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Paint driers discussed in 19th-century British oil painting manuals
Carlyle, Leslie. Pages 69-82 dans Journal of the American Institute for Conservation (JAIC), vol. 38, no. 1, Spring 1999.Lien au document en anglais
PER # 13960 (Staff Bibliography)
Authenticity and adulteration: what materials were 19th century artists really using?
Carlyle, Leslie. Pages 56-60 dans The conservator, vol. 17, 1993.# 11959 PER (Staff Bibliography)
An occurrence of pararealgar as an original or altered artists' pigment
Corbeil, Marie-Claude; Helwig, Kathleen. Pages 133-138 dans Studies in conservation, vol. 40, no. 2, May 1995.# 12728 PER (Staff Bibliography)
J.E.H. MacDonald up close : the artist's materials and techniques
Helwig, Kate; Douglas, Alison. Fredericton, NB. (2024),ND 249 M25 H45 2024 (Staff Bibliography)
The dilemma of the painter and conservator in the synthetic age : the papers and correspondence of the artist, Gluck
Leback-Sitwell, Christine; Gluck, 1895-1978. Brighton, England: Trustees of the estate of Miss H. Gluck, 1988.ND 1500 L43 (Catalogue)
DuMont's Handbuch der Gemäldekunde : Material, Technik, Pflege
Nicolaus, Knut. Köln: DuMont Buchverlag, 1986.ND 1630 N53 (Catalogue)
How to take care of your paintings
Keck, Caroline K. (Caroline Kohn). [New York]: Scribner, 1978.ND 1640 K4 1978 (Catalogue)
The scientific examination of pictures : an investigation of the pigments used by the Dutch and Flemish masters from the brothers Van Eyck to the middle of the 19th century
Wild, Angenitus Martinus de. Ann Arbor, MI: University Microfilms International, 1978.ND 1635 W513 (Catalogue)
The restoration of oil paintings : with a few practical hints to the owners of pictures
Howorth, George.. Ann Arbor, MI: University Microfilm International, 1978.ND 1650 H8 1978 (Catalogue)
CCI seminar series : Fine Arts Division
Canadian Conservation Institute (CCI) = Institut canadien de conservation (ICC). Ottawa: Canadian Conservation Institute (CCI) = Institut canadien de conservation (ICC), 1986.ND 1650 C36 1986 (Catalogue)
New methods in the cleaning of paintings
Wolbers, Richard C.. Ottawa: Canadian Conservation Institute (CCI) = Institut canadien de conservation (ICC), 1988.ND 1650 W65 1988 (Catalogue)
The restorer's handbook of easel painting
Émile-Mâle, Gilberte. [New York]: Van Nostrand Reinhold, 1976.ND 1650 E4713 (Catalogue)
Gemälde auf leinwand und holz : ratschläge und informationen für sammler und restauratoren
Émile-Mâle, Gilberte. Berlin: Rembrandt Verlag, 1976.ND 1650 E4715 (Catalogue)
Gemälde : Untersucht, Entdeckt, Erforscht
Nicolaus, Knut. Braunschweig: Klinkhardt & Biermann, 1979.ND 1635 N52 (Catalogue)
Progress in conservation = Progrès en conservation et en restauration
Stolow, Nathan; National Gallery of Canada = Musée des beaux-arts du Canada. Ottawa: National Gallery of Canada, 1972.ND 1650 S75 (Catalogue)
An introduction to preservation of paintings
Agrawal, Om Prakash, 1931-. Baroda: Dept. of Museology Faculty of Fine Arts Maharaja Sayajirao University of Baroda, 1967.ND 1640 A5 (Catalogue)
Analyse scientifique et conservation des peintures
Hours, Madeleine, 1913-2005. Fribourg: Office du livre, 1976.ND 1635 H68 (Catalogue)
Conservation and scientific analysis of painting
Hours, Madeleine. [New York]: Van Nostrand, 1976.ND 1635 H6 (Catalogue)
A study paper concerning oil paintings on a photographic base
Ruggles, Mervyn; American Institute for Conservation of Historic and Artistic Works. Baltimore, MD: American Institute for Conservation, 1983.TR 465 R8 (Catalogue)
FAIC refresher course on recent developments in lining techniques
Huston, Perry.; Albano, Albert; Foundation of the American Institute for Conservation. [S.I.]: s.n., 1983.ND 1640 F34 (Catalogue)
Conservation of manuscripts and paintings of Southeast Asia
Agrawal, Om Prakash, 1931-. London ; Toronto: Butterworths, 1984.Z 110 C7 A47 (Catalogue)
The ravished image : or, how to ruin masterpieces by restoration
Walden, Sarah. London: Wiedenfeld and Nicolson, 1985.ND 1650 W34 (Catalogue)
[FAIC refresher course : theories on the cleaning of paintings]
Foundation of the American Institute for Conservation. [Raleigh, NC]: [s.n.], 1985.ND 1640 F34 1985 (Catalogue)
On humanism, aesthetics and the cleaning of paintings
Hedley, Gerry. London: Courtauld Institute of Art, 1985.ND 1640 H42 (Catalogue)
The problems and potential of utilizing ethyl cellulose as a retouching medium
Cowell, Michael; Courtauld Institute of Art. London: University of London, Courtauld Institute of Art, 1977.ND 1650 C69 (Catalogue)
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