnographic objects / C. Brune, H. Häyhä -- Étude d’un corpus d’icônes datées des XVe et XVIe siècles conservées au musée de l’Institute of Ethiopian Studies, Université d’Addis Abeba, Éthiopie / S. Mirabaud, M. Miguirditchian, C. Bosc-Tiessé -- Étude et restauration d’un objet exceptionnel : une corne en verre d’époque carolingienne / M. Bailly, I. Biron, E. Monteil -- European coated papers, 1850–1975: their identification for conservation purposes / L.C.P. Loureiro, M. Sandy [et al.] -- Evaluating the feasibility of recycling storage alcohols with HS-GC-MS / J. Giaccai, W.G. Keel [et al.] -- Evaluation of cleaning and chemical stabilization of paper treated with a rigid hydrogel of gellan gum by means of chemical and physical analyses / L. Botti, A. Corazza [et al.] -- Evolved gas analysis as a tool for characterizing plastics / M.R. Schilling, T. Learner -- Examination of ceramic vessels from the Ban Chiang culture in the collection of the Arthur M. Sackler Gallery / K. Koss, E.S. Chase, B. McCarthy -- Félix Bracquemond, La Lecture de la Bible (1851), Paris, musée du Louvre, fonds Orsay: la restauration d’une œuvre sur papier de technique complexe / N. Coural, M. Cailleteau [et al.] -- Filling materials for easel paintings: current formulations, traditional concerns / L. Fuster-López, A. Murray [et al.] -- Fire! A twofold risk for textile art. An investigation into the consequences of flame retardant treatments / M. Bergstrand, K.H. Degerblad [et al.] -- Folklore, textiles and conservation. An approach to the consolidation of Manila and Valencian embroidered silk shawls / S. Vicente-Palomino, N. Arbues-Fandos [et al.] -- Fungal presence in archival settings: assessment using classic culturing and molecular biology methods / A.C. Pinheiro, V. Jurado [et al.] -- G.F. Watts’ distemper technique in Italy: a study and conservation of King Alfred Inciting the Saxons to Prevent the Landing of the Danes / E. Guerreiro, R. Ellison, R. Pelter -- Henry VIII’s tapestries revealed / R. Perkins, H. Owens [et al.] -- Heritage collections at risk – English heritage collections risk and condition audit / A. Xavier-Rowe, C. Fry -- Historical restoration recipes: the cleaning of oil paintings 1600–1900 / M. Stols-Witlox -- Holy Family: an aesthetic and methodological dilemma / E. Murta, M. Portela, N. Escobar -- Identification of animal species in skin clothing from museum collections / A.L. Schmidt, M.T.P. Gilbert [et al.] -- Identifying plant material used in Kakahu / E. Girvan, D.J. Carr [et al.] -- Identité, nation et patrimoine culturel. Perspectives sociologiques pour la conservation-restauration / A. Vega Cardenas -- ILKAR: current research towards the assessment of the conservation state of magnetic tapes in archives / E. Gómez-Sánchez, M. Mengel [et al.] -- Implementation of the Movable Cultural Objects Conservation-Restoration course (bachelor degree) at the Fine Arts School in Federal University of Minas Gerais – Brazil / M.R.E. Quites, B.R. Veloso -- In search of van Mander’s primuersel: intermediate layers in early Netherlandish paintings / A. Vandivere -- Indigenous collections and issues around digital access – objects from the Pacific / M. Jackson, P. Coughlin, V. Daniel -- Indigotin in archaeological textiles from wet or waterlogged environments / A.B. Scharff, M.G. Ringgaard -- Influencias ibéricas en la terminología de los materiales: breves apuntes / V.H. Antunes -- Interdisciplinary investigation of early house paints: Picasso, Picabia and their “Ripolin” paintings – revision1 / K. Muir, G. Gautier [et al.] -- Intra-surveyor bias in collection condition surveys / J. Taylor -- Investigation of non-aqueous remedial treatments for iron-tannate dyed textiles / H. Wilson, P. Cruickshank [et al.] -- Investigation of the loss of colour in smalt on degradation in paintings using multiple spectroscopic analytical techniques / L. Robinet, M. Spring, S. Pagès Camagna -- Investigations and diagnosis on archaeological metal artifacts using LIBS technique for in-situ campaigns / M. Simileanu, R. Radvan -- Ionic liquids for medieval stained glass cleaning: a new frontier / A. Machado, P. Redol [et al.] -- Jean-Gabriel Goulinat, chef de l’atelier de restauration des peintures des musées nationaux (1935–1971) / I. Cabillic -- Joining broken wax fragments: testing tensile strength of adhesives for fragile and non-polar substrates / A. Fischer, M. Eska -- Journeys of our ancestors: interdisciplinary research and its influence on conservation methodologies for the assessment of archaeological artifacts / C.R. O’Grady, N. Odegaard, E.C. Adams -- La colección de negativos de Ruth Matilda Anderson en la Hispanic Society of America en Nueva York. Estudio y plan de preservación / R. Herrera -- La conservación de documentos fotográficos – las impresiones fotográficas de papel albuminado no pegadas sobre tarjetas / J. Spinelli Junior -- La conservation des pièces en ivoire dans les musées : étude de cas par une approche multi-analytique sans prélèvement / I. Reiche, D. Large, K. Müller -- La décongélation d’un ouvrage inondé sans lyophilisation / T. Basset, M. Draïs -- La Serie Jerónima de Zurbarán en el Monasterio de Guadalupe (Cáceres). Estudio de sus restauraciones / R. Bruquetas Galán [et al.] -- Las ciencias experimentales como herramienta para la conservación de las murallas de Cartagena de Indias, Colombia / J. Barón Vélez, D. Cohen Daza [et al.] -- Le globe céleste de Schissler : enjeux d’histoire des sciences et de préservation du patrimoine / S. Gessner, A.M.M. e Carmo -- Le Retable Miraflores peint par Juan de Flandes en 1496–1499 : une œuvre atypique / L. Depuydt- Elbaum, F. Rosier -- Leather figures at Lytes Cary Manor, the National Trust, UK / T. Sturge -- Les Funérailles de Sarah de Judith Bartolani du musée d’Art et d’Histoire du Judaïsme (Paris) : le respect d’une intervention postérieure de l’artiste / N. Coural, M. Cailleteau -- Lifetime of chromogenic colour photographs in mixed archival collections / A. Fenech, M. Strlic [et al.] -- Light-fastness of autochrome color screen filters under anoxic conditions / L. Casella, M. Tsukada, N. Kennedy -- Lighting guidelines and the lightfastness of Australian indigenous objects at the National Museum of Australia / B. Ford, N. Smith -- Liquefying oil paint: contemporary paintings in danger? / J. Schulz -- Lost walls/murals rebuilt: interdisciplinary approaches to the conservation of Preclassic Maya wall paintings from San Bartolo, Guatemala / C.R. O’Grady, H. Hurst -- L’étude technique et la restauration de deux œuvres d’Auguste Rodin en plâtre et pâte à modeler / H. Bluzat, A. Cascio, G. Mary -- Martin Kippenberger’s Installation Der Weissen Bilder (1991) – creation, curation, conservation / R. Hellen -- Materials and techniques in viceregal paintings and sculpture in Lima – 16th and 17th centuries / R. Bruquetas Galán, A. Carrassón López de Letona [et al.] -- Materials and techniques used in polychrome and gilded decorative plasterwork from the Arabian Room of the Palácio da Bolsa (Oporto, Portugal) / P.M.M. de Carvalho, F. Rocha, J. Coroado -- Mobiliario dorado del Museu da Baronesa, Pelotas, RS: concepto y prácticas de restauración / A.L. Bachettini, K.C. Scolari [et al.] -- Monitoring and modelling the storage environment at The National Archives, United Kingdom / S.H. Hong, M. Strlic [et al.] -- Monitoring Spiral Jetty: Aerial Balloon Photography / R. Eppich, F. Esmay, T. Learner, A. Tang -- Negative effects of aqueous rinsing of archaeological textiles / M.G. Ringgaard -- New approaches to surface cleaning of contemporary unvarnished oil paintings – moist sponges and cloths / B.V. Mendes, K.J. van den Berg [et al.] -- New synergies for research in conservation/restoration: the European Charisma initiative / B.G. Brunetti -- Non-destructive condition assessment of painting canvases using near infrared spectroscopy / M. Oriola, G. Campo [et al.] -- Non-destructive testing of silk: problems and possibilities / N. Luxford, D. Thickett, P. Wyeth -- Non-invasive color restoration of faded paintings using light from a digital projector / S. Cuellar, J. Stenger [et al.] -- On-site categorisation and condition assessment of silks in textile collections / P. Garside, S. Howard [et al.] -- Optimisation of the quality control of cellulosic materials used for the conservation and storage of paper-based cultural heritage, based on the emissions of volatiles / T.P. Nguyen, E. le Bourg [et al.] -- Penetrável Magic Square No. 5, De Luxe: complexities and challenges involved in the conservation of a contemporary artwork / A.C.A. Cordeiro, C.L. de França [et al.] -- Pérennité pour les écoles de formation dans le domaine de la conservation : étude de cas de l’École du Patrimoine Africain (EPA) pour définir des stratégies à adopter / F. Lamy-Joly, B.F. Keita -- Please mind the step! Material and technical study of an 18th-century footpace from São Roque Church, Lisbon / T. Dias, L. Esteves, M. Cavaco -- Pleasing the Orishas: the conservation of African ritual costumes at Salvador, Brazil / T.C.T. de Paula, M.N.B. da Cunha, G.P. Klüppel -- Polymer conservation treatments for stained glass in the Burrell Collection, Glasgow: an assessment of 25 years of natural aging / N.H. Tennent -- POPART: an international research project on the preservation of polymer artefacts in museums / B. Lavédrine -- Pre-Columbian gold from Panama: historic collecting practices and conservation treatments / A.C. Harrison, E. Kaplan -- Predicting risks to artefacts from indoor climates / B. Pretzel -- Preparing for the conservation treatment of foam roses from a Bulgarian headdress: testing the consolidation of polyurethane-ether foam / C. Ward, M. Hacke, N. Rode -- Presence of indigo in the paint layers of gilt and painted leather artefacts / M. Ioele, A.V. Jervis [et al.] -- Protein identification in artworks by peptide mass fingerprinting / D.P. Kirby, N. Khandekar [et al.] -- Purpura and proto-changeant: the earliest representations of shot silk fabrics / M. Clarke, A. Vandivere -- Re-examining conservation precepts; implications for conservation education / M. Scott, C. Smith -- RE-ORG – A new tool for museum storage reorganization: a cross-cultural initiative / S. Lambert, A. Nikolic [et al.] -- Reassessment of anoxic storage of ethnographic rubber objects / J. Dyer, C. Ward [et al.] -- Recognizing the interdependent relationship between heritage and its wider context / S. Court, J. Thompson, C. Biggi -- Recovering from destruction: the conservation, reintegration and perceptual analysis of a flood-damaged painting by John Martin / S. Maisey, P. Smithen [et al.] -- Recreating artifacts for a better understanding of their historical and technological context: example of a 12th century candlestick from the V&A Museum collection / C.V. Wesolowska, S. Seavers -- Reflections on a biographical approach to contemporary art conservation / R. van de Vall, H. Hölling [et al.] -- Reflections on decision-making in conservation / J. Henderson -- Reflective practice in conservation education / P. Manti, J. Henderson, D. Watkinson -- RemolacherosDeAznárez.uy / G. Morales Larraya -- Research for preventive conservation and optimal presentation of world heritage in Museum Plantin-Moretus, Antwerp / V. Kontozova [et al.] -- Research study on support materials and adhesives for the restoration of gilt leather: first results / S. Iafrate, M. Andreano [et al.] -- Restauración de una escultura de bronce: busto de D. José Ibáñez Marín / C. Pérez García, I. Martínez Lázaro [et al.] -- Restoration or reconstruction? Towards a conservation approach for ‘Arte Povera’ Installations, based on the art process and the artist’s intent / L. Beerkens, S. Weerdenburg -- Reviewing Uganda’s heritage legislation to suit contemporary dynamics / S.F. Nsibambi -- Revisión crítica de algunos materiales poliméricos utilizados en contacto con los bienes del patrimonio cultural / M. Gómez, M. San Andrés [et al.] -- Sacrifice by André Masson: technical study before conservation / N. Balcar, J. Langlois -- Safflower (Carthamus tinctorius L.) used as dye, pigment and rouge in China: modern laboratory preparations developed by critical interpretation of ancient texts / J. Wouters, C.M. Grzywacz, A. Claro -- Sharing knowledge / F. Fekrsanati, G. Scott [et al.] -- Shot and dropped: the conservation of a Niki de Saint Phalle Shooting Picture / S. De Bernardis, J.H. Townsend [et al.] -- Smart conservation – targeting controlled environments to improve sustainability / D. Thickett, L. Cséfalvayová, M. Strlic -- Soot removal from acrylic emulsion paint test panels: a study of dry and non-contact cleaning / J.-s. Tsang, S. Babo -- Specimen fixation without formalin in natural history collections: utopia or reality? / A. Péquignot, E. Sarot [et al.] -- Strain monitoring of tapestries: results of a three-year research project / F. Lennard, D. Eastop [et al.] -- Strategies for conservation of historical renderings. Factors and decision criteria / M. do R. Veiga, M. Tavares, M. Menezes -- Strategies for the conservation of cellulose acetate artworks – a case study of two plastic books / A. Cudell [et al.] -- Stripped and grained wooden church furniture: an admired and later disliked 19th-century brown colour appearance in church interiors / K. Vestergaard Kristiansen -- Studies of modelling materials used in Auguste Rodin’s studio / J. Langlois, Y. Vandenberghe, N. Balcar, M. Cotte -- Studies on the protection of Portuguese ceramic tiles / T.P. Santos
  • A.P. Carvalho
  • M.F. Vaz -- Study and application methodology of cyclododecane used in interventions on stone sculptures and ornaments / X. Mas-Barberà, S. Kröner [et al.] -- Study of an 18th-century Chinese wallpaper / R. Castro, M.J. Melo [et al.] -- Study of the mechanism of formation of calcium soaps in an early 20th-century easel painting with correlative 2D and 3D microscopy / E.S.B. Ferreira [et al.] -- Study on the application of heat set adhesives in conservation of tracing paper / C. Gonçalves, A.M. Ramos -- Surface micro-roughness, cleaning, and perception / W. Wei -- Taking the ancestors on a visit: the role of conservators in reconnecting a collection of historic Blackfoot shirts with the community / H. Richardson -- Technical examination of several portable Chinese Buddhist paintings from the Mogao Caves / E.R. Mysak, K. Eremin [et al.] -- Technical investigation of Rembrandt and/or studio, Saul and David, c. 1660 from the collection of the Mauritshuis / P. Noble, A. van Loon [et al.] -- Temple of the Oracle Dorje Chenmo at Shey (Ladakh, India). Developing methodology for the conservation of living religious and cultural sites / S. Dhar -- Testing the performance of a traditional Chinese adhesive for the conservation of Qing dynasty painted architectural decoration at Shuxiang Temple, Chengde / L. Wong, B. Bicer-Simsir [et al.] -- The behaviour of books in changing environmental conditions and the implications for collection storage / P. Garside, B. Knight -- The climate in pastel microclimate cardboard boxes when exposed to fluctuating climates / B. Ankersmit [et al.] -- The composition of plaster casts / L. Megens, I. Joosten [et al.] -- The conservation of an early gut skin sail from the Hudson Strait / K. Jackson, H. Richardson -- The conservation of baby incubators: a balance between medical heritage and social history / I. Tissot, M. Lemos [et al.] -- The conservation of cultural heritage as a factor in economic development and national sovereignty: case studies of Hellenic conservation programs in Hama (Syria) / S. Chlouveraki [et al.] -- The conservation of polychrome wood sculpture in the United States: an historical overview, 1870–1970 / L. Kargère, M. Marincola -- The conservation of the Chinese map of the world by Matteo Ricci: journeys between East and West / U. Landwehr, C. Schuster, E. Zeilinger -- The conservation of the statue of Christ the Redeemer, Rio de Janeiro, 2010 / M.D. Braga -- The consolidation of mechanically destroyed enamel decoration on copper and its alloys / A. Tomaszewska, A. Tomaszewska-Szewczyk -- The darkness of The nocturnal conspiracy of Claudius Civilis by Govert Flinck and Jürgen Ovens (1659 and 1662) in the Royal Palace Amsterdam / E. Froment, M. van Eikema Hommes [et al.] -- The development of an online methodology for interdisciplinary collaborative research: Investigations of dispersed paintings by the Master of the Fogg Pietà – Maestro di Figline / A. Nevin, A. Burnstock [et al.] -- The effect of excimer laser irradiation on selected pigments used in the 19th century / R. Bordalo, P.J. Morais [et al.] -- The emergence and spread of “Chemistry in Art” undergraduate courses in United States universities / E.S. Uffelman -- The Évora Inquisition Banner – historic and scientific study behind its restoration / C. Dias, L. Tobias [et al.] -- The influence of urban air pollution in archives / M. Ryhl-Svendsen -- The Kanota Collection: a collaborative project between family stakeholders and Indian and UK conservators / E. Schmuecker, V. Singh [et al.] -- The LA look from start to finish: materials, processes and conservation of works by the Finish Fetish Artists / R. Rivenc, E. Richardson, T. Learner -- The moisture equilibrium in Kippinge Church, Denmark / P.K. Larsen -- The Moorish hall of the former Diamant-Palace (1905) in Brussels / W. Wailliez [et al.] -- The mural by Joan Miró at Barcelona Airport: conservation issues about a monumental work of art / A. Gall Ortlik, G. Bussienne, P. Maynés -- The preservation of Maori textiles: collaboration, research and cultural meaning / C. Smith, K. Te Kanawa, M. White -- The QALY in collection care – a cost effectiveness approach to collection management / A.E. Bülow, A.W. Brokerhof -- The Rembrandt Database: an inter-institutional research resource for art-historical, technical and conservation documentation / W. Donkersloot [et al.] -- The Renaissance set of twelve terracotta coloured and gilded bas-relief that represent Christ Passion – study and intervention / A. Mendes, R. Triães, J. Coroado, F. Rocha -- The research project: “Materials and painting techniques of painters from the north of Portugal” / A. Calvo, M.C.M.L.P.L. Aguiar -- The restorer’s visual conception – a changing process. A Portuguese case / V.H. Antunes, A.M. Cardoso, A. Fryxell -- The role of conservation in increasing awareness of Jamaican lacebark / E. Brennan -- The role of conservation in the preservation of the authenticity of furniture / S. Auffret -- The shadows by Lourdes Castro: a conservation study of PMMA in the 21st century / J.L. Ferreira, M.J. Melo, M.J. Ávila, A.M. Ramos -- The stars align: preservation of the Zodiac Cycle Murals at the Stanton Street Shul / R. Keppler, S. Barack [et al.] -- The Tibães terracotta sculptures by the Lay Brother Cipriano da Cruz / A. Le Gac [et al.] -- The treatment of a polyurethane rigid foam floor piece by Ger van Elk: a study in the conservation of plastics / E. Snijders, S. Weerdenburg, R. Timmermans -- The yellowing/bleaching behaviour of oil paint: further investigations into significant colour change in response to dark storage followed by light exposure / J.H. Townsend, L. Carlyle [et al.] -- Theft in museums in the Netherlands – facts and figures to support collection risk management / M.F.J. Peek -- Three dimensional studies of glass alteration layers / S. Fearn, K. Eremin [et al.] -- Through a glass darkly: an investigation of problems observed with display case glass / H. Ganiaris [et al.] -- Tinplate as a support for 19th century oil paintings by Francisco José Resende – choice and consequence / R. Veiga, A. Calvo -- To err is human: understanding and sharing mistakes in conservation practice / M. Marincola, S. Maisey -- To give without discrimination: Her Majesty Queen Sirikit’s 40-year effort to preserve Thai textile traditions / J.M. Brennan, P. Saengsirikulchai, P. Pochoom -- To preserve the impossible – the protection and conservation of contemporary art using the example of installations / M. Jadzinska -- Treatment of Claes Oldenburg’s Ice Bag–Scale C, an interdisciplinary approach / E.E. Nagy [et al.] -- Treatment triage: the conservation of a portable Sudanese architectural element, Te Saqwit, 2000–2009 / C. Giuntini, E. Enard, I. Rodrigues -- Tuning voices from different professions. Interdisciplinary dialogue around the Sarcophagus of Frederick II in Palermo (Italy) / R. Varoli-Piazza [et al.] -- Two painted works of art on diverse supports – adopting paintings conservation methods and materials in specific cases / T. Ruuben, N. Robbins -- Two treatment approaches to one Dutch militia group portrait / M. te Marvelde [et al.] -- Ultra-low-energy museum storage / M. Ryhl-Svendsen, L.A. Jensen [et al.] -- Un logiciel d’images animées au profit de la conservation d’un bureau mécanique / F. Leblanc, B. Moignard -- Une base de données pour améliorer la conservation des œuvres contemporaines conservées dans les lycées en région Rhône-Alpes. Un projet expérimental et formatif / S. Moreaux, N. Broers -- Using decision diagrams to explore, document, and teach treatment decisions, with an example of their application to a difficult painting consolidation treatment / S. Michalski, M. Rossi-Doria -- Valuation of museum collections in Estonia: impact on conservation practice / K. Sibul, K. Konsa -- ‘Weeping sculptures’: research into the degradation and conservation of works of art from the Stage Evidence series by Loris Cecchini / M. Palmeira, A. Laganá, T. van Oosten -- What do you see there? Dialogue between art historians, conservators and scientists / R. Varoli-Piazza, L. Rissotto [et al.] -- When glass and metal corrode together, III: the formation of dicoppertrihydroxyformate / G. Eggert [et al.] -- White hazes and surface crusts in Rembrandt’s Homer and related paintings / A. van Loon, P. Noble, J.J. Boon -- Wiping away the dirt – a safe option for plastics? / Y. Shashoua [et al.] -- Working in platinum: Gertrude Käsebier / T.M. Vo, D.C. Stulik -- ‘Worth a hundred Milibands’. Conservation’s role in embracing cultural identity at the V&A / S. Smith, A. Bancroft -- Yellows and blues: re-examination of Vermeer forgeries / A. Wallert, M. van de Laar
  • Text in English, French, or Spanish
Autres titres
ICOM-CC preprints
Langue
  • French = Français
  • Spanish = Espagnol
  • English = Anglais
Sujet
  • Art objects - Conservation and restoration - Congresses
  • Art - Conservation and restoration - Congresses
  • Museum conservation methods - Congresses
  • Cultural property - Protection
  • Objets d'art - Conservation et restauration - Congrès
  • Art - Conservation et restauration - Congrès
  • Musées - Méthodes de conservation - Congrès
  • Patrimoine culturel - Protection
ISBN/ISSN
9789899752207
Lien au document en anglais
http://icom-cc-publications-online.org/PublicationList.aspx?search=&wg=0&vy=Lisbon+2011&t=0&page=1
Pays
France
Type de document
CD-ROM
Localisation
N 8560 I53 2011 CD-ROM
Clé
16818
Collection
Catalogue
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