Notice catalographique « Kunstgeschichte, Kunsttechnologie und Restaurierung = Art history, conservation and conservation science : neue Perspektiven der Zusammenarbeit : eine Einführung = new perspectives for cooperation : an introduction »
Kunstgeschichte, Kunsttechnologie und Restaurierung = Art history, conservation and conservation science : neue Perspektiven der Zusammenarbeit : eine Einführung = new perspectives for cooperation : an introduction
Auteur ou éditeur
Burnstock, Aviva
Klemm, Tanja
Laaser, Tilly
Leonhard, Karin
Neugebauer, Wibke
von Reden, Anna
Lieu de publication
Berlin
Maison d'édition
Reimer
Date de publication
[2024]
Collation
622 pages : illustrations, plan, portraits ; 25 cm
Résumé
Which questions emerge when teams of art historians, conservators and scientists analyze and interpret cultural objects, the materials they consist of, and the techniques used to create them? Which methods from the sciences and the humanities do they combine? Which curatorial issues do they raise, and how do they make conservation decisions? This bilingual manual presents, in English and German, exemplary interdisciplinary collaborations involving scholars from art history, conservation and conservation science.
Notes
I. PROCESSES OF MAKING -- Jan van Eyck's Lucca Madonna : genesis and the painting technique. A case study from the interdisciplinary research project on macro x-ray flourescence analysis (MA-XRF) at the Städel Museum in Frankfurt / Mareike Gerken, Stephan Knobloch, Jochen Sander -- The mysterious technique of painting trees in easel painting / Iris Schaefer -- From plastic to stone. Traces of memory and artistic practices of fluid material semantization -- II. OBJECT HISTORIES -- Beneath Wyndham Lewis's Praxitella - A case in point for an interdisciplinary collaboration / Rebecca Chipkin, Helen Kohn -- A non-interlocking puzzle, or : a matter of documentation. Carolee Schneemann's performance "Up to and including her limits" / Carolin Bohlmann -- What are we looking at? On work histories and the reception history Golden Chamber at the Church of St. Ursula in Cologne / Regina Urbanek -- The Orissan murals revival project - heritage conservation as a lever for development / Anupam Sah -- III. CONSERVATION DECISIONS -- Understanding Rubens' Moses and the Brazen Serpent : collaborations past and present / Clare Richardson -- Cooperative frameworks. Interdisciplinary research on questions related to painting technique and the restoration of Johannes Vermeer's painting "Girl reading a letter at an open window" / Christoph Herm, Christoph Schölzel -- Finding a good way : collaboration, power and practice / Beth Boyce, Heidi Swierenga -- IV. QUESTIONS OF AUTHENTICATION -- "Where salvation arises..." : on the tension-laden relationship between restoration and forgery / Henry Keazor -- The face beneath : collaboration in the art market / Lawrence Hendra, Philip Mould -- Russian avant-garde art, scientific research and multidisciplinary collaboration / Petra Mandt, Maria Kokkori, Jilleen Nadolny -- "Drawn in colours bright" : shedding new light on Tudor and early Stuart portraiture through collaboration and partnership -- GLOSSARY.
Text in English and German.
Langue
English = Anglais
German = Allemand
Sujet
Art - Conservation and restoration - Technique
Painting - Conservation and restoration
Art objects - Conservation and restoration
Art - Expertising - Technique
Art - Expertising - Methodology
Painting - Analysis
Art - Conservation et restauration - Technique
Peinture - Conservation et restauration - Technique
Objets d'art - Conservation et restauration - Technique
