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The analysis of watercolour pigments from Audubon's The Birds of America Vol. I
Adair, Neil T.; Young, Gregory S.. Pages 13-16 dans Journal of the International Institute for Conservation - Canadian Group (J.IIC-CG), vol. 6, no. 1&2, Spring 1981.AATA 20-1544 PER (Staff Bibliography)
Canberra's InSpector used for x-ray energy spectrometry at the Canadian Conservation Institute (CCI)
Corbeil, Marie-Claude. Pages 6-7 dans NPG news (Canberra Nuclear Products Group), vol. 37, no. 4, 1997.# 15048 (Staff Bibliography)
Une étude des matériaux et des techniques de Jean Dallaire
Corbeil, Marie-Claude; Helwig, Kathleen; Belleau, Claude; Rainville, Yanick; Lawford, Karen. Pages 14-24 dans Journal de l'Association canadienne pour la conservation et la restauration (ACCR), vol. 27, 2002.Lien au document en français
# 14807 PER (CAC journal) (Staff Bibliography)
The materials and techniques of Tom Thomson
Corbeil, Marie-Claude; Moffatt, Elizabeth A.; Sirois, P. Jane; Legate, Kris M.. Pages 3-10 dans Journal of the Canadian Association for Conservation (CAC), vol. 25, 2000.Lien au document en anglais
# 14342 PER (CAC journal) (Staff Bibliography)
Analysis of rock painting pigments at Valle de las Pinturas (Lihue Calel) and Chicalco sites, La Pampa, Argentina
Wainwright, Ian N.M.; Helwig, Kathleen; Carlos J. Gradin, Fernando Oliva; Rolandi, Diana S.; Podestá, María Mercedes; Onetto, María. [S.l]. Pages 417-421 dans La región pampeana su pasado arqueológico. Selección de trabados presentados al I Congreso de Arqueología de la Región Pampeana Argentina, Venado Tuerto, Santa Fe, República Argentina, (2004),#15690 (Staff Bibliography)
Tensile properties of latex paint films with TiO2 pigment
Hagan, Eric; Charalambides, Maria; Young, Christina; Learner, Thomas; Hackney, Stephen. Pages 149-161 dans Mechanics of Time-Dependent Materials, vol. 13, 2009.#16089 (Staff Bibliography)
Examination and analysis of Etruscan wall paintings at Caere, Italy
Helwig, Kathleen; Klempan, Barbara S.; Colivicchi, Fabio. Pages 1082-1094 dans Archaeometry, vol. 59, no. 6, December 2017.# 16601 (Staff Bibliography)
The dilemma of the painter and conservator in the synthetic age : the papers and correspondence of the artist, Gluck
Leback-Sitwell, Christine; Gluck, 1895-1978. Brighton, England: Trustees of the estate of Miss H. Gluck, 1988.ND 1500 L43 (Catalogue)
Protection of works of art from photochemical smog : final report submitted to the Getty Conservation Institute
Cass, Glen R. (Glen Rowan), 1947-2001; Getty Conservation Institute; California Institute of Technology. Environmental Quality Laboratory. Pasadena, CA: Environmental Quality Laboratory, California Institute of Technology, 1988.ND 1638 P77 (Catalogue)
The scientific examination of pictures : an investigation of the pigments used by the Dutch and Flemish masters from the brothers Van Eyck to the middle of the 19th century
Wild, Angenitus Martinus de. Ann Arbor, MI: University Microfilms International, 1978.ND 1635 W513 (Catalogue)
Complete guide to watercolor painting
Whitney, Edgar A.. [New York]: Watson-Guptill Publications, 1974.ND 2420 W45 1974 (Catalogue)
Watercolor
Pike, John, 1911-. [New York]: Watson-Guptill Publications, 1973.ND 2420 P54 1973 (Catalogue)
Colors from the Earth : the artists' guide to collecting, preparing, and using them
Thomas, Anne Wall, 1928-. New York, NY: Van Nostrand Reinhold Company, 1980.TP 936 T36 1980 (Catalogue)
Die Pigmente in den Gemälden der Schack-Galerie
Kuhn, Hermann; Schack-Galerie München. München: Bayerische Staatsgemäldesammlungen Doerner-Institut, 1969.ND 1510 K83 (Catalogue)
Paint flow and pigment dispersion : a rheological approach to coating and ink technology
Patton, Temple C.. New York, NY: Wiley, 1979.TP 936 P3 1979 (Catalogue)
The pigments and mediums of the old masters : with a special chapter on microphotographic study of brushwork
Laurie, Arthur Pillans, 1861-1949. Ann Arbor, MI: University Microfilms International, 1982.ND 1260 L3 1982 (Catalogue)
Werner's nomenclature of colours, with additions, arranged so as to render it highly useful to the arts and sciences ... annexed to which are examples selected from well-known objects in the animal, vegetable, and mineral kingdoms
Werner, Abraham Gottlob, 1750-1817; Syme, Patrick, 1774-1845. Edinburgh: Printed for W. Blackwood, 1821.ND 1510 W53 1821 (Catalogue)
Artists' pigments c. 1600-1835 : a study in English documentary sources
Flanagan, Harley. London: Butterworth Scientific, 1982.ND 1510 H36 1982 (Catalogue)
A historical and chemical analysis of the artists' pigment Naples yellow
O'Shea, Marie L.. [S.I.]: s.n.], 1981.TP 936.5 O83 (Catalogue)
Colour index
Society of Dyers and Colourists; American Association of Textile Chemists and Colorists. Bradford, England: Society of Dyers and colourists, 1971.TP 910 S6 1971 REF (Catalogue)
An investigation into a method of painting with solid oil colours
Archbold, Jennifer. [S.I.]: [s.n.], 1975.ND 1510 A72 (Catalogue)
Colour index : pigments and solvent dyes including fluorescent brighteners having non-textile uses
Society of Dyers and Colourists; American Association of Textile Chemists and Colorists. Bradford, England Research Triangle Park, N.C.: The Society of Dyers and Colourists ; American Association of Textile Chemists and Colorists, 1982.TP 910 S63 1982 REF (Catalogue)
Pigments for paper : a project of the Coating Pigments and the Papermaking Additives Committees
Hagemeyer, Robert W.; Technical Association of the Pulp and Paper Industry. Atlanta, GA: TAPPI Press, 1984.TS 1118 D9 P53 (Catalogue)
Chemistry of pigments and fillers
Solomon, D. H. (David Henry); Hawthorne, D. G. (David Geoffrey). New York, NY: Wiley, 1983.TP 936 S76 1983 (Catalogue)
Notes on the composition & permanence of artists' colours : including information on artists' oil colour whites and painting auxiliaries for oil, water & acrylic colours (primers, oils, solvents, media and varnishes)
London: Winsor and Newton, 1978.ND 1510 N68 (Catalogue)
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(4)
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(3)
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(3)
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(3)
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(2)
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(2)
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