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Coveting Coughtry : a technical analysis of constituent binders in three Graham Coughtry paintings

Moscato, Valerie Dawn; Queen's University (Kingston, ON). Kingston, ON: Queen's University, 2018.
TP 936.5 M67 2018 (Catalogue)

Exploring André Biéler's use of the 'Mixed Technique' in Wartime Market

Griffith, Martha; Queen's University (Kingston, ON). Kingston, ON: Queen's University, 2019.
N 8530 G75 2019 (Catalogue)

Technical investigation of materials used in a mid-nineteenth-century Berlin work needlepainting reproduction of Horace Vernet's Raphael at the Vatican

LeBel, Marianne; Queen's University (Kingston, ON). Kingston, ON: Queen's University, 2020.
NK 9204.5 L43 2020 (Catalogue)

Lucite 44 paint mixture in Gordon Rayner's Thank you Mr. Artaud : technical examination and consolidation of a zinc soap surface

Joyce, Emily; Queen's University (Kingston, ON). Kingston, ON: Queen's University, 2021.
ND 1640 J69 2021 (Catalogue)

Technical analysis of a Tom Thomson oil sketch from the Agnes Etherington Art Centre, Queen's University

Turner-Hehlen, Camille; Queen's University (Kingston, ON). Kingston, ON: Queen's University, 2022.
ND 249 T5 T87 2022 (Catalogue)

A preliminary evaluation of mineral-spirit-borne retouching or isolating mediums for sensitive unvarnished acrylic emulsion paint

Lam, Pui Yee; Queen's University (Kingston, ON). Kingston, ON: Queen's University, 2022.
TP 938 L36 2022 (Catalogue)
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