Notice catalographique « Looking through paintings : the study of painting techniques and materials in support of art historical research »

Contents:

J.R.J van Asperen de Boer (AMSTERDAM)
Some Reflections upon the Impact of Scientific Examination on Art Historical Research

Leslie Carlyle
(CANADIAN CONSERVATION INSTITUTE, OTTAWA)
Design, Technique and Execution: the Dichotomy between Theory and Craft in Nineteenth-century British Instruction Manuals on Oil Painting

John Leighton (VAN GOGH MUSEUM, AMSTERDAM)
Taking a Closer Look: Art Historians, Restorers and Scientists

John Gage (CAMBRIDGE UNIVERSITY, CAMBRIDGE UK)
Colour Words in the High Middle Ages

Josephine A. Darrah
(VICTORIA & ALBERT MUSEUM, LONDON)
White and Golden Tin Foil in Applied Relief Decoration 1240-1530

Rachel Billinge (NATIONAL GALLERY, LONDON)
Links with Schongauer in three Early Netherlandish Paintings in the National Gallery

Margriet van Eikema Hommes
(UNIVERSITY OF AMSTERDAM)
Painters' Methods to Prevent Colour Changes Described in Sixteenth to Early Eighteenth Century Sources on Oil Painting Techniques

Renate Woudhuysen-Keller and Paul Woudhuysen (HAMILTON KERR INSTITUTE, CAMBRIDGE UNIVERSITY, CAMBRIDGE UK)
Thoughts on the Use of the Green Glaze called 'Copper-resinate' and its Colour-changes

Annetie Boersma and Jeroen Giltaij
(CONSERVATOR/ MUSEUM BOY MANS- VAN BEUNINGEN, ROTTERDAM)
The Intriguing Changes through Restoration of a Newly Discovered Painting by Cornelis Cornelisz. van Haarlem

Paul Taylor
(WARBURG INSTITUTE, UNIVERSITY OF LONDON)
The Glow in Late Sixteenth and Seventeenth Century Dutch Painting

Jorgen Wadum (MAURITSHUIS, THE HAGUE)
The Antwerp Brand on Paintings on Panel

Nico van Hout (RUBENIANUM, ANTWERPEN)
Meaning and Development of the Ground-layer in Seventeenth Century Painting

Ella Hendriks (FRANS HALSMUSEUM, HAARLEM)
Johannes Verspronck: the Technique of a Seventeenth Century Haarlem Portraitist

Erma Hermens and Arie Wallert (ART HISTORIAN-CONSERVATOR/RIJKSMUSEUM, AMSTERDAM)
The Pekstok Papers: Lake Pigments, Prisons and Paint-mills

Zahira Veliz
(ART HISTORIAN-CONSERVATOR, LONDON)
Aspects of Drawing and Painting in Seventeenth Century Spanish Treatises

Ann Massing
(HAMILTON KERR INSTITUTE, CAMBRIDGE UNIVERSITY, CAMBRIDGE UK)
French Painting Technique in the Seventeenth and Early Eighteenth Centuries and De la Fontaine's Académie de la Peinture (Paris I679)

Joris Dik and Arie Wallert (UNIVERSITY OF AMSTERDAM, RIJKS MUSEUM, AMSTERDAM)
Two Still-Life Paintings by Jan van Huysum: an Examination of Painting Technique in Relation to Documentary and Technical Evidence

Melissa R. Katz (WELLESLEY COLLEGE, DAVIS MUSEUM OF ART, USA)
Holman Hunt on Himself: Textual Evidence in Aid of Technical Analysis

Sally Woodcock (COURTAULD INSTITUTE, LONDON)
Posing, Reposing and Decomposing: Life-size Lay Figures, Living Models and Artists' Colourmen in Nineteenth Century London

Ineke Pey (NETHERLANDS ARCHITECTURAL INSTITUTE, ROTTERDAM)
The Hafkenscheid Collection

Cor Blok (LEIDEN UNIVERSITY)
Artistic Craftsmanship in the Age of Impatience

• Painting - Technique - History
• Artists' materials - History
• Painting - Materials
• Matériel d'artistes - Histoire
• Peinture - Matériaux
• Peinture - Technique - Histoire