Notice catalographique « Vibratory impacts of music and transport on museum collections : research questionnaire findings »
- Titre
- Vibratory impacts of music and transport on museum collections : research questionnaire findings
- Auteur ou éditeur
- Johnson, Arne
- Higgitt, Catherine
- Wei, W. (Bill)
- Henson, Peter
- Galikowski, Tomasz
- Ryan, Mark
- Brown, JP
- Wiss, Janney, Elster (WJE) Associates, Inc.
- Lieu de publication
- Northbrook, IL
- Maison d'édition
- Wiss, Janney, Elster (WJE) Associates, Inc.
- Date de publication
- 2022
- Collation
- 66 pages : illustrations (chiefly colour) ; 28 cm
- Résumé
- [This report was] released by the international research group who developed and issued the research questionnaire in 2020 prior to the pandemic. The questionnaire was circulated by several museum-related organizations, including the Association of Registrars and Collections Specialists, American Institute for Conservation, International Institute for Conservation, The Institute of Conservation, and International Council of Museums - Committee for Conservation working groups.
- More than 150 respondents from 138 institutions around the world, including many of the most prominent museums in the U.S. and Europe, participated by providing detailed information about their current practices and experiences with vibrations of their collections during musical events and transport of objects.
- The lead member of the research group, WJE Principal and structural engineer Arne Johnson said, "For the first time, we have real-life data on the vibratory effects that museums around the world are observing during musical events and transport. This information is invaluable to inform additional research into these current topics and to develop the practical guidelines that museums need to protect their collections.”
- Nearly all of the respondents indicated that they allow music to be played adjacent to their collections. Two-thirds of those who allow music reported having seen effects on the collections, which are categorized and analyzed in the report. Roughly an equal share reported having and not having any operational restrictions or noise/vibration limits, with the vast majority of those using a general volume limit or decibel limit. However, the likelihood of observing effects on the collections did not appear to be correlated with whether an institution has a decibel limit or what the magnitude of that decibel limit is.
- The report features “spotlights” on five prominent museums who gave permission to share their detailed responses about their practices and experiences with musical events.
- Just over half of the respondents reported having observed damage attributed to shock or vibration during transport, but such occurrences are relatively rare. The damage reported was usually minor, but in a few cases more severe damage has been detected. The damage descriptions that respondents shared are listed and categorized in the report. About one-third of respondents reported using data loggers in some of their shipments. Over thirty different makes and models of devices being used are listed in the report. Only approximately fifteen percent of those who responded have quantitative limits on shock and vibration during transport, and those limits varied. The specific responses regarding data collected and damaged observed from transport are included for numerous museums who gave their permission.
- Langue
- English = Anglais
- Sujet
- Museum conservation methods
- Cultural property - Protection
- Art objects - Conservation and restoration
- Musées - Méthodes de conservation
- Biens culturels - Protection
- Objets d'art - Conservation et restauration
- Lien au document en anglais
- https://www.wje.com/news/detail/research-vibratory-impacts-of-music-and-transport-on-museum-collections
- Pays
- United States
- Type de document
- Monograph = Monographie
- Localisation
- AM 141 J64 2022
- Clé
- 19686
- Collection
- Catalogue