Notice catalographique « ICOM Committee for Conservation, ICOM-CC, 17th Triennial Meeting, Melbourne, Australia, 15-19 September 2014 : preprints »

• ICOM Committee for Conservation
• Comité de l'ICOM pour la conservation

ART TECHNOLOGICAL SOURCE RESEARCH

PAPERS

PAGE 3-10
Kokkori, Maria: A complete study of early 20th century oil-based enamel paints: Integrating industrial technical literature and analytical data.

PAGE 11-18
Ravaud, Elisabeth: Study of a pre-primed canvas booklet of the end of the 19th Century from Binant color merchant in Paris.

POSTERS

PAGE 19
Reifsnyder, Joan: Scagliola: Enrico Hugford and Vallombrosan Monastery Recipes.

PAGE 20
Dredge, Paula: The history of brass, copper and aluminum metallic paints and their use by Australian artists from the late 19th century to mid twentieth century.

DOCUMENTATION

PAPERS

PAGE 21-30
Heydenreich, Gunnar: The Cranach Digital Archive: Objectives and opportunities for interdisciplinary and inter-institutional research resources.

PAGE 31-38
Padfield, Joseph: Making complex documentation simpler: Combining existing resources with Mediawiki to provide a flexible documentation platform.

PAGE 39-44
Richard, Mervin: ConservationSpace: A Digital Approach to Conservation Documentation.


POSTERS

PAGE 45
Olukole, Titilayo: Geographic Information Systems Database of Museums in Southwestern Nigeria: Conservation and Management and Tourism Potential.

PAGE 46
Pillay, Ruven: 3D-Coform: Advancing the State of the Art in 3D Documentation for Conservation and Restoration.

PAGE 47
Scicolone, Giovanna: Condition report and web - the opportunities of an interactive documentation.

EDUCATION AND TRAINING IN CONSERVATION

PAPERS

PAGE 50-57
Antomarchi, Catherine: ‘Reducing risks to cultural heritage’: Analysis of a course metamorphosis.

PAGE 58-65
Brown, Jacinta: Cultural preservation and promotion: Community conservation mentoring in Luang Prabang, Lao PDR.

PAGE 66-73
Sloggett, Robyn: Conservation and the production of shared knowledge.

PAGE 74-84
Henderson, Jane: Do methods of assessment accurately reflect the priorities of conservation teaching?

PAGE 85-92
Johnson, Jessica: Collaboration, Sustainability, and Reconciliation: Teaching Cultural Heritage Preservation and Management in Iraq.

PAGE 93-100
Kaminitz, Marian: Place-Based Learning: Conservation Education In Community.

PAGE 101-108
Odegaard, Nancy: Professional Education for Afghan Cultural Heritage Faculty.

PAGE 109-117
Scott, Marcelle: Defining the discipline of cultural materials conservation: Professional and pedagogical opportunities.

PAGE 118-124
Tandon, Aparna: Culture Cannot Wait: International and National Courses on First Aid to Cultural Heritage in Times of Conflict.

PAGE 125-132
Uffelman, Erich: A New Three Legged Stool: Research and Educational Ventures Between the Frans Hals Museum, Stichting Restauratie Atelier Limburg, and Washington and Lee University.

PAGE 133-138
Walsh, Michael: Famagusta: Conservation, Visualization, Education, Reconciliation.

POSTERS

PAGE 139
Peacock, Elizabeth E: ‘Common platform’ courses promote conservation.

PAGE 140
Salazar-Walsh, Megan: Building a Community of Emerging Conservation Professionals.

PAGE 141
Schaefer, Katarzyna: “Shipwreck Conservation Centre and Studio Warehouse in Tczew – construction of a cultural infrastructure branch of The Polish Maritime Museum in Gdansk.”

PAGE 142
Vardy, Sherryn: Promoting conservation through regional and small galleries.

PAGE 143
Wadum, Jorgen: “It felt a little like being let into a secret– “A community-influenced museum exhibition on Technical Art History.

ETHNOGRAPHIC COLLECTIONS

PAPERS

PAGE 145-153
Uden, Jeremy: The Analysis of Pesticide Residues on the Cook-Voyage Collections in the Pitt Rivers Museum, University of Oxford.

PAGE 154-160
Fekrsanati, Farideh: Te Hono Ki Aotearoa - The Link to New Zealand – Kaupapa Waka in the Netherlands.

PAGE 161-168
Jones-Amin, Holly: A protocol for use and preservation of a new traditional possum skin cloak used in University ceremonies.

PAGE 169-177
Madden, Odile: Substituting SPME for Noses in the Detection and Quantification of Mothball Vapors from Textiles in the National Museum of the American Indian Collection.

PAGE 178-184
Odegaard, Nancy: Woven Wonders: Revitalizing Collections and Community Relationship.

PAGE 185-193
Pearlstein, Ellen: Using UV fluorescence to characterize feather deterioration: Correlations between photochemical damage and UV fluorescence of feathers.

PAGE 194-203
Promise, Ellen: Identifying collagen-based materials in a museum laboratory.

PAGE 204-210
Smith, Catherine: Micro-computed tomography; plant identification in artefacts.

POSTERS

PAGE 211
Cordeiro, Amanda. Stitching Values: A Preservation Proposal for the Bolivians Costumes Used in the Corpus Christi and Virgin de Guadalupe Festivities in the Colonial Andes.

PAGE 212
Láznicková-Galetová, Martina: Analysis of the state of preservation and determination of raw material of Palaeolithic mammoth ivory personal ornaments (Dolní Vestonice, Czech Republic) using Micro Computed Tomography.

PAGE 213
Tamura, Misa: Tactile memory reawakened: What evidence of use of a hunting quiver communicates with us about the Ainu delegate of Japan-British Exhibition in 1910.

GLASS AND CERAMICS

PAPERS

PAGE 216-223
Jones-Amin, Holly: Conservation of low fired Caution Bay archaeological ceramics.

PAGE 224-232
Nel, Petronella: Identification of and issues associated with finding polystyrene repairs on archaeological pottery.

PAGE 233-239
Tennent, Norman: The evaluation of zinc hydroxy chloride cement pastes for the conservation of damaged tiles.

PAGE 240-248
Tiennot, Mathilde: Clays, unbaked earth cuneiform tablets and ethyl silicate: Towards an understanding of the consolidation mechanisms.

PAGE 249-256
Ziegler, Julia: Popping stoppers, crumbling coupons - Observations on Oddy testing common cellulose nitrate ceramic adhesives.

POSTERS

PAGE 257
Cherneva, Daniela: Archaeological Glass from a Mound in Pamuklia (Bulgaria), 1-2 century A.D. – Identification, Damage Phenomena and Conservation.

PAGE 258
Eska, Margarete: Size, shape and distribution: Analysing the production of gas bubbles in glass objects by XCT.

GRAPHIC DOCUMENTS

PAPERS

PAGE 261-268
Cannon, Alice: The Age of Animal Glue.

PAGE 269-278
Cannon, Alice: Adhesives for paper labels, 1870-1920.

PAGE 279-285
Coural, Natalie: Survey on Chinese papers preserved in French museums. Elaboration of a French Chinese network. 2013-2014.

PAGE 286-293
Ford, Bruce: Do anoxic display cases protect iron gall inks from light fading? The effect of oxygen concentration and RH on the light fading of iron gall inks.

PAGE 294-299
Garside, Paul: Strengthening the links between conservation analysis and conservation practice at the British Library.

PAGE 300-307
Larsen, Ute Claudia: Working on a grand scale: The conservation of the Mocking of Christ by François Langot.

PAGE 308-314
Odlyha, Marianne: Damage assessment of parchment at the collagen fibril level using atomic force microscopy and mechanical testing at the macro level.

PAGE 315-319
Abdul Razak, Rajabi: The legacy of Indonesia Traditional Ink: Their intensity and durability

PAGE 320-327
Teper, Jennifer Hain: Identifying Materials for Conservation Treatment: New Approaches for Research Library Collections.

POSTERS

PAGE 328
Coural, Natalie: Evaluation of treatments on graphic arts by 3D digital microscope.

PAGE 329
Gombaud, Cécile: Treatment of a large scale pastel on parchment by Jean-Etienne Liotard (1702-1789).

PAGE 330
Lee, Siew Wah: A Conservation Encounter with Modern Balinese Art.

PAGE 331
Okayama, Takayuki: Estimating the extent of deterioration of old book papers by acoustic emission monitoring.

PAGE 332
Tonoyama, Mao: Applicability of the use of electrospun cellulose derivative nano fibers as strengthening agent for paper materials

PAGE 333
Watteeuw, Lieve: Imaging the Topography of Illuminations and Bookbindings with the Minidome (RICH). A 2D+ imaging tool for Art-technical and Conservation Monitoring.

LEATHER AND RELATED MATERIALS

PAPERS

PAGE 335-342
Bonnot-Diconne, Céline: Multi-technique analyses of gilt leather wall-coverings.

PAGE 343-351
Masen, Lisa: Mould Attack! – Assessment of dry cleaning methods for the decontamination of leather.

PAGE 352-359
Watteeuw, Lieve: A 15th century Flemish ‘Closed Garden’ in cuir bouilli. Production, Degradation and Conservation Issues of a small painted Leather Panel.

POSTERS

PAGE 360
Elnaggar, Abdelrazek: The Egyptian Leather Collection in the Metropolitan Museum of Art: Technical Study and Condition Aspects.

LEGAL RESEARCH IN CONSERVATION

PAPERS

PAGE 362-369
Malea, Ekaterini: Fieldwork Research For The Ethics And Practice Ruling The Operation Of Institutional Bodies Hosting Bioart Collections.

PAGE 370-376
Morden, Apryl: Authentication in a legal framework: Methodologies that underscore art authentication in practice.

PAGE 377-383
Souza, Luiz: Legal status of Cultural Heritage Protection in Brazil: The Role of the State Prosecution Office - Building a Strong Society through Conservation.

METALS

PAPERS

PAGE 385-391
Boon, Jaap: Comprehensive studies of patinas on Renaissance bronze statuettes with laboratory, synchrotron and neutron aided techniques.

PAGE 392-399
MacLeod, Ian: In-situ corrosion studies of wrecked WWII aircraft in Saipan, Commonwealth of the Northern Mariana Islands.

PAGE 400-405
MacLeod, Ian: 300 years of decay revealed by Synchrotron analysis of the de Vlamingh 1697 pewter plate.

PAGE 406-418
Nicholas, Matthew: Testing the applicability of hand held portable XRF to the characterisation of archaeological copper alloys.

PAGE 419-425
Privett, Helen: Restoring the Great Melbourne Telescope.

PAGE 426-431
Singh, Vandana: Linking Heritage Conservation with Cultural Revitalization.

PAGE 432-439
Thickett, David: The effect of particulate pollution on the corrosion of metals in heritage locations.

POSTERS

PAGE 440
Saunders, Jill: A cross-cultural investigation into practitioner decisions and public perceptions of cleaning metal objects in the UK and Qatar.

PAGE 441
Ternisien, Virginie: Overview of stabilization treatments for removal of chloride ions from marine iron-wood composite artifacts.

MODERN MATERIALS AND CONTEMPORARY ART

PAPERS

PAGE 443-451
Chavannes, Meta: “I try to keep surfaces as anonymous as possible”. Conservation issues in Richard Serra’s monumental paintstick drawings on canvas.

PAGE 452-459
Giebeler, Julia: Physical originality versus authentic experienceability. Heinz Mack´s light-kinetics as a case study in conservation theory and practice.

PAGE 460-466
Gilman, Julie: The role of science in the presentation and conservation of perishable art with food: Autoportrait by Wim Delvoye.

PAGE 467-475
Laganà, Anna: Looking through plastics. Investigating options for the treatment of scratches and losses in cast unsaturated polyester and polymethylmethacrylate works of art.

PAGE 476-485
Marchant, Roy: Angelic Engineering: The conservation and treatment of Heri Dono’s Flying angels.

PAGE 486-494
Ormsby, Bronwyn: The removal of graffiti ink from Mark Rothko’s Black on Maroon, 1958; a collaborative approach.

PAGE 495-501
Ferriani, Barbara: Bridging the gap – linking conservation strategies in the preservation of our ethno-anthropological heritage and contemporary art.

PAGE 502-509
Rambaldi, Diana: Effect of the Application of a Barrier Coating on the Deterioration of Cellulose Diacetate.

PAGE 510-518
Shashoua, Yvonne: The effectiveness of conservation adsorbents at inhibiting degradation of cellulose acetate.

PAGE 519-526
Townsend, Joyce: Kurt Schwitters’ British sculptures: Materials analysis and assessment of stability.

PAGE 527-537
Schilling, Michael: Characterization of chemical and physical properties of animation cels from the Walt Disney Animation Research Library.

PAGE 538-546
Weerdenburg, Sandra: The conservation of an early assemblage by Richard Serra, a rubber issue.

POSTERS

PAGE 547
Vila, Anna: TAL R: Liquefying paint – a new collaboration between museum and artist’s studio.

PAGE 548
Carter, Anne: Characterisation of three early Australian emulsion house paints using FTIR.

PAGE 549
Cramer, Celia: Ashes to ashes, polypropylene to dust.

PAGE 550
Hall, Annie: Surveying Plastics at a Design Museum.

PAGE 551
Hillary, Sarah: Surface streaking on a matt PVA-acrylic painting.

PAGE 552
Lattuati-Derieux, Agnès: The use of Mw value to characterize the conservation condition of cellulose nitrate based objects.

PAGE 553
Mäkelä, Satu: Polyurethane Foam in Contemporary Art: The Conservation and Partial Remake of Marianna Uutinen’s Jeesus (1993).

PAGE 554
Schossler, Patricia: The finite nature of plastics: Challenges in the conservation of unstable synthetic polymers at the Pinacoteca do Estado de São Paulo.

PAGE 555
Brake-Baldock, Karen: The new INCCA website: Giving context to curated information on the conservation of contemporary art.

PAGE 556
Townsend, Joyce: A microfading study of Mark Rothko’s materials for the Seagram murals (1958-59).

PAGE 557
Vilmont, Leon-Bavi: Moisture Sorption Measurements by Dynamic Vapor Sorption (DVS) on Audiotapes, before and after Artificial Ageing. Impact upon their Stability and Storage Properties.

PAGE 558
Williams, Leah: On Parr: An Investigation into the Materials and Techniques of Mike Parr’s Prints in the Collection of the National Gallery of Australia.

PAGE 559
Yeats, Lisa: Building Legacy in Contemporary Art Programs in Timor-Leste.

MURALS, STONE AND ROCK ART

PAPERS

PAGE 561-569
Barov, Zdravko: Testing and evaluation of mosaic facing adhesives and design of a versatile support for detached mosaics.

PAGE 570-579
Biçer-Simsir, Beril: Field Test Methods for the Comparative Evaluation and Quality Control of Lime-based Hydraulic Injection Grouts used for the Conservation of Architectural Surfaces.

PAGE 580-587
Brajer, Isabelle: The removal of aged acrylic coatings from wall paintings using micro-emulsion.

PAGE 588-595
Dhar, Sanjay: Awareness and sensitization workshop for conservation of historical wall paintings in Tibetan Cultural regions: Pedagogy and rubrics.

PAGE 596-602
Friedman, Leslie: The MOSAIKON Initiative: Building Capacity at a Regional Level in the Conservation of Archaeological Mosaics.

PAGE 603-609
Meehan, Patricia: Old interventions and potential new treatments for Maya mural paintings in Tulum (Mexico).

PAGE 610-616
Thorn, Andrew: Lithium silicate for the consolidation and grouting of Murals, Stone and Rock Art.

POSTERS

PAGE 617
Lhendup, Tashi: Detachment/Reattachment of Buddhist wall paintings on canvas.

PAGE 618
Sayed Mansour, Ahmed: “Evaluation of nanotechnology for conservation of historical buildings: Application of TiO2 nano-particle as a self-cleaning and antimicrobial coating material to surface of calcareous stone”.

NATURAL HISTORY COLLECTIONS

PAPERS

PAGE 620-627
Graham, Lucie: Developing a Method for Treating Skin Loss on Taxidermy.

PAGE 628-634
Hawks, Catharine: Integrated Pest Management for Natural History Collections: The Importance of Visual Inspection.

PAGE 635-642
Teare, Sheldon: Investigation and Treatment of Australian 19th century Taxidermy Mounts.

PAGE 643-653
Turner-Walker, Gordon: Identification of Animal Hard Tissues Using FTIR.

POSTERS

PAGE 654
Panagiaris, Georgios: Studies towards the use of laser radiation to clean natural history specimens: Preliminary results.

PAGE 655
MacKay, Heather: Is that bird real? Conserving an historic natural history diorama in a public gallery.

PAGE 656
Pandya, Achal: Assessment of Fossils Degradation in Natural History Collection.

PAGE 657
Rogge, Corina: Light induced fading in furs: Influence of UV light and the feasibility of Tinuvin 292 as a photo-protectant.

PAINTINGS

PAPERS

PAGE 659-667
Andersen, Cecil Krarup: With the best intentions. Wax-resin lining of Danish Golden Age paintings (early 19th century) on canvas and changed response to RH.

PAGE 668-675
Barker, Rachel: Approximating Mark Rothko’s Black on Maroon; Preparing a representative sample for conservation treatment support.

PAGE 676-683
Bronken, Ida Antonia Tank: Softening paint and drip formation in paintings by Jean-Paul Riopelle (1923-2002): improving their condition with metal coordinating ions.

PAGE 684-691
Sloggett, Robyn: Harvesting Traditional Knowledge: The Conservation of Indigenous Australian Bark Paintings.

PAGE 692-702
Young, Christina: “History is my material” - Anselm Kiefer.

PAGE 703-710
Kerr-Allison, Amber: Deconstructing the stratigraphy of color and design in the artistic works of Henry Ossawa Tanner.

PAGE 711-719
Baeschlin, Nathalie: Packaging systems for paintings: damping capacity in relation to transport induced shock and vibration.

PAGE 720-730
Muir, Kimberley: An In-depth Study of the Materials and Technique of Paintings by Claude Monet from the Art Institute of Chicago.

PAGE 731-738
Nevin, Austin: Futurist Painters – interdisciplinary research on written sources, artists’ materials and paintings.

PAGE 739-746
Noble, Petria: The development of new imaging techniques for the study/ interpretation of late Rembrandt paintings.

PAGE 747-754
Nunn, Catherine: ‘Less slick and not so clever’. The matt aesthetic and the art of E. Phillips Fox (1865-1915).

PAGE 755-762
Seymour, Kate: The thin end of the wedge: Stabilisation of a damaged panel painting support using tapered wooden sections.

PAGE 763-771
Soppa, Karolina: Adhesion and penetration of Sturgeon glue and Gelatines with different Bloom grades.

PAGE 772-780
Tse, Nicole: Artist’s oil paints in Thailand.

PAGE 781-791
Jan Van den Berg, Klass: Analysis of binding media in Tudor paintings.

PAGE 792-799
van Keulen, Henk: Slow-drying oil additives in modern oil paints, and application in conservation treatments. An analytical study in technical historical perspective.

POSTERS

PAGE 800
Boon, Jaap: Investigating aged oil medium phase-separating and exuding as drips from a 1960’s painting by Pierre Soulages.

PAGE 801
Boon, Jaap: 3D in focus microscopy of paintings using a Hirox 8700 digital microscope mounted on a MOPAS mobile XY stand system.

PAGE 802
Cramer, Celia: Painting Distortions and Cellulose Nitrate.

PAGE 803
Genty-Vincent, Anaïs: The blanching of the superficial paint layers of L’Aurore, a 17th Century French painting. Contribution to the understanding of the alteration and study of conservation treatments

PAGE 804
Michalski, Stefan: The CCI Lining Project Final Results: Extreme Temperatures, Extreme Humidities and Complete Master Curves

PAGE 805
Kolkena, Laura: A phenomenological atlas of degradation of cadmium yellow oil paint in paintings by Piet Mondrian.

PAGE 806
Correa Maia, Marilene: Grounds for easel paintings – reference models for restores and artists.

PAGE 807
Monaghan, Meaghan: In depth technical study of five works by the late 17th century still-life painter Elias van den Broeck (1649/50-1708).

PAGE 808
Odlozil, Michael: The Conservation and Restoration of Veronese´s The Anointment of David.

PAGE 809
Oruç-Iddi, Zuhura: Dry Cleaning: The effect of six residue types on unvarnished oil paintings.

PAGE 810
Rosado, Alessandra: Notes on a Possible – and unique - Genuine Copy of a Lost Work by Thomas Gainsborough.

PAGE 811
Stuart, Barbara: Pigments used in ceremonial objects of the Highlands of Papua New Guinea: An infrared spectroscopy study.

PAGE 812
Wadum, Jorgen: Documenting North Netherlandish 17th Century Panel Makers’ House Marks.

PHOTOGRAPHIC MATERIALS

PAPERS

PAGE 815-821
Eiselt, Irena: Janez Avguštin Puhar (1814 – 1864) – Forgotten Slovene Inventor of Photography on Glass and His Process – Puharotype (1841).

PAGE 822-830
Freeman, Sarah: Monitoring Photographic Materials with a Microfade Tester.

PAGE 831-835
Harvey, Ruth: From the garden shed: The Swainson/Woods Collection.

PAGE 836-842
Marchesi, Monica: Conservation of photographic artwork by John Baldessari: Two strategies -reproduction and framing.

PAGE 843-851
Norris, Debra: Photograph Conservation Globally: Educational Needs, Milestones & Challenge.

POSTERS

PAGE 852
Rogge, Corina: An investigation into the materials present in historic tintype plate.

PREVENTIVE CONSERVATION

PAPERS

PAGE 855-863
Henderson, Jane: The distributed national collection in Wales, conservation on the national agenda.

PAGE 864-870
Kamba, Nobuyuki: Stabilization Treatment of Cultural Asset Damaged by Tsunami of March 11, 2011 Supported by Professionals and Non Professionals.

PAGE 871-879
Lambert, Simon: Museum Storage Space Estimations: In Theory and Practice.

PAGE 880-890
Lloyd, Helen: Using 20:20 hindsight to prepare for 2020 – the management of growing visitor communities at historic houses.

PAGE 891-898
McCubbin, Maryanne: Improving risk assessment methods in a complex setting: Museum Victoria’s Collection Risk Assessment.

PAGE 899-906
Michalski, Stefan: The power of history in the analysis of collection vulnerabilities.

PAGE 907-916
Pretzel, Boris: [Un:] Reasonable – broadening acceptable climate parameters for furniture on open display.

PAGE 917-924
Subic Prislan, Jana: Who cares? We care - a nationwide survey of museum storages in Slovenia.

PAGE 925-932
Roberts, Zoe: Reconciling Environmental Stability with Open Access: The case study of the Queen’s Stairs, Hampton Court Palace.

PAGE 933-939
Robinson, Sharon: Shared Principles: Communicating Collection Care Concepts Via Online E-Learning Tools.

PAGE 940-947
Robinson, Sharon: Dangerous Liaisons: Mapping and Communicating Hazardous Collection Material.

PAGE 948-955
Ryhl-Svendsen, Morten: The air quality in low-ventilated museum storage buildings.

PAGE 956-964
Taylor, Joel: The impact of assessment guides on the reliability of collection condition surveys.

PAGE 965-973
Verberne-Khurshid, Feroza: When a HVAC design brief becomes a reality: Investigating the impact of underfloor heating on the presentation and conservation of artworks in a contemporary art museum.

PAGE 974-983
von Lerber, Karin: Organizational tools for salvage operations.

PAGE 984-990
Wei, Bill: Baseline limits for allowable vibrations for objects.

PAGE 991-1000
Xavier-Rowe, Amber: A new beginning for English Heritage’s archaeological and architectural stored collections.

PAGE 1001-1009
Yoshida, Maruchi: A Landscape of Survival: Preservation of the Archaeological Heritage in the Border Area between Azerbaijan and Armenia.

POSTERS

PAGE 1010
Bolshakova, Tatiana: Practical matters of preventive conservation in the State Hermitage – one of the World’s largest museums located in a cold climate.

PAGE 1011
Chee, Suzanne: Stop the sweat! Storage solution for polyurethane PUR(ES) swimwear.

PAGE 1012
Ekelund, Stina: Climate4Wood Museum Study - The systematical analysis of climate-related damage on decorated wooden panels in the Rijksmuseum.

PAGE 1013
Fuentes, Ayesha: Evaluating environmental conditions in shipping containers with recommendations on their reinforcement for the storage of cultural materials.

PAGE 1014
Matsuda, Yasunori: Assessment of Airborne Fungi in the Grand Egyptian Museum-Conservation Center (GEM-CC).

PAGE 1015
de Barros Gonçalves, Willi: Environmental management for temporary exhibitions – a case study in the Fiat House of culture, Belo Horizonte, Brazil.

PAGE 1016
Jain, Anshika: Monitoring the Climatic Conditions of an Ethnographic Collection.

PAGE 1017
Johnsen, Jesper Stub: Fire in the Museum of Danish Resistance 1940-1945.

PAGE 1018
Soliman, Hussein: Regulating the Relative Humidity Rates in Dynamic Fumigation Systems.

PAGE 1019
Macgregor, Colin: To Bag or Not to Bag – Assessing the Microclimates of Sealed Bags in Fluctuating Temperatures.

PAGE 1020
Matsuda, Yasunori: Inhibitory Effects of Plant Extracts on Mold Growth in Organic Archaeological Artifacts.

PAGE 1021
Pitt, Vanessa: Hidden Damage: The Survey of a Museum Collection for Internal Batteries.

PAGE 1022
Ranaweera, Lanka: Preserving the intangible heritage of the Coastal Vedda community in Sri Lanka.

PAGE 1023
Roehrs, Stefan: An air pollutant filter system to prevent tarnishing of silver decoration of a wooden cabinet.

PAGE 1024
Huang, He: Effect of ozone on the corrosion behavior of bronze in museum environment.

SCIENTIFIC RESEARCH

PAPERS

PAGE 1026-1033
France, Fenella: Fugitive Modern Media and Challenges of Long-term Exhibition.

PAGE 1034-1040
Gibson, Lorraine: Novel non-invasive sensors for the detection of pesticides on heritage objects.

PAGE 1041-1048
Hermans, Joen: The synthesis of new types of lead and zinc soaps: a source of information for the study of oil paint degradation.

PAGE 1049-1056
Ledema, Piet: Mathematical modelling of mature oil paint networks.

PAGE 1057-1066
Khandekar, Narayan: Binding Media used in Traditional Bark Paintings from Arnhem Land, Groote Eylandt and the Tiwi Islands.

PAGE 1067-1074
Lowe, Bronwyn: Relating colour, chemical and physical characteristics of artificially light-aged New Zealand plant fibres.

PAGE 1075-1082
Eveno, Myriam: Non-invasive depth profiling of paint layers of easel paintings by means of a laboratory-based confocal micro X-ray fluorescence set-up.

PAGE 1083-1093
Nel, Petronella: A preliminary comparative technical analysis of earth based pigments used by Aboriginal artists from the Kimberley region and other natural/synthetic/commercial sources.

PAGE 1094-1101
Roehrs, Stefan: Monitoring of air pollutants in showcases by Proton Transfer Reaction Mass Spectrometry and passive samples tubes.

PAGE 1102-1112
Zumbuehl, Stefan: The Kinetics of Dissolution - Influence of the Vapour Pressure on the Rate of Solvent Action.

POSTERS

PAGE 1113
Ferreira, Ester: The Users’ Group for Mass Spectrometry and Chromatography.

PAGE 1114
Griesser, Martina: What does “purple” really mean? Study of the colorants used to dye a mediaeval purple codices, the “Krönungsevangeliar” kept in Vienna.

PAGE 1115
Keheyan, Yeghis: A study of some Illuminated Armenian Manuscripts.

PAGE 1116
Le Hô, Anne-Solenn: Alteration of green copper-based pigments in model and masterpieces paintings by a multi-analytical approach.

PAGE 1117
Schultz, Julia: Species-specific investigation of animal glues on Boulle marquetry using enzyme-linked immunosorbent assay (ELISA).

PAGE 1118
Uhlir, Katharina: The sixteenth-century glass jewellery collection of Archduke Ferdinand II – a great challenge for semi-quantitative XRF investigations.

SCULPTURE, POLYCHROMY, AND ARCHITECTURAL DECORATION

PAPERS

PAGE 1122-1127
Bidarra, Ana: When Man is the natural disaster: mending errors.

PAGE 1128-1134
Mercier, Emmanuelle: Study and treatment of a unique example of partial polychromy in the Low Countries: the altarpiece of the Saint-Denis church in Liège.

PAGE 1135-1142
Verges-Belmin, Veronique: Investigations on laser yellowing and poultice de-yellowing at Chartres cathedral (France).

POSTERS

PAGE 1143
Cramer, Celia: Papering the Way to the Pastoral Past.

PAGE 1144
Daniel, Floréal: The Royal portal of the cathedral of Bordeaux. Physico-chemical study, preservation and virtual restitution of the statuary polychromy.

PAGE 1145
Verweij, Edwin: Painted colour schemes within historic interiors determined by image processing and analysis of digital cross section imaging.

TEXTILES

PAPERS

PAGE 1147-1155
Benson, Sarah: ‘Like with like’: A comparison of natural and synthetic stitching threads used in textile conservation.

PAGE 1156-1164
Brennan, Julia: Before They Are Gone: Capturing and Sharing the Traditional Methods of Textile Preservation in Thailand.

PAGE 1165-1171
Garmann, Ida: Conservation of tapestry damaged in the act of terror in Oslo on 22th July 2011.

PAGE 1172-1178
Jaspal, Namita: Conservation of ‘Chola Saheb Ji’.

PAGE 1179-1185
Knudsen, Lise Raeder: A fully preserved red and white Iron Age dress - excavation, stabilization and engaging the local community.

PAGE 1186-1192
MacLeod, Ian: Conservation of a mid-18th century Italian embroidered ecclesiastical cope and treatment of corroded metal threads using neutral dithionite solutions.

PAGE 1193-1199
Meijer, Suzan: 50 years of synthetic adhesives in the Rijksmuseum.

PAGE 1200-1207
Casadio, Francesca: The Navajo blankets from the Art Institute of Chicago collection: Technical analysis of yarn and weaving coupled with dye identification by normal Raman and surface-enhanced Raman spectroscopy (SERS)

POSTERS

PAGE 1208
Lukseniene, Janina: Possibilities of finishing silk fabrics under restoration.

PAGE 1209
Müller-Radloff, Christine: They do not believe everything they see on historical photos! About the decoration of two Chinese generals uniforms.

THEORY AND HISTORY OF CONSERVATION

PAPERS

PAGE 1211-1218
Blewett, Morwenna: A Safe Haven: Refugee Restorers and the National Gallery.

PAGE 1219-1227
Heritage, Alison: The ICCROM Forum on Conservation Science 2013: a collaborative partnership for strategic thinking.

PAGE 1228-1235
Marçal, Hélia: The inevitable subjective nature of conservation: Psychological insights on the process of decision-making.

PAGE 1236-1243
Sloggett, Robyn: What is conservation and what can it be? An examination of the continued relevance of ICOM-CC’s The Conservator-Restorer: a Definition of the Profession.

PAGE 1244-1252
Taylor, Joel: Re-contextualising the ‘conservation versus access’ debate.

WET ORGANIC ARCHAEOLOGICAL MATERIALS

PAPERS

PAGE 1255-1262
Cane, Deborah: After the Gold Rush: Creating and sustaining communities of interest around the Staffordshire Hoard.

PAGE 1263-1269
Gregory, David: Development of Tools and Techniques to Survey, Assess, Stabilise, Monitor and Preserve Underwater Archaeological sites: SASMAP A European research project.

PAGE 1270-1276
Scharff, Annemette Bruselius: Treatment of air dried archaeological wool textiles from waterlogged environment.

POSTERS

PAGE 1277
Eriksen, Anne Marie: Effects of wood anisotropy on Teredo navalis attack and its implications for in situ preservation of archaeological wood in the marine environment.

PAGE 1278
Pokupcic, Nataša: Transportation of a Viking Ship.

PAGE 1279
Richards, Vicki: The Australian Historic Shipwreck Protection Project: Reburial of the Clarence (1850) and James Matthews (1841) shipwreck sites.

WOOD, FURNITURE AND LACQUER

PAPERS

PAGE 1282-1290
Tse, Nicole: The in situ, non-invasive investigation of an outdoor wooden sculpture.

PAGE 1291-1298
Le Hô, Anne-Solenn: French lacquers of the eighteenth century and vernis Martin.

PAGE 1299-1307
Thickett, David: Testing Damage Functions for Mould growth.

POSTERS

PAGE 1308
Matsuda, Yasunori: Analytical Study and Re-conservation Processes of the Ancient Egyptian Wooden Coffin Box.

PAGE 1309
Matsuda, Yasunori: An archaeometric study on the oldest boat in Egypt dates back to 2950 B.C.

PAGE 1310
Webb, Marianne: Implications of Artists’ Materials and Techniques on the Conservation of Asian Lacquers.

• ICOM-CC preprints
• 17th Triennial Meeting

• Art objects - Conservation and restoration
• Cultural property - Protection
• Objets d'art - Conservation et restauration
• Biens culturels - Protection