brooch
Nom de l'objet : | brooch |
Artiste ou artisan : | Pygan, Adams |
Type de l'objet : | brooch |
Catégorie de l'objet : | DRESS & ADORNMENT |
Sous-catégorie de l'objet : | metalwork |
Matériaux : | metal, silver alloy |
Technique de fabrication : | engraved inserted polished repousse stamped cut |
Numéro de catalogue : | 1590/200 |
Province d'origine : | Connecticut |
Pays d'origine : | USA |
Continent d'origine : | North America |
Culture : | Eastern Woodlands |
Secteur géo-culturel : | Eastern Woodlands |
Contexte culturel : | trade personal decoration status |
Date de début de production : | 1760 |
Date de fin de production : | 1821 |
Période : | Fur Trade |
Description : | Heart-shaped brooch with heart-shaped cutout and cross-pin. Crown-shaped top. Line engraving. Makers mark stamped on top surface. |
Fonctions : | Silver ornaments represent an important part of early exchange between Europeans, including fur traders, and First Nations people, especially in eastern and central Canada and the U.S.A. Initially, the main source of silver was British, French and Spanish coins. Most ornaments were produced by silversmiths of European origin in North America and Europe, and were actively traded only from 1760 to 1821. By the mid-18th century silver objects were produced in New England, Quebec and Montreal. Silver was used by First Nations people as a sign of rank. Silver ornaments in these styles continue to be produced by native silversmiths in central Canada and the USA. Brooches were the most popular and numerous silver ornaments. They were worn on the chest, but also in the hair. Frequently, many were worn at once in rows across the chest. |
Hauteur : | 0.3 |
Largeur : | 2.6 |
Unité de mesure linéaire : | cm |
Département : | Museum of Anthropology |
Établissement : |
UBC Museum of Anthropology
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Ville de l'établissement : | Vancouver |
Province de l'établissement : | British Columbia |
Enregistrement de l'institution : | Fiche complète provenant du site du musée |
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