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Scientific examination of easel paintings : art history and laboratory

Schoute, R. van (Roger); Verougstraete-Marcq, Hélèn; European Study Group on Physical, Chemical, and Mathematical Techniques Applied to Archaeology. Strasbourg: Conseil de l'Europe, 1986.
CC 79 P32 v.13 (Catalogue)

Paint and purpose : a study of technique in British art

Hackney, Stephen. London: Tate Gallery Publishing Ltd., 1999.
ND 1635 P45 (Catalogue)

Conservare necesse est : Festskrift til Leif Einar Plahter pa hans 70-arsdag - For Leif Einar Plahter on his 70ieth birthday

International Institute for Conservation. Nordic Group. Oslo: IIC Nordic Group, 1999.
ND 1635 C66 (Catalogue)

Metodi di documentazione e indagini non invasive sui dipinti

Aldrovandi, Alfredo; Picollo, Marcello. Padova: Il Prato, 1999.
ND 1635 A53 (Catalogue)

COST action G8 : non-destructive testing and analysis of museum objects

European Cooperation in the Field of Scientific and Technical Research (Organization); Denker, Andrea. Stuttgart: Fraunhofer 1RB Verlag, 2006.
N 8558 C68 (Catalogue)

L'actualité chimique canadienne = Canadian chemical news

Canadian Society for Chemical Engineering; Chemical Institute of Canada; Canadian Society for Chemical Technology. Ottawa, ON: Chemical Institute of Canada, 2008.
ND 1635 A37 2008 (Catalogue)

Autour de la Madeleine renders : un aspect de l'histoire des collections, de la restauration et de la contrefaçon en Belgique, dans la première moitié du xxe siècle

Vanwijnsberghe, Dominique; Institut royal du patrimoine artistique (Brussels, Belgium). Bruxelles: Institut royal du patrimoine artistique, 2008.
ND 1640 A87 (Catalogue)

La Joconde : essai scientifique

Lahanier, Christian. Paris: C12 éditions, Codex Images international, 2008.
ND 623 L5 L35 (Catalogue)

Color changes and chemical reactivity in seventeenth-century oil paintings

Loon, Annelies van, 1970-. s.l.: s.n., 2008.
ND 1638 L66 (Catalogue)

Colour change in paintings

Clarricoates, Rhiannon; Dowding, Helen; Grant, Alexandra. London: Archetype Publications, 2016.
ND 1635 C65 2016 (Catalogue)

Scientific aspects of artists' and decorators' materials

Morrell, R.S.. London: Oxford University Press, 1939.
ND 1500 M67 1939 (Catalogue)

Odour reduction with 2-hydroxypropyl-ß-cyclodextrin and its colour change effect on paintings

Montcalm, Spencer; Queen's University (Kingston, Ont.). Kingston, Ont.: Queen's University, 2016.
ND 1635 M66 2016 (Catalogue)

The Marina cave wall paintings : the techical analysis of 12th and 13th century Byzantine paintings from Northern Lebanon

Guérin, Anne-Marie; Queen's University. Kingston, Ontario: Queen's University. Masters in Art Conservation Program, 2016.
ND 1460 .L43 G84 2016 (Catalogue)

Dossier de restauration du "Mariage mystique de Sainte Catherine", tableau attribué à Simone Pignoni. Étude historique et technico-scientifique : la tempera Muzii

Rouault, Anne-Elizabeth. Paris, France: Institut français de restauration des oeuvres d'arts, 1993.
ND 1650 .R68 1993 (Catalogue)

Historical siccatives for oil paint and varnishes : the use of lead oxide, alum, white vitriol, pumice, bone ash and venetian glass as driers: historical written sources - production and raw material quality - technological significance

Zumbühl, Stefan; Zindel, Christophe. Bern, Switzerland: HDW Publications, 2022.
Lien au document en anglais
ND 1630 Z8613 2022 (Catalogue)

A technical analysis of a painting on a copper support in the style of Guido Reni (1575-1642)

Tremblay, Annick; Queen's University (Kingston, ON). Kingston, ON: Queen's University, 2020.
ND 1637 T74 2020 (Catalogue)

Technical analysis of a Tom Thomson oil sketch from the Agnes Etherington Art Centre, Queen's University

Turner-Hehlen, Camille; Queen's University (Kingston, ON). Kingston, ON: Queen's University, 2022.
ND 249 T5 T87 2022 (Catalogue)

Technical analysis of a portrait of Paolo Giovio on a wooden panel

Chedrina, Marina; Queen's University (Kingston, ON). Kingston, ON: Queen's University, 2020.
ND 1575 C34 2020 (Catalogue)
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