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From dead-colouring to finishing: British eighteenth- and nineteenth- century oil paint application as discussed in contemporary oil painting instruction books
Carlyle, Leslie; Sue-Anne Wallace, Jacqueline Macnaughtan, Jodi Parvey. Canberra. Pages 103-116 dans The articulate surface: dialogues on paintings between conservators, curators and art historians [conference held in Canberra, May 1-3, 1992], Humanities Research Centre monograph series; no. 10. (1996),# 13399 ND 1635 A79 1992 (Staff Bibliography)
Varnish preparation and practice 1750-1850
Carlyle, Leslie; Joyce H. Townsend. London. Pages 21-28 dans Turner's painting techniques in context, 1995 [papers presented at the Tate Gallery conference, June 1993], (1995),ND 497 T8 T87 1995 (Staff Bibliography)
British nineteenth-century oil painting instruction books: a survey of their recommendations for vehicles, varnishes and methods of paint application
Carlyle, Leslie; John S. Mills, Perry Smith. London. Pages 76-80 dans Cleaning, retouching and coatings: technology and practice for easel paintings and polychrome sculpture: preprints of the contributions to the Brussels Congress, 3-7 September 1990, (1990),AATA 28-2039 N 8554.5 I35 1990 (REF, c.2) (Staff Bibliography)
Triammonium citrate: an investigation into its application for surface cleaning
Carlyle, Leslie; Stephen Hackney, Joyce Townsend, Nick Eastaugh; Townsend, Joyce H.; Hackney, Stephen. London. Pages 44-48 dans Dirt and pictures separated: papers given at a conference hold jointly by UKIC and the Tate Gallery, January 1990, (1990),AATA 28-2037 ND 1650 D57 1990 (c.1-2) (Staff Bibliography)
An investigation of lead sulphide darkening of nineteenth century painting materials
Carlyle, Leslie; Stephen Hackney, Joyce Townsend, Nick Eastaugh; Townsend, Joyce H.. London. Pages 40-43 dans Dirt and pictures separated: papers given at a conference hold jointly by UKIC and the Tate Gallery, January 1990, (1990),AATA 28-2038 ND 1650 D57 1990 (c.1-2) (Staff Bibliography)
The artists' anticipation of change as discussed in British nineteenth century instruction books on oil painting
Carlyle, Leslie; Peter Booth, Leslie Carlyle, Maurice Davies, Christine Leback Sitwell, Nicola Kalinsky, Anna Southall, Victoria Todd, Joyce Townsend. London. Pages 62-67 dans Appearance, opinion, change: evaluating the look of paintings: papers given at a conference held jointly by the United Kingdom Institute for Conservation and the Association of Art Historians, June 1990, (1990),AATA 28-2036 ND 1630 A67 1990 (c.1-2) (Staff Bibliography)
Beyond a collection of data: what we can learn from documentary sources on artists' materials and techniques
Carlyle, Leslie; Arie Wallert, Erma Hermens, Marja Peek. [Marina del Rey, CA]. Pages 1-5 dans Historical painting techniques, materials, and studio practice: preprints of a symposium, University of Leiden, the Netherlands, 26-29 June 1995, (1995),# 12734 HD 1500 H57 1995 (Staff Bibliography)
A critical analysis of British handbooks, manuals and treatises on oil painting published in the nineteenth century: an interim report of work in progress
Carlyle, Leslie; Victoria Todd. London. Pages 54-58 dans Conservation today: papers presented at the UKIC 30th Anniversary Conference, 1988, (1988),# 11354 NK 1127.5 U54 1988 (Staff Bibliography)
Computerised summaries of condition and treatment reports for paintings
Carlyle, Leslie; D. Andrew Roberts. Cambridge, UK. Pages 487-492 dans Terminology for museums: proceedings of an international conference held in Cambridge, England, 21-24 September 1988, The Second Conference of The Museum Documentation Association, (1990),AM 139 M89 1988 # 12736 (Staff Bibliography)
Traditional Painting Varnishes Project: preliminary report on natural and artificial aging and a note on the preparation of cross-sections
Carlyle, Leslie; Binnie, Nancy E.; van der Doelen, Gisela; Boon, Jaap J.; McLean, Bonnie; Ruggles, Anne; Boon, Jaap. Braunschweig. Pages 110-127 dans Varnish: material, aesthetics, history: International Colloquium, Braunschweig, 15-17 June 1998, AdR-Schriftenreihe zur Restaurierung und Grabungstechnik; 1999. (1999),# 14158 ND 1640 V46 1998 (Staff Bibliography)
The yellow/bleaching of oil paintings and oil paint samples, including the effect of oil processing, driers and mediums on the colour of lead white paint
Carlyle, Leslie; Binnie, Nancy E.; Kaminska, Elzbieta; Ruggles, Anne. London. Pages 328-337 dans ICOM Committee for Conservation, ICOM-CC, 13th Triennial Meeting, Rio de Janeiro, 22-27 September 2002: preprints, volume 1, (2002),# 14761 N8560 I53 2002 v.1 (REF, c.2) N8560 I53 2002 CD-ROM (c.3) (Staff Bibliography)
Conservation science and materials history
Carlyle, Leslie; Susan Bradley; Townsend, Joyce H.; Townsend, Joyce. London. Pages 237-242 dans The interface between science and conservation [conference], Occasional paper (British Museum); no. 116. (1997),# 13653 N 8558 I67 1997 (Staff Bibliography)
Nineteenth-century paint media: the formulation and properties of megilps
Carlyle, Leslie; Ashok Roy, Perry Smith; Townsend, Joyce H.; Burnstock, Aviva; Odlyha, Marianne; Boon, Jaap J.. London. Pages 205-210 dans Painting techniques, history, materials and studio practice: contributions to the Dublin Congress, 7-11 September 1998, (1998),# 13911 N 8554.5 I35 1998 v.1 (2 c., c.1 REF) (Staff Bibliography)
Historical reconstructions of artists' oil paint: an investigation of oil processing methods and the use of selected artists' mediums
Carlyle, Leslie. [London, Paris]. Pages 6-8 dans Deterioration of artists' paints: effects and analysis: a joint meeting of ICOM-CC Working Groups Paintings 1 & 2 and The Paintings Section, UKIC, British Museum, London, 10th and 11th September 2001: extended abstracts of presentations, (2001),ND 1510 I36 2001 # 15147 (Staff Bibliography)
Visual deterioration in Pre-Raphaelite paintings
Carlyle, Leslie; Hackney, Stephen; Ridge, Jacqueline; Townsend, Joyce H.; van den Berg, Klaas-Jan. [London, Paris]. Pages 54-56 dans Deterioration of artists' paints: effects and analysis: a joint meeting of ICOM-CC Working Groups Paintings 1 & 2 and The Paintings Section, UKIC, British Museum, London, 10th and 11th September 2001: extended abstracts of presentations, (2001),ND 1510 I36 2001 # 15148 (Staff Bibliography)
Page-image recipe databases, a new approach for accessing art technological manuscripts and rare printed sources: the Winsor & Newton archive prototype
Carlyle, Leslie; Clarke, Mark. London. Pages 24-29 dans ICOM Committee for Conservation, ICOM-CC, 14th Triennial Meeting, The Hague, 12-16 September 2005: preprints, volume 1, (2005),N 8560 I53 2005 v. 1 (REF & c.2) # 15230 (Staff Bibliography)
Comparison of the fading and surface deterioration of red lake pigments in six paintings by Vincent van Gogh with artificially aged paint reconstructions
Carlyle, Leslie; Burnstock, Aviva; Lanfear, Ibby; van den Berg, Klaas Jan; Clarke, Mark; Hendriks, Ella; Kirby, Jo. London. Pages 459-466 dans ICOM Committee for Conservation, ICOM-CC, 14th Triennial Meeting, The Hague, 12-16 September 2005: preprints, volume 1, (2005),N 8560 I53 2005 v. 1 (REF & c.2) # 15229 (Staff Bibliography)
'A perfect ground is the very soul of art' (Kingston 1835): ground recipes for oil painting, 1600-1900
Carlyle, Leslie; Witlox, Maartje. London. Pages 519-528 dans ICOM Committee for Conservation, ICOM-CC, 14th Triennial Meeting, The Hague, 12-16 September 2005: preprints, volume 1, (2005),N 8560 I53 2005 v. 1 (REF & c.2) # 15228 (Staff Bibliography)
Page-image recipe databases: a new approach to making art technological manuscripts and rare printed sources accessible
Carlyle, Leslie; Mark Clarke, Joyce H. Townsend, Ad Stijnman; Clarke, Mark. London. Pages 49-52 dans Art of the past: sources and reconstructions: proceedings of the first symposium of the Art Technological Source Research study group, Amsterdam, October 2004, (2005),N 8554.5 A79 2005 # 15288 (Staff Bibliography)
Historically accurate reconstructions of artists' oil painting materials
Carlyle, Leslie; Mark Clarke, Joyce H. Townsend, Ad Stijnman; Witlox, Maartje. London. Pages 53-59 dans Art of the past: sources and reconstructions: proceedings of the first symposium of the Art Technological Source Research study group, Amsterdam, October 2004, (2005),N 8554.5 A79 2005 # 15289 (Staff Bibliography)
Cobalt blue, emerald green and rose madder in copal-based mediums as used by the Pre-Raphaelites
Carlyle, Leslie; Mark Clarke, Joyce H. Townsend, Ad Stijnman; Townsend, Joyce H.; Ridge, Jacqueline. London. Pages 60-68 dans Art of the past: sources and reconstructions: proceedings of the first symposium of the Art Technological Source Research study group, Amsterdam, October 2004, (2005),N 8554.5 A79 2005 # 15290 (Staff Bibliography)
Representing authentic surfaces for oil paintings: experiments with 18th- and 19th-century varnish recipes
Carlyle, Leslie; Mark Clarke, Joyce H. Townsend, Ad Stijnman. London. Pages 82-90 dans Art of the past: sources and reconstructions: proceedings of the first symposium of the Art Technological Source Research study group, Amsterdam, October 2004, (2005),N 8554.5 A79 2005 # 15291 (Staff Bibliography)