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The forensic examination of paints and pigments

Crown, David A.. Springfield: Thomas, 1968.
TP 936.5 C7 (Catalogue)

A review and experimental evaluation of microchemical tests for some white pigments

Lawrence, Sandra; Queen's University (Kingston, Ont.). Kingston, Ont.: The University, 1976.
TP 936.5 L39 (Catalogue)

Deterioration of artists' paints - effects and analysis : a joint meeting of ICOM-CC Working Groups Paintings 1 & 2 and The Paintings Section, UKIC, British Museum, London, 10th and 11th September 2001 - extended abstracts of presentations

United Kingdom Institute for Conservation of Historic and Artistic Works. Paintings Section; ICOM Committee for Conservation. Material Specific Group. Paintings. London: UKIC ; ICOM, 2001.
ND 1510 I36 2001 (Catalogue)

The chemistry of art : a resource pack from the Royal Society of Chemistry and the National Gallery, London

Berry, Martyn; Osborne, Colin; Peppin, Anthea; Johnston, John; Royal Society of Chemistry (Great Britain); National Gallery (Great Britain). London: Royal Society of Chemistry and National Gallery, 1999.
ND 1500 B47 FOLIO (Catalogue)

Analyzing the effect of diethylaminoethanol [DEAE], an indoor air pollutant, on traditional easel paintings

Williams, R. Scott; Contompasis, Margaret; Canadian Conservation Institute; United States. Department of the Interior. National Park Service. National Center for Preservation Technology and Training; Indiana University Art Museum. [Ottawa]: s.n., 1997.
ND 1635 W66 (Catalogue)

Binding medium, pigments and metal soaps characterised and localised in paint cross-sections

Keune, Katrien. Amsterdam: FOM Institute for Atomic and Molecular Physics, 2005.
TP 936.5 K38 (Catalogue)

The role of alum in the gelatin sizing of silk supports

Pasnak, Ekaterina. Kingston, Ont.: Queen's University (Kingston, Ont.), 2003.
ND 1510 P37 (Catalogue)

The characterization of selected acrylic paint materials from the studio of Yves Gaucher

Poisson, Marie-Chantale; Queen's University (Kingston, Ont.). Kingston, Ont.: Queen's University (Kingston, Ont.), 2003.
TP 936.5 P65 (Catalogue)

Paintpamphlet : a guide for investigating and sampling historic paints and wallpapers for analysis of original colors

Welsh, Frank S.. Bryn Mawr, PA: Welsh Color and Conservation, 2008.
TP 936.5 P35 (Catalogue)

Analysis of mixed paints, color pigments, and varnishes

Holley, Clifford Dyer; Ladd, Edwin Fremont, 1859-1925. New York ; London: John Wiley & Sons ; Chapman & Hall, 1908.
TP 936.5 H65 (Catalogue)

Analysis and comparison of artist's water miscible oil paint to traditional oil paint

Shin, Bo Kyung Brandy; Queen's University (Kingston, Ont.). Kingston, Ont.: Queen's University, 2010.
ND 1533 S55 (Catalogue)

Stabilization of a flowing alkyd and oil painting

Gauthier, Patrick; Queen's University (Kingston, Ont.). Kingston, Ontario: Queen's University (Kingston, Ont.), 2016.
ND 1535 G38 2016 (Catalogue)

Historical siccatives for oil paint and varnishes : the use of lead oxide, alum, white vitriol, pumice, bone ash and venetian glass as driers: historical written sources - production and raw material quality - technological significance

Zumbühl, Stefan; Zindel, Christophe. Bern, Switzerland: HDW Publications, 2022.
Lien au document en anglais
ND 1630 Z8613 2022 (Catalogue)

Coveting Coughtry : a technical analysis of constituent binders in three Graham Coughtry paintings

Moscato, Valerie Dawn; Queen's University (Kingston, ON). Kingston, ON: Queen's University, 2018.
TP 936.5 M67 2018 (Catalogue)

A technical examination of an autographed Berthe Des Clayes painting compared to an unsigned painting of possibly the same authorship

Raphael Shea; Queen's University (Kingston, ON). Kingston, ON: Queen's University, 2019.
ND 1637 S54 2019 (Catalogue)

Exploring André Biéler's use of the 'Mixed Technique' in Wartime Market

Griffith, Martha; Queen's University (Kingston, ON). Kingston, ON: Queen's University, 2019.
N 8530 G75 2019 (Catalogue)

Evaluating water-resoluble acrylics for use in retouching

Daley, Winnifred; Queen's University (Kingston, ON). Kingston, ON: Queen's University, 2020.
TP 936.5 D35 2020 (Catalogue)

Lucite 44 paint mixture in Gordon Rayner's Thank you Mr. Artaud : technical examination and consolidation of a zinc soap surface

Joyce, Emily; Queen's University (Kingston, ON). Kingston, ON: Queen's University, 2021.
ND 1640 J69 2021 (Catalogue)

Auteur ou éditeur

Queen's University (Kingston, ON) (5)
Queen's University (Kingston, Ont.) (4)
Berry, Martyn (1)
Canadian Conservation Institute (1)
Contompasis, Margaret (1)
Crown, David A. (1)
Daley, Winnifred (1)
Gauthier, Patrick (1)
Griffith, Martha (1)
Holley, Clifford Dyer (1)
ICOM Committee for Conservation. Material Specific Group. Paintings (1)
Indiana University Art Museum (1)
Johnston, John (1)
Joyce, Emily (1)
Keune, Katrien (1)
Ladd, Edwin Fremont, 1859-1925 (1)
Lawrence, Sandra (1)
Moscato, Valerie Dawn (1)
National Gallery (Great Britain) (1)
Osborne, Colin (1)
Pasnak, Ekaterina (1)
Peppin, Anthea (1)
Poisson, Marie-Chantale (1)
Raphael Shea (1)
Royal Society of Chemistry (Great Britain) (1)
Shin, Bo Kyung Brandy (1)
United Kingdom Institute for Conservation of Historic and Artistic Works. Paintings Section (1)
United States. Department of the Interior. National Park Service. National Center for Preservation Technology and Training (1)
Welsh, Frank S. (1)
Williams, R. Scott (1)
Zindel, Christophe (1)
Zumbühl, Stefan (1)

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Date de modification :: 2019-03-01