paper
| Nom de l'objet : | paper |
| Artiste ou artisan : | Keiju-Sha |
| Type de l'objet : | paper |
| Catégorie de l'objet : | MISCELLANEOUS |
| Sous-catégorie de l'objet : | works on paper |
| Médium : | mucilage mulberry paste pigments |
| Support : | printed machine made paper |
| Numéro de catalogue : | Ed5.2427 |
| Province d'origine : | Toyama |
| Pays d'origine : | Japan |
| Continent d'origine : | Asia |
| Culture : | Japanese |
| Secteur géo-culturel : | East Asia |
| Contexte culturel : | sample |
| Date de fin de production : | 1974 |
| Description : | Washi sample mounted horizontally on white, labelled and folded paper with 3-pointed leaf above scrolled 'm' watermark. Rectangular stencilled sample on a light brown/white paper ground. Design of 3 brown chests with various black detail. Top right chest |
| Commentaires : | This is part of the Tesukiwashi Taikan, a collection of handmade paper published, in an edition of 1000 copies, in Tokyo as a project to commemorate the centennial of Mainchi Newspapers and to preserve Japanese handmade paper. A collection on this scale had not been made before. This collection consists of 5 boxes of mounted and labelled samples with an explanatory book in 4 of the boxes. The text is in Japanese and with less detail, in English. Compiled and edited by a special editorial staff of scholars. Published by the Mainchi Newspapers of Tokyo, Japan. |
| Fonctions : | Papermaking originated on the Asian mainland and spread to Japan by 1500 years ago. For centuries Japan has produced the greatest quantity and variety of handmade paper or washi in the world. Traditionally, papermaking was a family or community enterprise which thrived in mountain farming communities where cold, pure water and wild bast fibre shrubs, such as mulberry, are plentiful. Washi is an important cultural symbol and holds a place in nearly every aspect of Japanese life. It is also a significant aspect of both Shinto and Buddhist rites and customs. Katazomegami is used to make illustrated books, cards, folding fans, postcards, calendars, bookplates, matchboxes, and other decorative applications. This paper was first developed by Keisuke Serizawa in 1935. He adapted a textile dyeing technique. This stencil is of traditional chests, such as the 'kuruma-dansu' and the 'fundansu' seen in this sample. |
| Hauteur : | 51.5 |
| Largeur : | 36.5 |
| Unité de mesure linéaire : | cm |
| Département : | Museum of Anthropology |
| Établissement : |
UBC Museum of Anthropology
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| Ville de l'établissement : | Vancouver |
| Province de l'établissement : | British Columbia |
| Enregistrement de l'institution : | Fiche complète provenant du site du musée |
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