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From dead-colouring to finishing: British eighteenth- and nineteenth- century oil paint application as discussed in contemporary oil painting instruction books
Carlyle, Leslie; Sue-Anne Wallace, Jacqueline Macnaughtan, Jodi Parvey. Canberra. Pages 103-116 dans The articulate surface: dialogues on paintings between conservators, curators and art historians [conference held in Canberra, May 1-3, 1992], Humanities Research Centre monograph series; no. 10. (1996),# 13399 ND 1635 A79 1992 (Staff Bibliography)
No short mechanic road to fame: the implications of certain artists' materials for the durability of British painting: 1770-1840
Carlyle, Leslie; Robin Hamlyn; Southall, Anna. London. Pages 21-26 dans Robert Vernon's gift: British art for the nation 1847, (1993),# 11818 N 1080 H36 (Staff Bibliography)
Using a portable computer in art historical research
Carlyle, Leslie; Anthony Hamber, Jean Miles, William Vaughan. London. Pages 189-199 dans Computers and the history of art, (1989),# 12737 N 380 C66 (Staff Bibliography)
Varnish preparation and practice 1750-1850
Carlyle, Leslie; Joyce H. Townsend. London. Pages 21-28 dans Turner's painting techniques in context, 1995 [papers presented at the Tate Gallery conference, June 1993], (1995),ND 497 T8 T87 1995 (Staff Bibliography)
Paint driers discussed in 19th-century British oil painting manuals
Carlyle, Leslie. Pages 69-82 dans Journal of the American Institute for Conservation (JAIC), vol. 38, no. 1, Spring 1999.PER # 13960 (Staff Bibliography)
British nineteenth-century oil painting instruction books: a survey of their recommendations for vehicles, varnishes and methods of paint application
Carlyle, Leslie; John S. Mills, Perry Smith. London. Pages 76-80 dans Cleaning, retouching and coatings: technology and practice for easel paintings and polychrome sculpture: preprints of the contributions to the Brussels Congress, 3-7 September 1990, (1990),AATA 28-2039 N 8554.5 I35 1990 (REF, c.2) (Staff Bibliography)
Triammonium citrate: an investigation into its application for surface cleaning
Carlyle, Leslie; Stephen Hackney, Joyce Townsend, Nick Eastaugh; Townsend, Joyce H.; Hackney, Stephen. London. Pages 44-48 dans Dirt and pictures separated: papers given at a conference hold jointly by UKIC and the Tate Gallery, January 1990, (1990),AATA 28-2037 ND 1650 D57 1990 (c.1-2) (Staff Bibliography)
An investigation of lead sulphide darkening of nineteenth century painting materials
Carlyle, Leslie; Stephen Hackney, Joyce Townsend, Nick Eastaugh; Townsend, Joyce H.. London. Pages 40-43 dans Dirt and pictures separated: papers given at a conference hold jointly by UKIC and the Tate Gallery, January 1990, (1990),AATA 28-2038 ND 1650 D57 1990 (c.1-2) (Staff Bibliography)
The artists' anticipation of change as discussed in British nineteenth century instruction books on oil painting
Carlyle, Leslie; Peter Booth, Leslie Carlyle, Maurice Davies, Christine Leback Sitwell, Nicola Kalinsky, Anna Southall, Victoria Todd, Joyce Townsend. London. Pages 62-67 dans Appearance, opinion, change: evaluating the look of paintings: papers given at a conference held jointly by the United Kingdom Institute for Conservation and the Association of Art Historians, June 1990, (1990),AATA 28-2036 ND 1630 A67 1990 (c.1-2) (Staff Bibliography)
Beyond a collection of data: what we can learn from documentary sources on artists' materials and techniques
Carlyle, Leslie; Arie Wallert, Erma Hermens, Marja Peek. [Marina del Rey, CA]. Pages 1-5 dans Historical painting techniques, materials, and studio practice: preprints of a symposium, University of Leiden, the Netherlands, 26-29 June 1995, (1995),# 12734 HD 1500 H57 1995 (Staff Bibliography)
A critical analysis of British handbooks, manuals and treatises on oil painting published in the nineteenth century: an interim report of work in progress
Carlyle, Leslie; Victoria Todd. London. Pages 54-58 dans Conservation today: papers presented at the UKIC 30th Anniversary Conference, 1988, (1988),# 11354 NK 1127.5 U54 1988 (Staff Bibliography)
Computerised summaries of condition and treatment reports for paintings
Carlyle, Leslie; D. Andrew Roberts. Cambridge, UK. Pages 487-492 dans Terminology for museums: proceedings of an international conference held in Cambridge, England, 21-24 September 1988, The Second Conference of The Museum Documentation Association, (1990),AM 139 M89 1988 # 12736 (Staff Bibliography)
Authenticity and adulteration: what materials were 19th century artists really using?
Carlyle, Leslie. Pages 56-60 dans The conservator, vol. 17, 1993.# 11959 PER (Staff Bibliography)
Later nineteenth century pigments: evidence for additions and substitutions
Carlyle, Leslie; Townsend, Joyce H.; Khandekar, Narayan; Woodcock, Sally. Pages 65-78 dans The conservator, vol. 19, 1995.# 13010 PER (Staff Bibliography)
Traditional Painting Varnishes Project: preliminary report on natural and artificial aging and a note on the preparation of cross-sections
Carlyle, Leslie; Binnie, Nancy E.; van der Doelen, Gisela; Boon, Jaap J.; McLean, Bonnie; Ruggles, Anne; Boon, Jaap. Braunschweig. Pages 110-127 dans Varnish: material, aesthetics, history: International Colloquium, Braunschweig, 15-17 June 1998, AdR-Schriftenreihe zur Restaurierung und Grabungstechnik; 1999. (1999),# 14158 ND 1640 V46 1998 (Staff Bibliography)
The yellow/bleaching of oil paintings and oil paint samples, including the effect of oil processing, driers and mediums on the colour of lead white paint
Carlyle, Leslie; Binnie, Nancy E.; Kaminska, Elzbieta; Ruggles, Anne. London. Pages 328-337 dans ICOM Committee for Conservation, ICOM-CC, 13th Triennial Meeting, Rio de Janeiro, 22-27 September 2002: preprints, volume 1, (2002),# 14761 N8560 I53 2002 v.1 (REF, c.2) N8560 I53 2002 CD-ROM (c.3) (Staff Bibliography)
Effects of traditional processing methods of linseed oil on the composition of its triacylglycerols
Carlyle, Leslie; van den Berg, Jorrit D.J.; Vermist, Nicoletta D.; Holcapek, Michal; Boon, Jaap J.. Pages 181-199 dans Journal of separation science, vol. 27, no. 3, 2004.# 15112 (Staff Bibliography)
Contemporary painting materials
Carlyle, Leslie; Joyce H. Townsend, Jacqueline Ridge, Stephen Hackney. London. Pages 39-49 dans Pre-Raphaelite painting techniques: 1848-56, (2004),# 15057 ND 467.5 P5 T68 (Staff Bibliography)
Conservation science and materials history
Carlyle, Leslie; Susan Bradley; Townsend, Joyce H.; Townsend, Joyce. London. Pages 237-242 dans The interface between science and conservation [conference], Occasional paper (British Museum); no. 116. (1997),# 13653 N 8558 I67 1997 (Staff Bibliography)
Design, technique and execution: the dichotomy between theory and craft in nineteenth century British instruction manuals on oil painting
Carlyle, Leslie; Erma Hermens. Baarn, The Netherlands, London, UK. Pages 19-28 dans Looking through paintings: the study of painting techniques and materials in support of art historical research, (1998),# 13795 ND 1471 H56 1995 (Staff Bibliography)
Nineteenth-century paint media: the formulation and properties of megilps
Carlyle, Leslie; Ashok Roy, Perry Smith; Townsend, Joyce H.; Burnstock, Aviva; Odlyha, Marianne; Boon, Jaap J.. London. Pages 205-210 dans Painting techniques, history, materials and studio practice: contributions to the Dublin Congress, 7-11 September 1998, (1998),# 13911 N 8554.5 I35 1998 v.1 (2 c., c.1 REF) (Staff Bibliography)
The artist's assistant: oil painting instruction manuals and handbooks in Britain 1800-1900 with reference to selected eighteenth-century sources
Carlyle, Leslie. London. (2001),N 7433.35 G7 C38 (c.1-2) (Staff Bibliography)
Historically accurate reconstructions of oil paint = Reconstitutions historiques exactes de peintures à l'huile
Carlyle, Leslie. Pages 5-7 dans CCI Newsletter, , no. 27, June 2001.PER (Staff Bibliography)
Flour paste: investigating alternative ground preparations for oil paintings = La colle de farine: à la recherche de préparations de substitution pour les peintures à l'huile
Carlyle, Leslie. Page 10 dans CCI Newsletter, , no. 24, November 1999.PER (Staff Bibliography)
Getting to the source: 19th-century artists' oil painting materials and techniques
Carlyle, Leslie. Pages 5-6 dans CCI Newsletter, , no. 10, September 1992.PER (Staff Bibliography)
Collection
Type de document
Sujet
Adulterants - Use in paintings
(1)
Artists - Use of adulteration (1)
Artists' materials - Congresses (1)
Matériel d'artistes - Congrès (1)
Oil paint driers - Use in history (1)
Paint - Congresses (1)
Painting, Modern - Conservation and restoration - Congresses (1)
Paintings - Adulteration (1)
Peinture - Congrès (1)
Peinture moderne - Conservation et restauration - Congrès (1)
Artists - Use of adulteration (1)
Artists' materials - Congresses (1)
Matériel d'artistes - Congrès (1)
Oil paint driers - Use in history (1)
Paint - Congresses (1)
Painting, Modern - Conservation and restoration - Congresses (1)
Paintings - Adulteration (1)
Peinture - Congrès (1)
Peinture moderne - Conservation et restauration - Congrès (1)